Would Eve object to the presentation of her original sin in Genesis 3? Could Alexander Graham Bell possibly have foreseen the enslaving power of his great invention, the phone, over human beings today? In The Roots that Clutch, Thomas Esposito poses such questions directly by means of letters addressed to a host of deceased historical persons and literary characters. Esposito employs an eclectic blend of humor and honest curiosity in sharing insights with figures as diverse as the Greek goddess Nike, Saint Benedict, the holy city of Jerusalem, and Martin Luther King Jr. With each letter, the Cistercian monk and Catholic priest digs with the spade of his pen to unearth a dialogue on the roots or origins of realities such as sin, anger, prayer, monasticism, and his own family tree, among many others. Undergirding every letter is an invitation to discern the seeds of the Logos, the Word made flesh, planted in the soil of human thought and history. By examining these particular roots of the human condition, the author aims at cultivating fruitful meditations on the mysteries of God at work in every heart.

The Roots That Clutch tells the haunting true-story about how a young woman discovered through her PhD research on T.S. Eliot and Ezra Pound that her grandmother had had an affair with the other great American Modernist, William Carlos Williams. She also discovers that her father may be the biological child of Williams. The story is told through the experiences of the author’s persona, Jane. Written as a Bildungsroman, the novel takes place at universities and manuscript libraries in Europe and the United States over the span of 21 years. The unmistakable themes of betrayal, destiny and poetic justice are woven into the tapestry of the novel. Though as a student she is constantly the victim of academic politics and betrayals between professors, Jane is supported by a few well-connected scholars who believe her innate insight into poetry could offer vastly new perspectives in the field. Despite the never-ending struggle to continue, Jane is pushed along by an unquenchable hunch that she must not give up. As Jane slowly unravels the poetic connections between Eliot, Pound and their immediate late-nineteenth century British predecessors, she stumbles upon Eliot’s unpublished letters to Pound. Jane soon discovers that betrayal is not only an academic’s trade secret, but also a poet’s. Then, her father decides she should have a family heirloom that was her grandmother’s. It contains an inscription from Williams in it, who like Jane, had always distrusted T.S. Eliot.

Theia is an unforgiving world, one of sand and heat. There are no rains, and what water there is trickles from dying springs and wells. Those who control the waters control all. They are the god-kings. These tyrants of the last remaining city-states have shackled their subjects and depleted world, enslaving all by the might of their false divinity. Above all, they control thaûma—Theia’s magic. For anyone on the desert planet unfortunate enough to possess the ability to wield thaûma—called thaumaturges—only indoctrination and servitude await them at the hands of the god-kings. This is Tirzah's curse. Tortured by a sadistic older sister and kept locked from sight by her sycophant father, Tirzah’s life is one of shame and cruelty. Even the awakening of her thaûma brings her no respite, and she is soon used as a "gift" to curry favor with the nearest of the god-kings. She narrowly escapes her bonds with the help of a member of the insurgent thaumaturge order known as the Shadow Collective. After the rescue, Tirzah finds a new life among the outcasts of Theia’s wastelands. Yet the deserts are no place to hide, and before long the brutal realities of Theia threaten to shatter her fragile freedom, and drag her back into the shadows of the god-kings themselves. Content Note: Please be aware this work contains depictions of abuse, violence, and death/dying.

Much has been written about the effects of British culture on colonized people, but this study suggests that the influence worked both ways. Focusing on the relationship between literature and metropolitan culture, it discusses the cultural confusion caused by bringing the foreign home.

Following Germany's defeat in World War I, the Germans signed the Versailles Treaty, theoretically agreeing to limit their war powers. The Allies envisioned the future German army as a lightly armed border guard and international security force. The Germans had other plans.

Using a variety of approaches from the traditional to the post-modern, this volume brings together essays by 14 scholars who examine T.S.Eliot's poetry and criticism. These essays were written and edited on the occasion of Eliot's birth centenary.