This Cambridge history is the definitive guide to the comparative history of the Romance languages. Volume I is organized around the two key recurrent themes of persistence (structural inheritance and continuity from Latin) and innovation (structural change and loss in Romance).

This vintage book contains a complete handbook on quilting in three parts: “History and Quilt Patches”, “Quilts—Antique and Modern”, and “Quilting and Quilting Designs”. A detailed and fascinating exploration of the history and development of quilting, this is a volume that will appeal to those with an interest in the textile industry, and one that would make for a fantastic addition to any collection. Contents include: “Origin and History of Quilt-making with Photographic Reproduction of Patches”, “The Romance of Patchwork”, “Quilt Names”, “The Quilting Bee”, “The Quilt's Place in Art”, “The Quilt in the Twentieth Century”, “Historical Quilts from Recent Exhibitions”, “Gleanings from Old Scrapbooks”, “How to Make a Quilt”, “Reproductions of Quilt Patches”, etc. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, high-quality edition complete with a specially commissioned new introduction on quilting.

The book provides highlights on the key concepts and trends of evolution in History of Fiction in China, as one of the series of books of “China Classified Histories”.

In the half century before Walter Scott's Waverley , dozens of popular novelists produced historical fictions for circulating libraries. This book examines eighty-five popular historical novels published between 1762 and 1813, looking at how the conventions of the genre developed through a process of imitation and experimentation.

Art and the Historical Film provides an important examination of fine art's impact on filmmaking, grappling with the question of authenticity. From Eugene Delacroix's interpretation of the 1830 French revolution to Uli Edel's version of the Baader-Meinhof Gang, artistic representations of historical subjects are appealing and pervasive. Movies often adapt imagery from art history, including paintings of historical events. Films and art shape the past for us and continue to affect our interpretation of history. While historical films are often argued over for their adherence to "the facts," their real problem is realism: how can the past be convincingly depicted? Realism in the historical film genre is often nourished and given credibility by its use of painterly references. This book examines how art-historical images affect historical films by going beyond period detail and surface design to look at how profound ideas about history are communicated through pictures. Art and the Historical Film: Between Realism and the Sublime is based on case studies that explore the links between art and cinema, including American independent Western Meek's Cutoff (Kelly Reichardt, 2010), British heritage film Belle (Amma Asante, 2013), and Dutch national epic Admiral (Roel Reiné, 2014). The chapters create immersive worlds that communicate distinct ideas about the past through cinematography, production design, and direction, as the films adapt, reference, and transpose paintings by artists such as Rubens, Albert Bierstadt, and Jacques-Louis David.