"For approaching two centuries, the images on postage stamps have been used to convey messages from the government of the day to the general public. Science has been used to enhance those messages for the past nine decades. In this book, I explore the ways in which science and scientists have been portrayed on stamps and look at the ideas and, in some cases, the propaganda that underpins them."--Page 1.

Research into science communication has included books, newspapers, television and radio analysis but no-one has studied science on postage stamps as a communication medium. Yet stamps incorporate a literate and a visual communication message that governments have used to elucidate ideological ideals and policies, for civic education, for nation building and to advise on matters of public health. Within every stamp image is a permanent record that preserves that message information from the date of issue through many generations. This thesis examines the multiple science message roles the stamp has carried from ten representative countries since the first use of the medium. It explores paths and into how and why a country visualises and publicises its place locally and to the outside world. The taxonomy developed is applicable to other disciplines in describing classification of communication themes. 'Science' as represented on postage stamps defines the state of science and technology at a set point in time, the date of issue, and provides a commentary on society and a set of activities, functions or needs. A case study methodology has been used provide examples of the many roles of the stamp message. Half of all science stamps show the science as its main image generally accompanied by a textual description explaining the reason for issue at that particular time. The other half of all science stamps depend upon a named scientist as the focal point of the message. Events and anniversaries are the prompts for many issues. Government's hand is shown when the message is political, is nation-building and often in advising of public health issues. The nature of the image has evolved with time, which time can be related to the development of science communication when science has fragmented and is an increasingly specialist endeavour undertaken by institutions. This study analyses how, through stamp issue, the current perspective of science is shown by the context in step with the movement understood as the public understanding of science evolving into the public awareness of science.

This book explores how states in political transition use stamps to promote a new visual nationalism. Stamps as products of the state and provide small pieces of information about a state’s heritage, culture, economies and place in the world. These depictions change over time, reflecting political and cultural changes and developments. The volume explores the transition times in more than a dozen countries from Africa, Latin America, Asia and Europe. Specifically addressed are the stamp topics, issues and themes in the years before and after such major changes occurred, for example, from a European colony to political independence or from a dictatorship to democracy. The authors compare the personalities, histories, and cultural representations "before" the transition period and how the state used the "after" event to define or redefine its place on the world political map. The final three chapters consider international themes on many stamp issues, one being stamps with Disney cartoon characters, another on "themeless" Forever stamps, and the third on states celebrating women and their accomplishments. This volume has wide interdisciplinary relevance and should prove of particular interest to those studying geopolitics, political transition, visual nationalism, soft power and visual representations of decolonializing.

This book reports on research findings and practical lessons featuring advances in the areas of digital and interaction design, graphic design and branding, design education, society and communication in design practice, and related ones. Gathering the proceedings of the 6th International Conference on Digital Design and Communication, Digicom 2022, held on November 3–5, 2022, as an hybrid event, from Barcelos, Portugal, and continuing the tradition of the previous book, it describes new design strategies and solutions to foster digital communication within and between the society, institutions and brands. By highlighting innovative ideas and reporting on multidisciplinary projects, it offers a source of inspiration for designers of all kinds, including graphic and web designers, UI, UX and social media designers, and to researchers, advertisers, artists, and brand and corporate communication managers alike.

This book provides an overview of the origins and evolution of the periodic system from its prehistory to the latest synthetic elements and possible future additions. The periodic system of the elements first emerged as a comprehensive classificatory and predictive tool for chemistry during the 1860s. Its subsequent embodiment in various versions has made it one of the most recognizable icons of science. Based primarily on a symposium titled “150 Years of the Periodic Table” and held at the August 2019 national meeting of the American Chemical Society, this book describes the origins of the periodic law, developments that led to its acceptance, chemical families that the system struggled to accommodate, extension of the periodic system to include synthetic elements, and various cultural aspects of the system that were celebrated during the International Year of the Periodic Table.

‘Thank you for your order, Mr Mainframe Customer. The cost is £5 million and the lead-time for manufacture will be two years. In the meantime you will have to build a special computer centre to our specification. For our part, our project team will help you recruit and train potential programmers and we shall advise on how you might use the system.’ How different from today when the customer will want to see a specific application running before he puts a hand in his/her pocket. Chris Yardley lived the changes as a computer salesman and tells his story of a career living and working in five countries. Warts and all. The ecstasies, the heartbreaks and idiocies of major corporations. His career was not a planned one. In a growing industry, opportunities presented themselves and Chris believes he grasped every one presented. Having written his story, he has had every chapter verified by at least one person who features in that narrative. His respondents have universally endorsed the facts with comments such as ‘Wow, I’d forgotten most of that’. ‘You have a fantastic memory.’ ‘I never knew before the full facts of what happened.’ ‘How have you remembered all the circumstances?’ ‘It really is a people business.’ This is the only book that has followed a computer sales career over almost 50 years.

An international journal of research in the public dimensions of science and technology.

Branding is a profoundly geographical type of commodification process. Many things become commodities that are compared and valuated on markets around the globe. Places such as cities or regions, countries and nations attempt to acquire visibility through branding. Geographical imaginations are evoked to brand goods and places as commodities in order to show or create connections and add value. Yet, not all that is branded was originally intended and created for markets. This volume aims to broaden current understanding of branding through a series of contributions from geography, history, political studies, cultural, and media studies, offering insight into how ordinary places, objects and practices become commodities through branding. In so doing, the contributions also show how nation, place and product as targets of branding can be seen as intertwined. To discuss these forms of branding, book chapters refer to states, cities, holiday destinations, food malls, movies, dances, post stamps and other items that serve as brands and/or are branded. The book will be of interest to students and scholars in geography, sociology, history, cultural studies and business studies who would like to gain an understanding of the intricate and surprising ways in which things, places, and cultural practices become brands.

The compelling and little-known history of satellite communications that reveals the Soviet and Eastern European roles in the development of its infrastructure. Taking its title from Hannah Arendt’s description of artificial earth satellites, No Heavenly Bodies explores the history of the first two decades of satellite communications. Christine E. Evans and Lars Lundgren trace how satellite communications infrastructure was imagined, negotiated, and built across the Earth’s surface, including across the Iron Curtain. While the United States’ and European countries’ roles in satellite communications are well documented, Evans and Lundgren delve deep into the role the Soviet Union and other socialist countries played in shaping the infrastructure of satellite communications technology in its first two decades. Departing from the Cold War binary and the competitive framework that has animated much of space historiography and telecommunications history, No Heavenly Bodies focuses instead on interaction, cooperation, and mutual influence across the Cold War divide. Evans and Lundgren describe the expansion of satellite communications networks as a process of negotiation and interaction, rather than a simple contest of technological and geopolitical prowess. In so doing, they make visible the significant overlaps, shared imaginaries, points of contact and exchange, and negotiated settlements that determined the shape of satellite communications in its formative decades.

Brings teaching primary science to life, with dedicated chapters for chemistry, physics, biology and earth and environmental science.