The first book to show how Disraeli fashioned his personality during his formative years.

When we think of Benjamin Disraeli (1804–81), one of two images inevitably first springs to mind: either Disraeli the two-time prime minister of Britain, or Disraeli the author of major novels such as Coningsby, Sybil, and Endymion. But were these two sides of his persona entirely separate? After all, the recurring fantasy structures in Disraeli’s fictions bear a striking similarity to the imaginative ways in which he shaped his political career. Disraeli: The Romance of Politics provides a remarkable biographical portrait of Disraeli as both a statesman and a storyteller. Drawing extensively on Disraeli’s published letters and speeches, as well as on archival sources in the United Kingdom, Robert O’Kell illuminates the intimate, symbiotic relationship between his fiction and his politics. His investigation shines new light on all of Disraeli’s novels, his two governments, his imperialism, and his handling of the Irish Church Disestablishment Crisis of 1868 and the Eastern Question in the 1870s.

This book is a comprehensive review of the political career of Benjamin Disraeli, providing a thorough critical analysis of one of the most ambitious and controversial leaders in British history. ‘Disraeli and the Art of Victorian Politics’ is a major addition to our understanding of the dynamics of nineteenth-century politics.

Benjamin Disraeli (1804-81) was one of the most important political figures in 19th century Britain. However, before rising to political prominence he had established himself as a major literary figure. This set takes a critical look at Disraeli's early work.

Key themes and issues relevant to writing the social history of the Jews in the modern period are brought to the fore here in a way that is accessible both to professional historians and to educated readers with an interest in Jewish history. Some of the articles are programmatic and argumentative, others are case studies. Together they create a strong, coherent volume that demonstrates the advantages of the social historical perspective as a tool for interpreting the Jewish world.

Aims to bring alive, through the eyes of their contemporaries, three of the greatest political figures of the Victorian era - Henry, third Viscount Palmerston, Benjamin Disraeli and William Gladstone. This four-volume set draws together various documents including journals and diaries, pamphlets, correspondence, and other ephemeral literature. Volume 2 covers the political life of Benjamin Disraeli (Part I).

In 1859, the historian Lord John Acton asserted: 'two great principles divide the world, and contend for the mastery, antiquity and the middle ages'. The influence on Victorian culture of the 'Middle Ages' (broadly understood then as the centuries between the Roman Empire and the Renaissance) was both pervasive and multi-faceted. This 'medievalism' led, for instance, to the rituals and ornament of the Medieval Catholic church being reintroduced to Anglicanism. It led to the Saxon Witan being celebrated as a prototypical representative parliament. It resulted in Viking raiders being acclaimed as the forefathers of the British navy. And it encouraged innumerable nineteenth-century men to cultivate the superlative beards we now think of as typically 'Victorian'—in an attempt to emulate their Anglo-Saxon forefathers. Different facets of medieval life, and different periods before the Renaissance, were utilized in nineteenth-century Britain for divergent political and cultural agendas. Medievalism also became a dominant mode in Victorian art and architecture, with 75 per cent of churches in England built on a Gothic rather than a classical model. And it was pervasive in a wide variety of literary forms, from translated sagas to pseudo-medieval devotional verse to triple-decker novels. Medievalism even transformed nineteenth-century domesticity: while only a minority added moats and portcullises to their homes, the medieval-style textiles produced by Morris and Co. decorated many affluent drawing rooms. The Oxford Handbook of Victorian Medievalism is the first work to examine in full the fascinating phenomenon of 'medievalism' in Victorian Britain. Covering art, architecture, religion, literature, politics, music, and social reform, the Handbook also surveys earlier forms of antiquarianism that established the groundwork for Victorian movements. In addition, this collection addresses the international context, by mapping the spread of medievalism across Europe, South America, and India, amongst other places.

Examines the embedding of Jewish history and culture in depictions of English racial and national identity in nineteenth-century novels.

Inspired by Hannah Arendt's discussion of the Victorian Tory politician and novelist Benjamin Disraeli as a Jew who fought back, this book explores the complex ways in which mid-Victorian discourses of identity and belonging were interwoven with discourses of race. The book looks at Disraeli's response to the antisemitism of the period, leading him to become convinced that race was the key to understand how society works. It traces Disraeli's use of the category of race as a pivotal idea of social difference and looks at how race intersected his thinking with class, culture, gender, nation, and empire. It also shows how Disraeli's "one-nation-politics" was dependent on the idea of empire and how his representations of both nation and empire became based on race. (Series: Racism Analysis - Series A: Studies - Vol. 2)

This book is about the principal writings that shaped the perception of Turkey for informed readers in English, from Edward Gibbon’s positing of imperial Decline and Fall to the proclamation of the Turkish Republic (1923), illustrating how Turkey has always been a part of the modern British and European experience. It is a great sweep of a story: from Gibbon as standard textbook, through Lord Bryon the pro-Turkish poet, and Benjamin Disraeli the Romantic novelist of all things Eastern, followed by John Buchan's Greenmantle First World War espionage fantasies, and then Manchester Guardian reporter Arnold Toynbee narrating the fight for Turkish independence.