The authors objective is to capture these steps and unusual musical counts in written Dance Notes format, going to great lengths to break down the steps and insure the dancer has WEIGHT on the correct foot, etc, to accomplish a faithful execution of some tricky foot work complicated by some unusual musical dance counts. A corollary objective is to set the record straight, dispelling ALL variations. The completion of this book was a labor of love, dedicated by the author to his late mother, Gertrude LeBlanc Foreman, a pioneer of the dance industry in southwest Louisiana (Acadiana) who taught dance for over 50 years and fueled my passion to dance.

Black British musicians have been making jazz since around 1920 when the genre first arrived in Britain. This groundbreaking book reveals their hidden history and major contribution to the development of jazz in the UK. More than this, though, the chapters show the importance of black British jazz in terms of musical hybridity and the cultural significance of race. Decades before Steel Pulse, Soul II Soul, or Dizzee Rascal pushed their way into the mainstream, black British musicians were playing jazz in venues up and down the country from dance halls to tiny clubs. In an important sense, then, black British jazz demonstrates the crucial importance of musical migration in the musical history of the nation, and the links between popular and avant-garde forms. But the volume also provides a case study in how music of the African diaspora reverberates around the world, beyond the shores of the USA - the engine-house of global black music. As such it will engage scholars of music and cultural studies not only in Britain, but across the world.

This vibrant history of London in the twentieth century reveals the city as a key site in the development of black internationalism and anticolonialism. Marc Matera shows the significant contributions of people of African descent to London’s rich social and cultural history, masterfully weaving together the stories of many famous historical figures and presenting their quests for personal, professional, and political recognition against the backdrop of a declining British Empire. A groundbreaking work of intellectual history, Black London will appeal to scholars and students in a variety of areas, including postcolonial history, the history of the African diaspora, urban studies, cultural studies, British studies, world history, black studies, and feminist studies.

This innovative textbook applies basic dance history and theory to contemporary popular culture examples in order to examine our own ways of moving in—and through—culture. By drawing on material relevant to students, Dance in US Popular Culture successfully introduces students to critical thinking around the most personal of terrain: our bodies and our identities. The book asks readers to think about: what embodied knowledge we carry with us and how we can understand history and society through that lens what stereotypes and accompanying expectations are embedded in performance, related to gender and/or race, for instance how such expectations are reinforced, negotiated, challenged, embraced, or rescripted by performers and audiences how readers articulate their own sense of complex identity within the constantly shifting landscape of popular culture, how this shapes an active sense of their everyday lives, and how this can act as a springboard towards dismantling systems of oppression Through readings, questions, movement analyses, and assignment prompts that take students from computer to nightclub and beyond, Dance in US Popular Culture readers develop their own cultural sense of dance and the moving body’s sociopolitical importance while also determining how dance is fundamentally applicable to their own identity. This is the ideal textbook for high school and undergraduate students of dance and dance studies in BA and BfA courses, as well as those studying popular culture from interdisciplinary perspectives including cultural studies, media studies, communication studies, theater and performance studies. Chapter 11 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution CC-BY 4.0 license.

London's Soho district underwent a spectacular transformation between the late Victorian era and the end of the Second World War: its old buildings and dark streets infamous for sex, crime, political disloyalty, and ethnic diversity became a center of culinary and cultural tourism servicing patrons of nearby shops and theaters. Indulgences for the privileged and the upwardly mobile edged a dangerous, transgressive space imagined to be "outside" the nation. Treating Soho as exceptional, but also representative of London's urban transformation, Judith Walkowitz shows how the area's foreignness and porousness were key to the explosion of culture and development of modernity in the first half of the twentieth century. She draws on a vast and unusual range of sources to stitch together a rich patchwork quilt of vivid stories and unforgettable characters, revealing how Soho became a showcase for a new cosmopolitan identity.

Love can hook you before you know it… Previously published by Samhain Publishing. Abigail has bigger problems than adjusting to her role as owner of a yarn store she inherited from her aunt. Petty crime is hurting her business, plus that of all the other shops in the area. When she spots a man stealing an orange from a neighboring store, she doesn’t hesitate to give chase—only to discover the man she’s just tackled to the ground is a cop. Detective Brody Donovan is about to slap some cuffs on the woman decked out in a yarn costume, when his better sense prevails. Her apartment is the perfect place to set up a stakeout to catch the criminal who wounded his partner. Specifically, her bedroom. The heat between them unexpectedly fries his concentration, though he can’t figure out why. She’s into ’50s nostalgia. He’s all about his job. She yearns for a man who will court her. He goes through women like tissues. But when the criminal finally surfaces, Brody realizes too late that he’s dangerously close to losing the one woman he never thought he wanted. Warning: Contains a commitment-phobic cop, stolen oranges and flirty aprons, and some heartfelt Shim Sham shimmying.

Addressing Jean Rhys's composition and positioning of her fiction, this book invites and challenges us to read the tacit, silent and explicit textual bearings she offers and reveals new insights about the formation, scope and complexity of Rhys's experimental aesthetics. Tracing the distinctive and shifting evolution of Rhys's experimental aesthetics over her career, Sue Thomas explores Rhys's practices of composition in her fiction and drafts, as well as her self-reflective comment on her writing. The author examines patterns of interrelation, intertextuality, intermediality and allusion, both diachronic and synchronic, as well as the cultural histories entwined within them. Through close analysis of these, this book reveals new experimental, thematic, generic and political reaches of Rhys's fiction and sharpens our insight into her complex writerly affiliations and lineages.

This early work on Swing Dance Steps is a fascinating read for any dance enthusiast. Extensively illustrated with diagrams to complement step-by-step guides to a variety of dance steps. Contents Include: The Swing Break, La Bomba, Snake Hips, Shim Sham Shimmy, The Suzi-Q, The Westchester, Trucking, The Rhumba, the New Fox Trot, The Peabody, The Grape Vine Waltz, and The Swing Waltz. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Hilarious, non-stop adventure, a mysterious jewel heist, and a detective team like no other make this a must-have middle grade series starter. Perfect for fans of A Series of Unfortunate Events and Enola Holmes. After twelve-year-old John Boarhog’s mom dies, the last thing he wants is to be schlepped off to the Jersey Home for Boys, where kids are forced to make skinny jeans for hipsters and are fed nothing but kale. Instead, he makes himself a snug home in the ceiling of the New York Museum of Natural History, where he reads anything he get his hands on and explores the artifacts afterhours. But when a rare Egyptian ruby—the highlight of the museum’s new exhibit—goes missing, John is accused of the crime. That is until the unpredictable Inspector Toadius McGee sweeps in to wrestle control of the case, certain that the true culprit is a notorious criminal he’s been tracking for years. John quickly becomes the Watson to Toadius’s Holmes as they race from Broadway to back alleys to a speak-easy that only serves root beer. And along the way, John uncovers secrets about his own past, including that he’s a lot more involved in this web of endearing ne'er-do-wells than he ever could have imagined. A love letter to classic middle grade, Egypt's Fire introduces a remarkable new duo that will steal your heart as surely as it leaves you begging for their next grand adventure. A Junior Library Guild Gold Standard Selection

This is the first biography of the extraordinary, but ordinary life of, Patrick Nelson. His experiences touched on some of the most important and intriguing historical themes of the twentieth century. He was a black migrant to interwar Britain; an aristocrat's valet in rural Wales; a Black queer man in 1930s London; an artist's model; a law student, a recruit to the Auxiliary Military Pioneer Corps and Prisoner of War during the Second World War. Through his return to Jamaica after the war and his re-migrations to London in the late 1940s and the early 1960s, he was also witness to post-war Jamaican struggles and the independence movement as well as the development of London's post-war multi-ethnic migrations. Drawing on a range of archival materials including letters sent to individuals such as Bloomsbury group artist Duncan Grant (his former boyfriend and life-long friend), as well as paintings and newspaper articles, Gemma Romain explores the intersections of these diverse aspects of Nelson's life and demonstrates how such marginalized histories shed light on our understanding of broader historical themes such as Black LGBTQ history, Black British history in relation to the London artworld, the history of the Second World War, and histories of racism, colonialism and empire.