The Character of Seventeenth-Century French Protestantism and the Place of the Huguenot Refuge following the Revocation of the Edict of Nantes Thirty-seven years ago the late Emile-G. Leonard regretted that there were so few historical studies of seventeenth-century French Protestantism and no general 1 historical synthesis for the period as a whole. At the time Leonard's observation was accurate. Seventeenth-century French Protestantism traditionally remained a questionable and problematical subject for historians. All too frequently historians neglected it in favor of emphasizing its origins in the second-half of the sixteenth century and its renascence since the French Revolution. When the rare historian broke his silence and considered French Protestantism in the seventeenth-century, was meager and generally ambivalent or negative. The historiographer his treatment of seventeenth-century French Protestantism could only cite the outstanding works of Jean Pannier and Orentin Douen, which taken together emphasized the new pre eminence of Parisian Protestantism in the seventeenth century, and the genuine works of synthesis by John Vienot and Matthieu Lelievre, which again had to be placed side by side in order to complete coverage of the whole of the seventeenth 2 century. The only true intellectual history of seventeenth-century French Protestantism was the study by Albert Monod, which, however, dealt with the second-half of the century and, then, only in the broad context of both Protestant 3 and Catholic thought responding to the challenge of modern rationalism.

The chapters of this book have diverse origins. They were written over the period 1954-1984. Several (i.e., three, four, seven, and ten) were originally published in scholarly journals. Several (i.e., one, eight, nine, and eleven) are excerpts from my previous books: Soldiers of the States and Federalism: Origin, Operation and Significance. And several (i.e., two, five, and six) were written for conferences and are now published here for the first time. Despite the fact that this history suggests they are quite unrelated, these chapters do indeed center on one theme: the continuity of American federalism. In order to emphasize that theme, I have written an introduction and an initial commentary for each chapter. These commen taries, taken together, with the introduction, constitute the exposition of the theme. Some of these chapters (four, six, and ten) were written with my students, Ronald Schaps, John Lemco, and William Bast. They did much of the research and analysis so the credit for these chapters belongs to them as much as to me. Chapter five is based quite closely on William Paul Alexander's dissertation for the Ph. D. degree at the University of Rochester, 1973.

This highly original study provides a detailed analysis of Catherine the Great's celebrity avant la lettre and how gender, power, and scandal made it commercially successful. In 1762, when Catherine II overthrew her husband to seize the throne of the Russian Empire, her instant popular fame in regions of Europe far from her own domains fit the still new discourse of modern celebrity and soon helped shape it. Catherine the Great and Celebrity Culture in Eighteenth-Century Europe shows that over the next 35 years Catherine was part of a standard troika of celebrity-making agents-intriguing central figure, large-scale media, and an engaged public. Ruth P. Dawson reveals how writers, print makers, newspaper editors, playwrights, and more-the 18th-century's media workers-laboured to produce marketable representations of the empress, and audiences of non-elite readers, viewers, and listeners savoured the resulting commodities. This book presents long neglected material evidence of the tsarina's fantasy-inducing fame, examines the 1762 coup as the indispensable story that first constructed her distant public image, and explains how the themes of enlightenment, luxury consumption, clashing gender roles, and exotic Russia continued to attract non-elite fans and anti-fans during the middle decades of her reign. For the later years, the book considers the scrutiny inspired by the French Revolution and Catherine's skewering in unsparing misogynist cartoons as they applied to visual representations, her achievements as ruler, the long-ago overthrow of her husband, and her gradually revealed list of lovers. Dawson reflects on Catherine II's demise in 1796 and how this instigated a final burst of adoration, loathing, and ambivalence as new accounts of her life, both real and fictional, claimed to unwrap the final secrets of the first modern international female celebrity – even now the only woman in history widely known as 'the Great'.

More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.

An international quarterly devoted to intellectual history.