The plans are drawn up, a site is chosen, foundations are dug: a building comes into being with the expectation that it will stay put and stay for ever. But a building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation. In this radical reimagining of architectural history, Edward Hollis tells the stories of thirteen buildings, beginning with the 'once upon a time' when they first appeared, through the years of appropriation, ruin and renovation, and ending with a temporary 'ever after'. In spell-binding prose, Hollis follows his buildings through time and space to reveal the hidden histories of the Parthenon and the Alhambra, Gloucester Cathedral and Haghia Sofia, Sans Souci and Notre Dame de Paris, Malatesta's Tempio and Loreto, and explores landmarks of our own time, from Hulme's legendary crescents to the Berlin Wall and the fibre-glass theme parks of Las Vegas.

* * * 'Informative and entertaining, this publication is a feast for the eyes, while also thought provoking, and offers excellent inspiration for daydreaming about what makes the perfect, modern house.' Wallpaper 'A fascinating selection of innovative homes....this is a thoughtful journey through the evolution of domestic architecture.' Sunday Express Over the last century the way that we live at home has changed dramatically. Nothing short of a design revolution has transformed our houses and the spaces within them - moving from traditional patterns of living all the way through to an era of more fluid, open-plan and modern styles. Whether we live in a new home or a period house, our spaces will have been shaped one way or another by the pioneering Modernists and Mid-century architects and designers who argued for a fresh way of life. Architectural and design writer Dominic Bradbury charts the course of this voyage all the way from the late 19th century through to the houses of today in this ground-breaking book. Over nineteen thematic chapters, he explains the way our houses have been reinvented, while taking in - along the way - the giants of Art Deco, influential Modernists including Le Corbusier and Frank Lloyd Wright, as well as post-war innovators such as Eero Saarinen and Philip Johnson. Taking us from the 20th to the 21st century, Bradbury explores the progress of 'modernity' itself and reveals the secret history of our very own homes.

What is design? What are the main design disciplines, and how do they interrelate? How does design theory and context help you improve your studio work? What do you need to know by the end of your course to get a good career? What can you do to become a knowledgeable designer and improve your skills so that you stand out from the crowd? Whether you are already studying design, thinking about choosing a course, or are well on your way to finding your first job, this essential and uniquely comprehensive book will introduce you to the world of design and support you throughout your studies and on into the industry. Key features Develops your core skills and supports you in making the most of your studies. Describes the multi-disciplinary design world by exploring the various design disciplines – graphics, fashion and textiles, three-dimensional design, craft, spatial, interactive media, and theatre, film and television. Contains crucial practical information so you’re ready for your career - placements, working with industry and self-employment, networking, job-seeking and how to succeed in your own business. Covers the key practical, theoretical and cultural fundamentals of design to help you understand and inform your practice - chapters on creativity and innovation, history, culture and context, how to communicate design, colour theory, aesthetics, and how to design with ethical, social and responsible considerations. Comprises chapters written by designers and lecturers, all experts in their fields. Includes stories, career profiles and first-hand quotes by students, established designers and industry specialists exploring what it’s like to study and to work in the design industry today. Identifies important books and websites for further reading. The Design Student’s Handbook will guide you along the road to a successful and fulfilling career and is an essential text for studying any of the design disciplines.

Palaces, villas and churches. These were the highlights of my first visit to Italy. I took a lot of photos and looked forward to sharing them with friends and family. Back home, though, I found that I didn’t recall much about the places that impressed me. Although I had the benefit of a half-day guide in Rome, Florence and Venice, I sometimes had difficulty hearing what was said on crowded streets and busy interiors. The guides were capable but had only enough time to mention a few major features. As a rule, they skimped on actually describing buildings that intrigued me. And so they were not especially helpful in providing the insights I wanted. Upon my return, I found myself wondering: Where did the architects actually find their ideas? What did they want to accomplish? And what do their choices tell us about their time? My sojourn in Italy would have been more satisfying if I had come away with a fuller account of what I had seen. What I most needed was context. This book supplies that context. Contemplation of antiquity and the exchange of views among architects released a surge of intellectual energy not seen for a millennium, a development that would never have happened so quickly were it not for Johannes Gutenberg’s invention of printing with movable type. This development, in turn, led to architects’ heightened self-awareness of their collective enterprise. They read what their fellow architects wrote and thereby gained in sophistication. They were no longer merely masons. They became architects in the modern sense. They took pride in their achievements and shared a conviction that the visual culture they created was far superior to that of the previous thousand years. Their embrace of classical civilisation had a visceral urgency. Rome, after all, was a culture with a storied past, peopled by larger-than-life figures. To learn what the ancients had created in word or stone could supply a shortcut to wisdom. And emulating the Romans would provide new models of aesthetic excellence. This endeavour became known as the Renaissance, or rebirth. The Reformation, however, changed everything. Martin Luther brought to issue a quandary: How exactly was Christianity to be reconciled with the pagan past, if at all? Could one source of inspiration be sustained without compromising the other? Religious reform questioned the aesthetic achievements of the previous hundred years. The story of Renaissance architecture represents the effort to find an accommodation.

From Chicago to Toronto to Shanghai, cities around the world have sprouted “iconic” buildings by celebrity architects like Frank Gehry and Daniel Libeskind that compete for attention both on the skyline and in the media. But in recent years, criticism of these extreme “gestural” structures, known for their often-exaggerated forms, has been growing. Miles Glendinning’s impassioned polemic, Architecture’s Evil Empire, looks at how today’s trademark architectural individualism stretches beyond the well-known works and ultimately extends to the entire built environment. Glendinning examines how the global empire of the current modernism emerged—particularly in relation to the excesses of global capitalism—and explains its key organizational and architectural features, placing its most influential theorists and designers in a broader context of history and artistic movements. Arguing against the excesses of iconic architecture, Glendinning advocates a vision of modern renewal that seeks to remedy the shattered and alienated look he sees in contemporary architecture. Mingling scholarship with wry humor and a genuine concern for the state of architecture, Architecture’s Evil Empire will raise many heated debates and appeal to a wide range of readers, from architects to historians, interested in the built environment.

The Interior Architecture Theory Reader presents a global compilation that collectively and specifically defines interior architecture. Diverse views and comparative resources for interior architecture students, educators, scholars, and practitioners are needed to develop a proper canon for this young discipline. As a theoretical survey of interior architecture, the book examines theory, history, and production to embrace a full range of interior identities in architecture, interior design, digital fabrication, and spatial installation. Authored by leading educators, theorists, and practitioners, fifty chapters refine and expand the discourse surrounding interior architecture.

Adaptable Architecture provides thought-provoking and inquisitive insights into how we can prolong the useful life of buildings by designing them to be more adaptable, and hence create a more sustainable built environment. The book provides a theoretical foundation counterpointed by the experiences and ideas of those involved in the design and use of buildings. It explains many approaches to designing for change, with lessons from history, and case studies including The Cedar Rapids Public Library, Kentish Town Health Centre and Folkestone Performing Arts Centre, which stretch our thinking beyond the conventional notions of adaptability. The authors reveal the many conditions that make it a complex design phenomenon, by considering the purpose, design and business case of buildings as well as the physical product. Full of summaries, diagrams, reference charts, tables, and photos of exemplar solutions for use as conversational tools or working aids, this book is for any professional or student who wants to research, question, imagine, illustrate - and ultimately design for - adaptation. In addition, further information and resources are available through the Adaptable Futures website www.adaptablefutures.com which includes additional case studies, videos, information about industry events and up-to-the-minute developments.

The Secret Lives of Saints paints a troubling portrait of an extreme religious sect. These zealous believers impose severe and often violent restrictions on women, deprive children of education and opt instead to school them in the tenets of their faith, defy the law and move freely and secretly over international borders. They punish dissent with violence and even death. No, this sect is not the Taliban, but North America's fundamentalist Mormons. Daphne Bramham explores the history and ideas of this surprisingly resilient and insular society, asking the questions that surround its continued existence and telling the stories of the men and women whose lives are so entwined with it—both the leaders and the victims.

A hospital is run like any other business with relationships involving friendships, politics, animosity, craftiness, and sometimes sex and murder. Such is the case in the hospitals in the town of Parksville. On the surface all runs smoothly with well trained personnel going about their daily jobs in a routine manner. There may be an undercurrent of threats and promises to pave the way toward increased income and status. Dr. Gannett, a former surgeon, becomes the Medical Center Director, supervising all four hospitals in the town, a lucrative position with great respect. But he sees on the horizon a tempting way to improve his situation even more. Meeting many obstacles in his path he becomes a changed man, forceful, demanding, threatening those who oppose him in his climb to greater authority. Before he meets his Nemesis he leaves a path of destruction in human lives. Fortunately there are enough good characters to carry on the superior quality of the practice of medicine in Parksville.

The Handbook of Interior Architecture and Design offers a compelling collection of original essays that seek to examine the shifting role of interior architecture and interior design, and their importance and meaning within the contemporary world. Interior architecture and interior design are disciplines that span a complexity of ideas, ranging from human behaviour and anthropology to history and the technology of the future. Approaches to designing the interior are in a constant state of flux, reflecting and adapting to the changing systems of history, culture and politics. It is this process that allows interior design to be used as evidence for identifying patterns of consumption, gender, identity and social issues. The Handbook of Interior Architecture and Design provides a pioneering overview of the ideas and arrangements within the two disciplines that make them such important platforms from which to study the way humans interact with the space around them. Covering a wide range of thought and research, the book enables the reader to investigate fully the changing face of interior architecture and interior design, while offering questions about their future trajectory.