Ever since the shocking revelations of the fascist ties of Martin Heidegger and Paul de Man, postmodernism has been haunted by the specter of a compromised past. In this intellectual genealogy of the postmodern spirit, Richard Wolin shows that postmodernism’s infatuation with fascism has been extensive and widespread. He questions postmodernism’s claim to have inherited the mantle of the Left, suggesting instead that it has long been enamored with the opposite end of the political spectrum. Wolin reveals how, during in the 1930s, C. G. Jung, Hans-Georg Gadamer, Georges Bataille, and Maurice Blanchot were seduced by fascism's promise of political regeneration and how this misapprehension affected the intellectual core of their work. The result is a compelling and unsettling reinterpretation of the history of modern thought. In a new preface, Wolin revisits this illiberal intellectual lineage in light of the contemporary resurgence of political authoritarianism.

An assessment of reason, being, and the good in a world fractured by the passage of the Holocaust.

Modern Christian apologists and evangelists employ a variety of tools designed to aid communities in their understanding of God and salvation via Christ's atonement. One of the ways that defenders of the faith add to their field is in discerning the real significance of the treasures found in Christ. This work begins by dissecting the true meaning of freedom in Christ from a Judeo-Christian viewpoint. Building on that foundation, it then evaluates the sociological phenomenon of postmodernism in many of its characteristics and approaches—both positive and negative. The goal is to find pathways through which the apologist can respond to postmoderns in pointing them to Christ. Finally, the work closes by discussing how a newfound understanding of freedom in Christ adds to the three main branches of apologetics: classical, reformed, and presuppositionalism.

Although the Frankfurt School represents one of the most influential intellectual traditions of the twentieth century, its multifaceted work on modern antisemitism has so far largely been neglected. The Politics of Unreason fills this gap, providing the first systematic study of the Frankfurt School's philosophical, psychological, political, and social research and theorizing on the problem of antisemitism. Examining the full range of these critical theorists' contributions, from major studies and prominent essays to seemingly marginal pieces and aphorisms, Lars Rensmann reconstructs how the Frankfurt School, faced with the catastrophe of the genocide against the European Jews, explains forms and causes of anti-Jewish politics of hate. The book also pays special attention to research on coded and "secondary" antisemitism after the Holocaust, and how resentments are politically mobilized under conditions of democracy. By revisiting and rereading the Frankfurt School's original work, this book challenges several misperceptions about critical theory's research, making the case that it provides an important source to better understand the social origins and politics of antisemitism, racism, and hate speech in the modern world.

The twenty-first century so far has seen the global rise of authoritarian populism, systematic racism, and dogmatic metaphysics. Even though these events demonstrate the growth of an age of 'unreason', in this original and compelling book John Roberts resists the assumption that such thinking displays an unthinking irrationality or loss of reason; instead he asserts that an important feature of modern reactionary politics is that it offers a supposedly convincing integration of the particular and the universal. This move is defined by what Roberts calls the 'reasoning of unreason' and has deep roots in the history of Western thought and politics. Tracing the dark history of enlightenment-disenlightenment, John Roberts explores 'the reasoning of unreason' across centuries from Aquinas, William of Ockham, the most important treatise on witchcraft Malleus Maleficarum, Locke, Kant, and Count Arthur de Gobineau, to Social Darwinism, Nazism, Carl Schmitt, Leo Strauss, and Friedrich von Hayek. Roberts provides a new set of philosophical-political tools to understand the formation and denigration of the rational subject and the current reinvestment in various forms of political unreason globally. The Reasoning of Unreason is the first book to draw on the philosophy of reason, political philosophy, political theory and political history, in order to produce a dialectical account of the 'making of reason' internal to the forces of unreason and the limits of reason.

Ever since the shocking revelations of the fascist ties of Martin Heidegger and Paul de Man, postmodernism has been haunted by the specter of a compromised past. In this intellectual genealogy of the postmodern spirit, Richard Wolin shows that postmodernism’s infatuation with fascism has been extensive and widespread. He questions postmodernism’s claim to have inherited the mantle of the Left, suggesting instead that it has long been enamored with the opposite end of the political spectrum. Wolin reveals how, during in the 1930s, C. G. Jung, Hans-Georg Gadamer, Georges Bataille, and Maurice Blanchot were seduced by fascism's promise of political regeneration and how this misapprehension affected the intellectual core of their work. The result is a compelling and unsettling reinterpretation of the history of modern thought. In a new preface, Wolin revisits this illiberal intellectual lineage in light of the contemporary resurgence of political authoritarianism.

'Postmodernism' became the buzzword of contemporary society in the 1990s. Yet, even now, it still remains confusing and baffling in its variety of defiinitions, contexts and associations. Beginning Postmodernism aims to offer clear, accessible and step-by-step introductions to postmodernism across a wide range of subjects. It encourages readers to explore how the debates about postmodernism have emerged from basic philosophical and cultural ideas, and to develop comparative connections and ideas from one area to another. With its emphasis firmly on 'postmodernism in practice', the book contains questions designed to help readers understand and reflect upon a variety of positions within the following areas of contemporary culture: philosophy and cultural theory; architecture and concepts of space; visual art, sculpture and material culture; popular culture and music; film, video and television; and the social sciences

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