If the 1960s was the decade of peace, love and understanding, the 1970s was the decade of glitter and glam rock. Or was it? Gerard DeGroot peels away the polyester to examine what really happened in a decade that began with the death of Jimi Hendrix and ended with Ronald Reagan in the White House and Margaret Thatcher in 10 Downing Street. Some commentators have written off the Seventies as a period in which nothing happened, yet politically it was a time of great hope. Dictatorial regimes ended in Portugal, Spain, Nicaragua, Rhodesia and Greece. Accord between nations was established at Camp David, Peking, Moscow, Geneva and Brussels. For feminists, environmentalists and homosexuals, the Seventies was the decade of hope. In cultural terms, it brought the Sydney Opera House, Monty Python, Annie Hall, David Hockney and M.A.S.H. The music, with or without ABBA, was simply brilliant. But it was also a time of quite extraordinary violence and as the decade continued, the bloodshed and the hate came to dominate, whether in Jonestown, Belfast, Palestine or Cambodia. And while the violence of nations is a constant throughout history, in the 1970s ordinary people seemed to surrender to violence with frightening ease. As the Sixties chickens came home to roost, the Seventies became an era when dreams died, hope was thwarted, problems long ignored finally exploded, and optimism repeatedly crushed gave way to frustration. Incisive, iconoclastic and hugely entertaining The Seventies Unplugged is popular history at its best.

The 1960s is a decade often seen through a rose-tinted lens: an era when the young would not only rule the world but change it, too, for the better. But does such fond nostalgia really stand up? Vivid, rich in anecdote, sometimes angry and always persuasive, The Sixties Unplugged is a hugely entertaining and authoritative account of the decade of myth and madness. Read it and remember that even if you weren’t there, you can still find out what really happened.

Hard-nosed scholarship and moral passion underpin Diarmaid Ferriter's work. Now he turns to the key years of the 70s, when after half a century of independence, questions were being asked about the old ways of doing things. Ambiguous Republic considers the widespread social, cultural, economic and political upheavals of the decade, a decade when Ireland joined the EEC; when for the first time a majority of the population lived in urban areas; when economic challenges abounded; which saw too an increasingly visible feminist moment, and institutions including the Church began to be subjected to criticism.Diarmaid Ferriter's earlier books have been described as 'a landmark' and 'an immense contribution'; making 'brilliant use of new sources'; 'prodigiously gifted', and 'ground-breaking'. All those words apply to this important book based on recently opened archives and unique access to the papers of Jack Lynch and Liam Cosgrave.

The year “1968” marked the climax of protests that simultaneously captured most industrialized Western countries. The protesters challenged the institutions of Western democracies, confronting powerful, established parties and groups with an opposing force and public presence that negated traditional structures of institutional authority and criticized the basic assumptions of the post-war order. Exploring the effects the protest movement of 1968 had on the political, social, and symbolic order of the societies they called into question, this volume focuses on the consequences and echoes of 1968 from different perspectives, including history, sociology, and linguistics.

Essential for students of Theatre Studies, this series of six decadal volumes provides a critical survey and reassessment of the theatre produced in each decade from the 1950s to the present. Each volume equips readers with an understanding of the context from which work emerged, a detailed overview of the range of theatrical activity and a close study of the work of four of the major playwrights by a team of leading scholars. Chris Megson's comprehensive survey of the theatre of the 1970s examines the work of four playwrights who came to promience in the decade and whose work remains undiminished today: Caryl Churchill (by Paola Botham), David Hare (Chris Megson), Howard Brenton (Richard Boon) and David Edgar (Janelle Reinelt). It analyses their work then, its legacy today and provides a fresh assessment of their contribution to British theatre. Interviews with the playwrights, with directors and with actors provides an invaluable collection of documents offering new perspectives on the work. Revisiting the decade from the perspective of the twenty-first century, Chris Megson provides an authoritative and stimulating reassessment of British playwriting in the 1970s.

In Two Minds is the first comprehensive biography of Jonathan Miller – the story of one of post-war Britain's most intriguing polymaths. Descended from immigrants who fled Tsarist anti-Semitism to become shopkeepers in Ireland and London's East End, Miller was born into an intellectual milieu, between Bloomsbury and Harley Street – the son of a novelist and a leading child psychiatrist. Miller trained as adoctor but then forged a career as a stellar comedian and as a world-renowned theatre and opera director. He is a controversial humorist, public intellectual and TV personality. As a star in the groundbreaking satirical revue Beyond the Fringe, he shot to fame alongside Peter Cook, Dudley Moore and Alan Bennett. His expertise and interests encompass many areas, from medicine (he wrote and presented the hugely acclaimed BBC documentary series The Body in Question) to the history of art, Mozart, atheism and the nature of laughter. Jonathan Miller is one of the most multi-talented Britons of his generation, celebrated for his dazzling intelligence and anti-establishmentarian wit. Drawing on in-depth interviews, this is an entertaining and illuminating portrait of a fascinatingly complex man.

The Global 1960s presents compelling narratives from around the world in order to de-center the roles played by the United States and Europe in both scholarship on, and popular memories of, the sixties. Geographically and chronologically broad, this volume scrutinizes the concept of "the sixties" as defined in both Western and non-Western contexts. It provides scope for a set of analyses that together span the late 1950s to the early 1970s. Written by a diverse and international group of contributors, chapters address topics ranging from the socialist scramble for Africa, to the Naxalite movement in West Bengal, the Troubles in Northern Ireland, global media coverage of Israel, Cold War politics in Hong Kong cinema, sexual revolution in France, and cultural imperialism in Latin America. The Global 1960s explores the contest between convention and counter-culture that shaped this iconic decade, emphasizing that while the sixties are well-known for liberation, activism, and protest against the establishment, traditional hierarchies and social norms remained remarkably entrenched. Multi-faceted and transnational in approach, this book is valuable reading for all students and scholars of twentieth-century global history.

Explores the practice of surveillance the America of the 1970s through the discussion of a wide range of political and cultural phenomena--Watergate, the Ford presidency, Andy Warhol, disco music, the major films of the 70s, writers in the 70s (particular