Explores the ways poets address the difficult question of how to remember, and commemorate, those killed in the First World War and beyond.

Remembering the dead is a topic which connects various cultures and traditions. The reception of the African tradition of ancestorship is a theological enrichment in the ecumenical discussions all over the world. In our time, the exchange of gifts plays a great role in promoting unity of the Churches. Especially the concepts of African theology with the incomparable special position of Jesus Christ as "proto ancestor" are important for the interconfessional dialogues. The veneration of the ancestors in Africa can be a help to begin ecumenical discussions in this regional context on the question of the veneration of the saints. According to African tradition the ancestors also have influence on the process of purification. Therefore, the veneration of the ancestors contributes to providing answers to the ecumenical controversies about the understanding of the eschatological purification.

Death and dying were not in the main focus of the denominational conflicts of the 16th century. However, pious literature covered these topics again and again, not only before the Reformation, but after it as well. Here, certain denominational differences are clearly visible. Partly, these differences consist in the use of genres: For example, funeral sermons are an often used genre among Lutherans, while they are much rarer in the Reformed tradition. Similar differences can be observed concerning epitaphs. In Roman Catholic areas, funeral sermons and epitaphs are common in the 16th century, too; but their religious function is often a different from the one in Lutheranism. Beyond such interdenominational differences, there are also interesting continuities and connections which the contributors of the volume analyze. For example, there is a certain continuity between 16th century Lutheran funeral sermons and the late medieval tradition of ars moriendi.The volume contains papers presented at the Second RefoRC Conference in Oslo in 2012, and is characterized by a multiconfessional and multidisciplinary approach, with contributions from Church History, Art History, Archaeology, History of Literature and Cultural History. Within a field of research dominated by specialized contributions (e.g. on ars moriendi traditions or on specific traditions of funeral monuments and funeral sermons), the broad approach of this volume may further stimulate to comparative and cross-confessional reflection.

As he challenges classical semiological accounts of cultural representation in this ethnography of Melanesian religious phenomenology, Thomas Maschio shows that ritual and poetic performance are about the enactment, expression, and invention of the self. Maschio demonstrates how such emotions as nostalgia, anger, sadness, and grief are creatively transformed during the course of religious performance and expression into a form of cultural memory--one that juxtaposes a pattern of cultural meaning with the emotional feeling of plenitude the Melanesian Rauto call makai. Evoked during initiation, mourning, and agricultural rites, and figuring prominently in Rauto discourse about the self, makai joins personal memory to patterned sets of images and meanings that Westerners would call culture.

This book is open access under a CC BY 4.0 licence. This book is a multidisciplinary work that investigates the notion of posthumous harm over time. The question what is and when is death, affects how we understand the possibility of posthumous harm and redemption. Whilst it is impossible to hurt the dead, it is possible to harm the wishes, beliefs and memories of persons that once lived. In this way, this book highlights the vulnerability of the dead, and makes connections to a historical oeuvre, to add critical value to similar concepts in history that are overlooked by most philosophers. There is a long historical view of case studies that illustrate the conceptual character of posthumous punishment; that is, dissection and gibbetting of the criminal corpse after the Murder Act (1752), and those shot at dawn during the First World War. A long historical view is also taken of posthumous harm; that is, body-snatching in the late Georgian period, and organ-snatching at Alder Hey in the 1990s.

It’s a New Year and it has gotten off to a very bad start for Carson. Several prominent citizens and business leaders from Humboldt are dying in some strange and bizarre accidents. Carson becomes involved when an insurance company hires him to investigate. What happens next is even more strange and bizarre for this little town in West Tennessee. The clues are everywhere, but none of them make any sense. It may be that the ‘last man standing’ is responsible for these accidents – but why? Follow Carson as he works on one his wildest adventures ever in ‘Dead Men Don’t Remember’.

Beginning with the question of the role of the past in the shaping of a contemporary identity, this volumes spans three generations of German and Austrian writers and explores changes and shifts in the aesthetics of Vergangenheitsbewältigung (coming to terms with the past). The purpose of the book is to assess contemporary German literary representations of National Socialism in a wider context of these current debates. The contributors address questions arising from a shift over the last decade, triggered by a generation change-questions of personal and national identity in Germany and Austria, and the aesthetics of memory. One of the central questions that emerges in relation to the Hitler youth generation is that of biography, as examined through Günter Grass' and Martin Walser's conflicting views on the subject of National Socialism. Other themes explored here are the conflict between the post-war generations and the contributions of that conflict to (West)-German mentality, and the growing historical distance and its influence on the aesthetics of representation.

Set in Ireland in the sixteenth century, Mutabilitie explores the area where myth meets and transforms reality and where the harshness of life is transmuted into hope by the chance meeting of a poet and a playwright.