The Roots of Jewish Consciousness, Volume Two: Hasidism is the second volume, fullyannotated, of a major, previously unpublished, two-part work by Erich Neumann (1905–1960). It was written between 1940 and 1945, after Neumann, then a young philosopher and physician and freshly trained as a disciple of Jung, fled Berlin to settle in Tel Aviv. He finished this work at the end of World War II. Although he never published it, he kept it the rest of his life. Volume Two, Hasidism, is devoted to the psychological and spiritual wisdom embodied in Jewish spiritual tradition. Relying on Jung’s concepts and Buber’s Hasidic interpretations, Neumann seeks alternatives to the legalism and anti-feminine bias that he says have dominated collective Judaism since the Second Temple. He argues that modern Jews can develop psychological wholeness through an appropriation of Hasidic legends, Talmudic texts, and Kabbalistic mysteries, including especially the Zohar. Exclusively, this volume includes a foreword by Moshe Idel. An appendix, Neumann’s four-lecture series from the 1940s, gives a glimpse of his intended, unpublished Part Three. These volumes anticipate Neumann’s later works, including Depth Psychology and a New Ethic, The Origins and History of Consciousness, and The Great Mother. In Volume Two, Hasidism, his concept of the ego–Self axis is developed in clearly psychological terms. Four previously unpublished essays, appended to Volume Two, illustrate Neumann’s developmental psychology, including his theme of primary and secondary personalization. This unique work will appeal to Jungian analysts and psychotherapists in training and in practice, historians of psychology, Jewish scholars, biblical historians, teachers of comparative religion, as well as academics and students.

The Roots of Jewish Consciousness, Volume One: Revelation and Apocalypse is the first volume, fully annotated, of a major, previously unpublished, two-part work by Erich Neumann (1905–1960). It was written between 1934 and 1940, after Neumann, then a young philosopher and physician and freshly trained as a disciple of Jung, fled Berlin to settle in Tel Aviv. He finished the second volume of this work at the end of World War II. Although he never published either volume, he kept them the rest of his life. The challenge of Jewish survival frames Neumann’s work existentially. This survival, he insists, must be psychological and spiritual as much as physical. In Volume One, Revelation and Apocalypse, he argues that modern Jews must relearn what ancient Jews once understood but lost during the Babylonian Exile: that is, the individual capacity to meet the sacred directly, to receive revelation, and to prophesy. Neumann interprets scriptural and intertestamental (apocalyptic) literature through the lens of Jung’s teaching, and his reliance on the work of Jung is supplemented with references to Buber, Rosenzweig, and Auerbach. Including a foreword by Nancy Swift Furlotti and editorial introduction by Ann Conrad Lammers, readers of this volume can hold for the first time the unpublished work of Neumann, with useful annotations and insights throughout. These volumes anticipate Neumann’s later works, including Depth Psychology and a New Ethic, The Origins and History of Consciousness, and The Great Mother. His signature contribution to analytical psychology, the concept of the ego–Self axis, arises indirectly in Volume One, folded into Neumann’s theme of the tension between earth and YHWH. This unique work will appeal to Jungian analysts and psychotherapists in training and in practice, historians of psychology, Jewish scholars, biblical historians, teachers of comparative religion, as well as academics and students.

Life and Work of Erich Neumann: On the Side of the Inner Voice is the first book to discuss Erich Neumann’s life, work and relationship with C.G. Jung. Neumann (1905–1960) is considered Jung’s most important student, and in this deeply personal and unique volume, Angelica Löwe casts Neumann's comprehensive work in a completely new light. Based on conversations with Neumann’s children, Rali Loewenthal-Neumann and Professor Micha Neumann, Löwe explores Neumann’s childhood and adolescent years in Part I, including how he met his wife and muse Julie Blumenfeld. In Part II the book traces their life and work in Tel Aviv, where they moved in the early 1930s amid growing anti-Jewish tensions in Hitler’s Germany. Finally, in Part III, Löwe analyses Neumann’s most famous works. This is the first book-length discussion of the existential questions motivating Neumann’s work, as well as the socio-historical circumstances pertaining to the problem of Jewish identity formation against rising anti-Semitism in the early 20th century. It will be essential reading for Jungian analysts and analytical psychologists in practice and in training, as well as scholars of Jungian and post-Jungian studies and Jewish studies.

The volume, composed by excellent scholars from different academic disciplines, is a comprehensive handbook devoted to the complex relationship between modern Judaism and historical thinking in Europe, the United States, and Israel from the Enlightenment to the present. Apart from analyzing the emergence of a new scholarly historical paradigm during this period, the contributions interpret the interaction and the tensions between Jewish historiography and other disciplines such as literature, theology, sociology, and philosophy, describe the way historical consciousness was popularized and used for ideological purposes and explore the impact of different – religious or secular – identities on the historical representation of the Jewish past. A final part envisions new theoretical and methodological concepts within the field, including cultural studies and gender studies.

This volume of the Casden Institute's The Jewish Role in American Life annual series introduces new scholarship on the long-standing relationship between Jewish-Americans and the worlds of American popular music. Edited by scholar and critic Josh Kun, the essays in the volume blend single-artist investigations with looks at the industry of music making as a whole. They range from Jewish sheet music to the risqué musical comedy of Belle Barth and Pearl Williams, from the role of music in the shaping of Henry Ford's anti-Semitism to Bob Dylan's Jewishness, from the hybridity of the contemporary "Radical Jewish Culture" scene to the Yiddish experiments of 1930s African-American artists. Contents: Foreword (Gayle Wald); Introduction (Josh Kun); "Cohen Owes Me Ninety-Seven Dollars, and other Tales from the Jewish Sheet- Music Trade" (Jody Rosen); "'Dances Partake of the Racial Characteristics of the People Who Dance Them' : Nordicism, Antisemitism, and Henry Ford's Old Time Music and Dance Revival" (Peter La Chapelle); "Ovoutie Slanguage is Absolutely Kosher: Yiddish in Scat- Singing, Jazz Jargon, and Black Music" (Jonathan Z. S. Pollack); "'If I Embarrass You, Tell Your Friends' : Belle Barth, Pearl Williams, and the Space of the Risque" (Josh Kun); "'Here's a foreign song I learned in Utah' : The Anxiety of Jewish Influence in the Music of Bob Dylan" (David Kaufman); "Jazz Liturgy, Yiddishe Blues, Cantorial Death Metal, and Free Klez: Musical Hybridity in Radical Jewish Culture" (Jeff Janeczco).

This collection of essays continues the investigation of religious experience in early Judaism and early Christianity begun in Experientia, Volume 1, by addressing one of the traditional objections to the study of experience in antiquity. The authors address the relationship between the surviving evidence, which is textual, and the religious experiences that precede or ensue from those texts. Drawing on insights from anthropology, sociology, social memory theory, neuroscience, and cognitive science, they explore a range of religious phenomena including worship, the act of public reading, ritual, ecstasy, mystical ascent, and the transformation of gender and of emotions. Through careful and theoretically informed work, the authors demonstrate the possibility of moving from written documents to assess the lived experiences that are linked to them. The contributors are István Czachesz, Frances Flannery, Robin Griffith-Jones, Angela Kim Harkins, Bert Jan Lietaert Peerbolte, John R. Levison, Carol A. Newsom, Rollin A. Ramsaran, Colleen Shantz, Leif E. Vaage, and Rodney A. Werline.

The location of "the South" is hardly a settled or static geographic concept. Culturally speaking, are Florida and Arkansas really part of the same region? Is Texas considered part of the South or the West? This volume of The New Encyclopedia of Southern Culture grapples with the contestable issue of where the cultural South is located, both on maps and in the minds of Americans. Richard Pillsbury's introductory essay explores the evolution of geographic patterns of life within the region--agricultural practices, urban patterns, residential buildings, religious preferences, foodways, and language. The entries that follow address general topics of cultural geographic interest, such as Appalachia, exiles and expatriates, Latino and Jewish populations, migration patterns, and the profound Disneyfication of central Florida. Entries with a more concentrated focus examine major cities, such as Atlanta, New Orleans, and Memphis; the influence of black and white southern migrants on northern cities; and individual subregions, such as the Piedmont, Piney Woods, Tidewater, and Delta. Putting together the disparate pieces that make up the place called "the South," this volume sets the scene for the discussions in all the other volumes of The New Encyclopedia of Southern Culture.