Rejoice in the stories of Rebbe Nachman of Breslov—for their insight into the human condition and the realm of the mysterious. When Rabbi Nachman first started telling his stories, he declared: "Now I am going to tell you stories." The reason he did so was because in generations so far from God the only remedy was to present the secrets of the Torah—including even the greatest of them—in the form of stories. —from the Preface For centuries, spiritual teachers have told stories to convey lessons about God and perceptions of the world around us. Hasidic master Rebbe Nachman of Breslov (1772–1810) perfected this teaching method through his engrossing and entertaining stories that are fast-moving, brilliantly structured, and filled with penetrating insights. This collection presents the wisdom of Rebbe Nachman, translated by Rabbi Aryeh Kaplan and accompanied by illuminating commentary drawn from the works of Rebbe Nachman's pupils. This important work brings you authentic interpretations of Rebbe Nachman’s stories, allowing you to experience the rich heritage of Torah and Kabbalah that underlies each word of his inspirational teachings.

Memoirs of Jewish life in the east European shtetl often recall the hekdesh (town poorhouse) and its residents: beggars, madmen and madwomen, disabled people, and poor orphans. Stepchildren of the Shtetl tells the story of these marginalized figures from the dawn of modernity to the eve of the Holocaust. Combining archival research with analysis of literary, cultural, and religious texts, Natan M. Meir recovers the lived experience of Jewish society's outcasts and reveals the central role that they came to play in the drama of modernization. Those on the margins were often made to bear the burden of the nation as a whole, whether as scapegoats in moments of crisis or as symbols of degeneration, ripe for transformation by reformers, philanthropists, and nationalists. Shining a light into the darkest corners of Jewish society in eastern Europe—from the often squalid poorhouse of the shtetl to the slums and insane asylums of Warsaw and Odessa, from the conscription of poor orphans during the reign of Nicholas I to the cholera wedding, a magical ritual in which an epidemic was halted by marrying outcasts to each other in the town cemetery—Stepchildren of the Shtetl reconsiders the place of the lowliest members of an already stigmatized minority.

This text describes how Yiddish storytelling became the politics of rescue for generations of displaced Jewish artists, embodying their hopes and fears in the languages of tradition. It suggests that there lies an aesthetic and moral sensibility totally at odds with Jewish humour and piety.

How and why a person comes to be possessed by a dybbuk—the possession of a living body by the soul of a deceased person—and what consequences ensue from such possession, form the subject of this book. Though possession by a dybbuk has traditionally been understood as punishment for a terrible sin, it can also be seen as a mechanism used by desperate individuals—often women—who had no other means of escape from the demands and expectations of an all-encompassing patriarchal social order. Dybbuks and Jewish Women examines these and other aspects of dybbuk possession from historical and phenomenological perspectives, with particular attention to the gender significance of the subject.