Study of the origins of fascism in Europe during the twenties and thirties, vividly depicting the mass rallies, emotional speeches and street clashes which attended its growth.

In this new edition of The Rise of the Nazis, Conan Fischer takes stock of the current debates on how and why the Nazis seized power in Germany. The book begins with an overview of the historical context within which Nazism grew, looking at foreign relations, politics and society of Weinmar, and in particular, at the role of the elites in the rise of Nazism. It proceeds to examine the anatomy of Nazism itself. Since the publication of the first edition, important new works have appeared and this new scholarship has been incorporated into the text.

Sally Marks provides a compelling analysis of European diplomacy between the First World War and Hitler's advent. She explores in clear and lively prose the reasons why successive efforts failed to create a lasting peace in the interwar era. Building on the theories of the first edition - many of which have become widely accepted since its publication in 1976 - Marks reassesses Europe's leaders of the period, and the policies of the powers between 1918 and 1933, and beyond. Strongly interpretative and archivally based, The Illusion of Peace examines the emotional, ethnic, and economic factors responsible for international instability, as well as the distortion of the balance of power, the abnormal position of the Soviet Union, the weakness of France and the uncertainty of her relationship with Britain, and the inadequacy of the League of Nations. In so doing, the study clarifies the complex topics of reparations and war debts and challenges traditional assumptions, concluding that widespread western devotion to disarmament and dedication to peace were two of several reasons why democratic statesmen could not respond decisively to Hitler's threat. In this new edition Marks also argues that the Allied failure to bring defeat home to the German people in 1918-19 generated a resentment which contributed to interwar instability and Hitler's rise. This highly successful study has been thoroughly revised and updated to reflect the latest scholarship. Now in its second edition, it remains the essential introduction to the tense political and diplomatic situation in Europe during the interwar years.

In the opinion of some historians the era of fascism ended with the deaths of Mussolini and Hitler. Yet the debate about its nature as a historical phenomenon and its value as a term of historical analysis continues to rage with ever greater intensity, each major attempt to resolve it producing different patterns of support, dissent, and even hostility, from academic colleagues. Nevertheless, a number of developments since 1945 not only complicate the methodological and definitional issues even further, but make it ever more desirable that politicians, journalists, lawyers, and the general public can turn to "experts" for a heuristically useful and broadly consensual definition of the term. These developments include: the emergence of a highly prolific European New Right, the rise of radical right populist parties, the flourishing of ultra-nationalist movements in the former Soviet empire, the radicalization of some currents of Islam and Hinduism into potent political forces, and the upsurge of religious terrorism. Most monographs and articles attempting to establish what is meant by fascism are written from a unilateral authoritative perspective, and the intense academic controversy the term provokes has to be gleaned from reviews and conference discussions. The uniqueness of this book is that it provides exceptional insights into the cut-and-thrust of the controversy as it unfolds on numerous fronts simultaneously, clarifying salient points of difference and moving towards some degree of consensus. Twenty-nine established academics were invited to engage with an article by Roger Griffin, one of the most influential theorists in the study of generic fascism in the Anglophone world. The resulting debate progressed through two 'rounds' of critique and reply, forming a fascinating patchwork of consensus and sometimes heated disagreement. In a spin-off from the original discussion of Griffin's concept of fascism, a second exchange documented here focuses on the issue of fascist ideology in contemporary Russia. This collection is essential reading for all those who realize the need to provide the term 'fascism' with theoretical rigor, analytical precision, and empirical content despite the complex issues it raises, and for any specialist who wants to participate in fascist studies within an international forum of expertise. The book will change the way in which historians and political scientists think about fascism, and make the debate about the threat it poses to infant democracies like Russia more incisive not just for academics, but for politicians, journalists, and the wider public.

This is the first comprehensive account of the diversity and complexity of censorship practices in Italy under the Fascist dictatorship. Through archival material it shows how practices of censorship were used to effect regime change, to measure and to shape public opinion, behaviour and attitudes in the twenty years of Mussolini's dictatorship.

Fascism and Political Theory offers both students and researchers a thematic analysis of fascism, focusing on the structural and ideological links between fascism, capitalism and modernity. Intended as a critical discussion of the origins and development of fascist ideology, each chapter deals with a core substantive issue in political theory relevant to the study of fascism and totalitarianism, beginning with an assessment of the current state of debate. The emphasis on formal ideology in contemporary Anglo-American historiography has increased our awareness of the complexity and eclectic nature of fascist ideologies which challenge liberalism and social democracy. Yet in too many recent works, a programmatic or essentialist reading of fascist ideology as a ‘secular religion’ is taken for granted, while researchers remain preoccupied with the search for an elusive ‘fascist minimum’. In this book Woodley emphasizes that many outstanding questions remain, including the structural and ideological links between fascism and capitalism, the social construction of fascist nationalism, and the origins of fascist violence in European colonialism. This volume consolidates the reader’s theoretical understanding and provides the interdisciplinary skills necessary to understand the concrete social, economic and political conditions which generate and sustain fascism. A timely critique of culturalist and revisionist approaches in fascism studies which provides a concise overview of theoretical debates between liberalism, Marxism and poststructuralism, this text will be of great interest to students of politics, modern history and sociology.

How and why did Britain become involved in the First World War? Taking into account the scholarship of the last twenty-five years, this second edition of Zara S. Steiner's classic study, thoroughly revised with Keith Neilson, explores a subject which is as highly contentious as ever. While retaining the basic argument that Britain went to war in 1914 not as a result of internal pressures but as a response to external events, Steiner and Neilson reject recent arguments that Britain became involved because of fears of an 'invented' German menace, or to defend her Empire. Instead, placing greater emphasis than before on the role of Russia, the authors convincingly argue that Britain entered the war in order to preserve the European balance of power and the nation's favourable position within it. Lucid and comprehensive, Britain and the Origins of the First World War brings together the bureaucratic, diplomatic, economic, strategical and ideological factors that led to Britain's entry into the Great War, and remains the most complete survey of the pre-war situation.

Yugoslavia was a phenomenon of the 'short' twentieth century. Its two incarnations fell between the cataclysm of the First World War which destroyed the old order, and the transformation of Europe which followed the collapse of communism in 1989. The task of building a viable, unified state was complicated not only by Yugoslavia's diverse cultural composition, but also by the pressures which the evolution of international society have placed on the modern state. Yugoslavia - Explains and examines the key themes in the history of the former Yugoslavia - Synthesises the main strands in contemporary debate about the origins of the Yugoslav crisis - Presents a truly international history, exposing in full the role played by other countries in the rise and fall of the nation Focussing on both domestic and external factors, Ann Lane presents a balanced analysis of this ultimately failed attempt at state-building in a region of cultural diversity.

"The Origins of the Second World War explores the reasons why the Second World War broke out in September 1939 and not sooner, and why a European war expanded into world war by 1941. Richard Overy argues that this was not just 'Hitler's War' but one that had its roots and origins in the decline of the old empires of Britain and France and the rise of ambitious new powers in Germany, Italy and Japan. Any explanation of the outbreak of hostilities must be multinational in scope taking into account the basic instability of the international system that had still not recovered from the shocks of the Great War. In this third edition: The role of Italy in the approach to war has been re-evaluated; Overy addresses recent revelations about Soviet policy in the 1930s, particularly exploring Soviet military planning and preparations; Arguments about Chamberlain and his policy of appeasement are rethought and reassessed. This new edition has now been completely overhauled, updated, expanded and reset. With a comprehensive documents section, colour plates, Guide to Who's Who, and a Chronology, The Origins of the Second World War will provide an invaluable introduction to any student of this fascinating period."--Page 4 of cover

The Making of Modern Libya is a thorough examination of the social, cultural, and historical background of modern Libya. Ali Abdullatif Ahmida examines the reaction of the ordinary Libyan people to colonialism and nationalism, from the early nineteenth century through the end of anticolonial resistance, to the rise of the modern Libyan state in 1951. Weaving together insights drawn from Arabic, French, English, and Italian sources, he challenges Eurocentric theories of social change that ignore the internal dynamics of native social history. Among other things, he shows that Sufi Islam, tribal military organization, and oral traditions were crucial in the fight against colonialism. The political and cultural legacy of the resistance has been powerful, strengthening Libyan nationalism and leading to the revival of strong attachments to Islam. The memory of this period has not yet faded, and appreciation of this background is essential to understanding modern Libya. This new edition also investigates Libya's postcolonial nationalist policies, bringing the argument up to the present.