Originally published in 1924, this book provides a catalogue of the original titles of the road maps and itineraries produced for the roads of Great Britain between 1570 and 1850. Fordham, who published several other books on the subject of cartography, also provides a bibliography on the history of these road books, and provides more detailed chapter breakdowns for the larger itineraries in his catalogue. This book will be of value to anyone with an interest in historical maps or the history of England, Scotland and Wales.

"It contains 246 original titles, of which 24 are of foreign roadbooks of and including, British roads, and principally published abroad ... the Scottish roadbooks ranging from 1681 to 1840 ... of Welsh road-books there appear to be only about 20 ..."--P. xv.

"It contains 246 original titles, of which 24 are of foreign roadbooks of and including, British roads, and principally published abroad ... the Scottish roadbooks ranging from 1681 to 1840 ... of Welsh road-books there appear to be only about 20 ..."--P. xv.

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"An important and scholarly work; bringing together much information available heretofore only in scattered sources. Easily readable." — Gerald I. Alexander, F.R.G.S. Cartographer, Map Division, New York Public Library. The first authoritative history of maps and the men who made them. The historical coverage of this volume is immense: from the first two centuries A.D. — Strabo and Ptolemy — through the end of the 19th century, with some discussion of 20th-century developments. 86 illustrations. Extensive notes and bibliography. "Mr. Brown felicitously marries scholarship to narrative and dramatic skill." — Henry Steele Commager.

From the 15th century on, engravings influenced European culture almost as profoundly as books. Like stained glass windows in the Middle Ages or television today, popular prints were designed to reach even the lowest orders of society. In the 17th century, Peter Stent, whose shop stood outside Newgate, was England's most prolific seller of popular prints, maps, and copybooks to the working and rising middle classes. His inventory of copper plates reflected the shifts of popular tastes during this period and commented directly on the turbulent events of the day. In documenting Stent's output, Alexander Globe studied the printsellers' advertising catalogues as external controls for reconstructing inventories as well as indices to contemporary tastes. From these and other contemporary sources, Globe cites every engraving and book attributable to Stent, breaking down the material into types: portraits, maps, miscellaneous sheets, and books (including works on handwriting, politics, natural history, anatomy, costume, and architecture). References and additions are made to the catalogues of Donald Wing and A.M. Hind. Globe takes the history of engraving beyond Hind by including prints from the Commonwealth, Protectorate, and early Restoration periods. Eight appendices supplement the catalogue information. They provide evidence for print identificiation, discuss paper sizes, and list Stent's artists, suppliers, and business associates. All the collectiions in which Stent items may be found are named. The volume concludes with a bibliography and indices of subject as well as post-17th century authors. Globe's introduction to Stent's work is concerned with the social, political, and economic conditions leading to the emergence of a popular printseller who catered to a different clientele from that usually studied by art historians. Stent's career illustrates the mid-17th century commercial revolution which saw the artisan's customers change from the wealthy leisure class to the worker who wanted mass-produced cheap goods. Drawing on material in a hundred libraries and museums around the world, the catalogue describes over fifteen hundred engravings, including 319 sheets and five books of portraits, 42 maps, 102 miscellaneous prints and sets (with religious, classical, heeraldic, and satirical subjects), and 86 books (on handwriting, politics, military training, natural history, figure sketches, costume, architecture, and ornament). Richly illustrated with 319 plates, Peter Stent will prove valuable not only to print dealers, art historians, museums, and libraries, but also to social, cultural, and political historians.

Great Britain and Ireland enjoy a rich cartographic heritage, yet historians have not made full use of early maps in their writings and research. This is partly due to a lack of information about exactly which maps are available. With the publication of this volume from the Royal Historical Society, we now have a comprehensive guide to the early maps of Great Britain. The book is divided into two parts: part one describes the history and purpose of maps in a series of short essays on the early mapping of the British Isles; part two comprises a guide to the collections, national and regional. Now available from Cambridge University Press, this volume provides an essential reference tool for anyone requiring to access maps of the British Isles dating back to the medieval period and beyond.

A historian examines the evolution of dissenting thought and how it shaped the transformation of England from a rural to an urban, industrialized society. The foundations for the Industrial Revolution were in place from the late Middle Ages, when the early development of manufacturing processes and changes in the structure of rural communities began to provide opportunities for economic and social advancement. Successive waves of Huguenot migrants and the influence of Northern European religious ideology also played an important role in this process. The Civil Wars would provide a catalyst for the dissemination of new ideas and help shape the emergence of a new English Protestantism and divergent dissident sects. The persecution that followed strengthened the Nonconformist cause, and for the early Quakers it intensified their unity and resilience—qualities that would prove to be invaluable for business. The book proceeds to explore how in the years following the Restoration, Nonconformist ideas fueled enlightened thought, creating an environment for enterprise but also a desire for more radical change, how reformers seized on the plight of a working poor alienated by innovation and frustrated by false promises—and how the vision which was at first the spark for innovation would ignite revolution.