Using ethnographic and archival sources, Chad E. Seales argues in The Secular Spectacle that white Protestants in Siler ritually engaged material cultures of racial segregation and southern industrialization that had been forged in the early twentieth century in order to reclaim public space following the arrival of Latino Catholics.

"Secular people are strangely ambiguous. They feel a tension between what they don't share and what they have in common-between avoiding religion and embracing something like it. An event as ordinary as a wedding can be uncomfortable if it feels too religious, and even for those who are indifferent to religion, a passing reference to God can be cringeworthy. And yet, religion is tough to avoid completely without living in its remainder. The Secular Paradox explains why. Relying on several years of ethnographic research among secular activists and organized nonbelievers in the United States, Blankholm shows how secular people are both absolutely not religious and part of a religion-like tradition, which includes beliefs and institutions, as well embodied practices. Recovering this tradition makes legible what secular people share with one another and explains why the secular movement in the United States remains predominately white and male. Humanistic Jews, Hispanic Freethinkers, Ex-Muslims, and black nonbelievers are secular misfits whose stories reveal the contours of the secular most clearly by proving to be more and less than what remains when Christianity is removed. The Secular Paradox offers a radically new way of understanding secularism and secular people by explaining the origins of their inherent contradiction and its awkward effects on their lives. This new understanding matters for anyone who has ever avoided something because it felt too religious, everyone who considers themselves secular, and all those who want to understand them better"--

What does it mean to be religious believers for people whose living conditions are defined by an increasingly secularized environment? Is the common distinction between faith and knowledge valid? The 21 essays cover approaches from various fields of the humanities. Some explore post-Kantian thoughts, discussing, i.a., American Pragmatism, M. Buber, M. Horkheimer, H. Putnam, J. Habermas, Ch. Taylor and variants of deconstruction, while other essays focus on ways in which the conflict between agnostics and seekers is addressed in US literary works, as in Fl. O’Connor, W. Percy, N. Hawthorne, J. Updike and in novels dealing with pandemics, for instance by L. Wright, E. M. Wiseman and R. Cook. Historical studies examine the intermingling of the sacred and the secular in the American South and neo-scholastic objections to modernity. Theological issues are being re-framed in essays discussing the relevance of pluralism, the relation of religious conviction and public opinion, the situation of scientists who believe and the thoughts of N. Frye and M. McLuhan. Finally, essays pay attention to religious aspects in works of art, e.g. in Ukrainian poetry, G. Mahler’s symphonies and in a TV show presenting new “American Gods” of globalization.

his new edition in the Collected Works of Northrop Frye series brings The Secular Scripture together with thirty shorter pieces pertaining to literary theory and criticism from the last fifteen years of Frye's life.

This volume offers up-to-date arguments for God's existence and for Jesus's deity and resurrection, answers to objections to Christian theism, and discussions of four key issues.

With a foreword from Rustom Bharucha, this book is a timely anthology which aims to unsettle our habituated modes of thinking about the place of the secular in cultural productions. The last decade alone has witnessed many religious protests against cultural productions, which have led, in some cases, to the closure of theatre and opera performances. Threats to artists led to the exile of Indian painter, MF Husain, and murder of Dutch film-maker Theo van Gogh, the controversy over the depiction of the Islamic prophet Muhammad in the Danish newspaper Jyllands-Posten in 2005 led to the cancellation of performances of Mozart’s Idomeneo for the season. Offering fresh and provocative readings that probe the limits and promise of secularity in relation to questions of performance, politics, and the public sphere, this book will be invaluable to scholars who seek to understand the dramatic rise of politicized theology in our new century.

How do religious emotions and national sentiment become entangled across the world? In exploring this theme, The Secular Sacred focuses on diverse topics such as the dynamic roles of Carnival in Brazil, the public contestation of ritual in Northern Nigeria, and the culturalization of secular tolerance in the Netherlands. The contributions focus on the ways in which sacrality and secularity mutually inform, enforce, and spill over into each other. The case studies offer a bottom-up, practice-oriented approach in which the authors are wary to use categories of religion and secular as neutral descriptive terms. The Secular Sacred will be of interest to sociologists, anthropologists, ethnographers, political scientists, and social psychologists, as well as students and scholars of cultural studies and semiotics. Chapter 1 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

What is the character of secularism in countries that were not pervaded by Christianity, such as China, India, and the nations of the Middle East? To what extent is the secular an imposition of colonial rule? How does secularism comport with local religious cultures in Africa, and how does it work with local forms of power and governance in Latin America? Has modern secularism evolved organically, or is it even necessary, and has it always meant progress? A vital extension of Charles Taylor's A Secular Age, in which he exhaustively chronicled the emergence of secularism in Latin Christendom, this anthology applies Taylor's findings to secularism's global migration. Abdullahi Ahmed An-Na'im, Rajeev Bhargava, Akeel Bilgrami, Souleymane Bachir Diagne, Sudipta Kaviraj, Claudio Lomnitz, Alfred Stepan, Charles Taylor, and Peter van der Veer each explore the transformation of Western secularism beyond Europe, and the collection closes with Taylor's response to each essay. What began as a modern reaction to—as well as a stubborn extension of—Latin Christendom has become a complex export shaped by the world's religious and political systems. Brilliantly alternating between intellectual and methodological approaches, this volume fosters a greater engagement with the phenomenon across disciplines.

Post-Secular Philosophy is one of the first volumes to consider how God has been approached by modern philosophers and consider the links between theology and postmodern thought.