This title was first published in 2000: Introduced by Joanna Cannon, this volume of essays by postgraduate students at the Courtauld Institute, University of London, explores some of the ways in which art was used to express, to celebrate, and to promote the political and religious aims and aspirations of those in power in the city states of central Italy in the thirteenth and fourteenth centuries. The contributions focus on four centres: Siena, Arezzo, Pisa and Orvieto, and range over a number of media: fresco, panel painting, sculpture, metalwork, and translucent enamel. Employing a variety of methods and approaches, these stimulating essays offer a fresh look at some of the key artistic projects of the period. The dates cited in the title, 1261 and 1352, refer to two well-known works, Coppo di Marcovaldo’s Madonna del Bordone and the Guidoriccio Fresco in the Palazzo Pubblico of Siena, here newly assigned to this date. By concentrating on individual cases such as these, the essays provide rewardingly sustained consideration, at the same time raising crucial issues concerning the role of art in the public life of the period. These generously-illustrated studies introduce new material and advance new arguments, and are all based on original research. Clear and lively presentation ensures that they are also accessible to students and scholars from other disciplines. Art, Politics and Civic Religion in Central Italy, 1261-1352 is the first volume in the new series Courtauld Institute Research Papers. The series makes available original recently researched material on western art history from classical antiquity to the present day.

The cult of St. Ursula and the Eleven Thousand Virgin Martyrs of Cologne was the most widespread relic cult in medieval Europe. The sheer abundance of relics of the Eleven Thousand Virgins, which allowed for the display of immense collections, shaped the notion of corporate cohesion that characterized the cult. Though the primacy of St. Ursula as the leader of this holy band was established by the tenth century, she was conceived as the head of a corporate body. Innumerable inventories and liturgical texts attest to the fact that this cult was commemorated and referenced as a collective mass - Undecim millium virginum. This group identity informed, and was formulated by, the presentation of their relics, as well as much of the imagery associated with this cult. This book explores the visual, textual, performative, and perceptual aspects of this phenomenon, with particular emphasis on painting and sculpture in late medieval Cologne. Examining the ways in which both texts and images worked as vestments, garbing the true core of relics which formed the body of the cult, the book examines the cult from the core outward, seeking to understand hagiographic texts and images in terms of their role in articulating relic cults.

Dr Jennifer Welsh received her M.A. in Medieval Studies from Cornell University in 2000, and her M.A. and PhD in History from Duke University in 2004 and 2009. Her dissertation dealt with the cult of St. Anne in late medieval and early modern Europe. After four years as a Visiting Assistant Professor at the College of Charleston in Charleston, SC, she started working as an Assistant Professor in the Department of History at Lindenwood-University Belleville in Belleville, IL in August of 2014. This is her first book.

England, 1802 Beatrix March chose to be a governess rather than let an overbearing husband rule her. Even though she never intends to marry, it doesn't mean she can't enjoy a man's...company —especially when presented with one as tempting as notorious rake Simon Carling! Simon doesn't usually seduce virtuous governesses, but Beatrix is unlike any woman he's ever encountered. Her luscious curves were made to grace a man's bed, and he's never denied himself such satisfaction before. Flouting society's tedious conventions, in favor of thrilling chemistry, may force Beatrix and Simon to contemplate the unthinkable—marriage!

Human bodies have been represented and defined in various ways across different cultures and historical periods. As an object of interpretation and site of social interaction, the body has throughout history attracted more attention than perhaps any other element of human experience. The essays in this volume explore the manifestations of the body in Italian society from the fourteenth through the seventeenth centuries. Adopting a variety of interdisciplinary approaches, these fresh and thought-provoking essays offer original perspectives on corporeality as understood in the early modern literature, art, architecture, science, and politics of Italy. An impressively diverse group of contributors comment on a broad range and variety of conceptualizations of the body, creating a rich dialogue among scholars of early modern Italy. Contributors: Albert R. Ascoli, University of California, Berkeley; Douglas Biow, The University of Texas at Austin; Margaret Brose, University of California, Santa Cruz; Anthony Colantuono, University of Maryland, College Park; Elizabeth Horodowich, New Mexico State University; Sergius Kodera, New Design University, St. Pölten, Austria; Jeanette Kohl, University of California, Riverside; D. Medina Lasansky, Cornell University; Luca Marcozzi, Roma Tre University; Ronald L. Martinez, Brown University; Katharine Park, Harvard University; Sandra Schmidt, Free University of Berlin; Bette Talvacchia, University of Connecticut

A collection of iconic, unbelievable, and intimate stories from baseball history that celebrate the enduring impact of the national pastime. Baseball—rooted as it is in tradition and nostalgia—lends itself to the retelling of its timeless tales. So it is with the stories in Classic Baseball, a collection of articles written by award-winning journalist John Rosengren and originally published by Sports Illustrated, The New Yorker, Sports on Earth, VICE Sports, and other magazines. These are stories about the game’s legends—Ty Cobb, Christy Mathewson, Josh Gibson, Bob Feller, Frank Robinson, Sandy Koufax, Kirby Puckett—and its lesser-knowns with extraordinary stories of their own. They cover some of the game's most famous moments, like Hank Aaron hitting No. 715, and some you've never heard of, like the time the Ku Klux Klan played a game against an all-Black team. Whether it be the story of John Roseboro forgiving Juan Marichal for clubbing him in the head with a bat, Elston Howard breaking down the Yankees' systemic racism to integrate America's team, or the national pastime played on snowshoes during July in a remote Wisconsin town, these are stories meant to be read and read again for their poignancy, their humor, and their celebration of baseball.