This international volume draws together key research that examines visual arts of the past and contemporary indigenous societies. Placing each art style in its temporal and geographic context, the contributors show how depictions represent social mechanisms of identity construction, and how stylistic differences in product and process serve to reinforce cultural identity. Examples stretch from the Paleolithic to contemporary world and include rock art, body art, and portable arts. Ethnographic studies of contemporary art production and use, such as among contemporary Aboriginal groups, are included to help illuminate artistic practices and meanings in the past. The volume reflects the diversity of approaches used by archaeologists to incorporate visual arts into their analysis of past cultures and should be of great value to archaeologists, anthropologists, and art historians. Sponsored by the World Archaeological Congress.

The main research focus of the Collaborative Research Centre SFB 389 ACACIA (Arid Climate Adaptation and Cultural Innovation in Africa), established at the University of Cologne in 1995, was the interaction between man and arid environments in Africa (KUPER et al. 2007). An important part was played by the diachronic examination of these processes and their development during the Holocene period in Northeast and Southwest Af ri ca. A longterm aim of the interdisciplinary research projects was the comparison of the Holocene settlement history and palaeoecology and the identification of common and divergent developments in both hemispheres. The volume at hand describes some results of the project B4: “Palaeoecology and the Late Holocene Occupation of Northern Namibia”. Regional focus is the northern part of the Kunene Region, the Opuwo District (former Kaokoland), a region in the arid limits between the Namib Desert and the savanna of the interior highlands. Three different scientific fields – namely prehistoric archaeology, archaeobotany and archaeozoology – cooperated in the fieldwork and analysis to reconstruct the prehistoric cultures and environment in the research area during the Holocene time period. Unfortunately, the archaeozoological results are still missing and not included in this book.

This book constitutes the refereed post-conference proceedings of the 8th International Conference on Digital Heritage, EuroMed 2020, held virtually in November 2020. The 37 revised project papers and 30 revised short papers presented were carefully reviewed and selected from 326 submissions. The papers are on topics such as digital data acquisition technologies in CH/2D and 3D data capture methodologies and data processing; remote sensing for archaeology and cultural heritage management and monitoring; interactive environments and applications; reproduction techniques and rapid prototyping in CH; e-Libraries and e-Archives in cultural heritage; virtual museum applications (e-Museums and e-Exhibitions); visualisation techniques (desktop, virtual and augmented reality); storytelling and authoring tools; tools for education; 2D and 3D GIS in cultural heritage; and on-site and remotely sensed data collection.