GODS MISSIVE TO THE SOUL THE SISTINE CHAPEL: A Study in Celestial Cartography is a highly mystical and contemplative inquiry into The Mysteries and Esoteric Teachings of the Catholic Church. The Catholic Churchs only onus in the world is to re-articulate the sacred scriptures esoterically into as many artistic venues as possible. Through a comprehensive comparative analysis of the symbolic and esoteric patterns codified to the Judeao Christian Scriptures, the landscape of Jerusalem, Chartres Cathedral (stone and glass), Dante Alighieris La Divina Commedia (pen and ink), the Sistine Chapel (mosaics, paint and wet plaster) and Saint Peters Basilica (marble) the reader can determine for him or herself the efficacy of the esoteric science, which hails from the dawn of the time/space continuum as a direct missive from God. The author discovered a relatively simple and yet extremely sophisticated mathematical and grammatical system of thought in ancient literature: the integration of the Seven Liberal Arts. Antiquity developed this esoteric science inherent in the soul/psyche to codify the Word of God esoterically into the worlds sacred literature. Each letter of the worlds sacred literature is symbolized and alphanumerically structured, which makes the interpretation of each word far more important than the sum of its letters. The Holy Writ: i.e. the worlds religious literature is an encyclopedic library of knowledge relating wholly to the soul/psyche. There is no purpose for esotericisms existence other than for God to have a one-on-one relationship with the soul/psyche. Why is the soul/psyche seemingly in the world? How did the soul/psyche come to its present state of existence? What can the soul/psyche do to extricate itself from its plight when the dynamic forces of the world become too oppressive for it to bear?

Eucharist (Delivered directly from the altar of Christ)

GOD'S MISSIVE TO THE SOUL THE SISTINE CHAPEL: A Study in Celestial Cartography is a highly mystical and contemplative inquiry into The Mysteries and Esoteric Teachings of the Catholic Church. The Catholic Church's only onus in the world is to re-articulate the sacred scriptures esoterically into as many artistic venues as possible. Through a comprehensive comparative analysis of the symbolic and esoteric patterns codified to the Judeao Christian Scriptures, the landscape of Jerusalem, Chartres Cathedral (stone and glass), Dante Alighieri's La Divina Commedia (pen and ink), the Sistine Chapel (mosaics, paint and wet plaster) and Saint Peter's Basilica (marble) the reader can determine for him or herself the efficacy of the esoteric science, which hails from the dawn of the time/space continuum as a direct missive from God. The author discovered a relatively simple and yet extremely sophisticated mathematical and grammatical system of thought in ancient literature: the integration of the Seven Liberal Arts. Antiquity developed this esoteric science inherent in the soul/psyche to codify the Word of God esoterically into the world's sacred literature. Each letter of the world's sacred literature is symbolized and alphanumerically structured, which makes the interpretation of each word far more important than the sum of its letters. The Holy Writ: i.e. the world's religious literature is an encyclopedic library of knowledge relating wholly to the soul/psyche. There is no purpose for esotericism's existence other than for God to have a one-on-one relationship with the soul/psyche. Why is the soul/psyche seemingly' in the world? How did the soul/psyche come to its present state of existence? What can the soul/psyche do to extricate itself from its plight when the dynamic forces of the world become too oppressive for it to bear?

In this book, Boston University Professor of Astronomy Michael Mendillo takes readers deep into the annals of history, showing how visual depictions of the heavens evolved in tandem with science and religion throughout much of Western culture. With unprecedented scope and scale, Professor Mendillo explores how cave art, illuminated manuscripts, sculptures, paintings and architecture reflected some of the great religious and secular battles taking place over the course of centuries. Enter a world of biblical proportions, where constellations of ancient heroes and pagans were thoroughly recast as Christian saints and the Twelve Apostles. This nontechnical narrative brings vitality and accessibility to some of the most enduring subjects in human history, offering a lively new exploration of the visual connections between celestial phenomena and artistic expression. “Ever wonder how religion and art became forces of imagination on our night skies? Or how the night skies became forces of imagination on our religion and art? In this brilliant study of constellations and culture, Michael Mendillo, professor of astronomy at Boston University, reveals that the canopy of stars has been an ideologically contested space from the beginning, ensuring that the next time you look up, the sky will look completely different to you.”- Neil deGrasse Tyson, Director, Hayden Planetarium, American Museum of Natural History "Saints and Sinners impressionistically reveals the connections of art, astronomy, and religion in Western culture to illuminate the age-old quest for celestial-terrestrial connections.” - Roberta J.M. Olson, author of Giotto’s Portrait of Halley’s Comet and Cosmos: The Art and Science of the Universe “Professor Mendillo’s book does a priceless service, opening the doors of our minds to images that will stir us, because the heavens are part of us, and we all long to know how and why.” - Rev. David R. Thom, MIT Chaplain and Convener of the Cambridge Faculty Roundtable on Science, Art & Religion "Over a lifetime devoted to astronomical research and teaching, Michael Mendillo has indulged a parallel passion for artistic representations of the heavenly bodies. In this sumptuous volume, he explores the projection of our changing belief systems onto the constant stars.” - Dava Sobel, author of Longitude, Galileo’s Daughter and The Glass Universe

Among the most beautiful and compelling works of Renaissance art, painted maps adorned the halls and galleries of princely palaces. This book is the first to discuss in detail the three-dimensional display of these painted map cycles and their full meaning in Renaissance culture. Art historian Francesca Fiorani focuses on two of the most significant and marvelous surviving Italian map murals--the Guardaroba Nuova of the Palazzo Vecchio, Florence, commissioned by Duke Cosimo de’ Medici, and the Gallery of Maps in the Vatican, commissioned by Pope Gregory XIII. Both cycles were not only pioneering cartographic enterprises but also powerful political and religious images. Presenting an original interpretation of the interaction between art, science, politics, and religion in Renaissance culture, the book also offers fresh insights into the Medici and papal courts.

After the Counter-Reformation, the Papal State of Bologna became a hub for the flourishing of female artistic talent. The eighteenth-century biographer Luigi Crespi recorded over twenty-eight women artists working in the city, although many of these, until recently, were ignored by modern art criticism, despite the fame they attained during their lifetimes. What were the factors that contributed to Bologna’s unique confluence of women with art, science, and religion? The Devout Hand explores the work of two generations of Italian women artists in Bologna, from Lavinia Fontana (1552–1614), whose career emerged during the aftermath of the Counter Reformation, to her brilliant successor, Elisabetta Sirani (1638–1665), who organized the first school for women artists. Patricia Rocco further sheds light on Sirani’s students and colleagues, including the little-known engraver Veronica Fontana and the innovative but understudied etcher Giuseppe Maria Mitelli. Combining analysis of iconography, patronage, gender, and reception studies, Rocco integrates painting, popular prints, book illustration, and embroidery to open a wider lens onto the relationship between women, virtue, and the visual arts during a period of religious crisis and reform. A reminder of the lasting power of images, The Devout Hand highlights women’s active role in sixteenth- and seventeenth-century Christian reform and artistic production.

The Poetical gazette; the official organ of the Poetry society and a review of poetical affairs, nos. 4-7 issued as supplements to the Academy, v. 79, Oct. 15, Nov. 5, Dec. 3 and 31, 1910

Revisionist study of the wall-paintings of Salisbury Cathedral, setting them in the context of thirteenth-century religious reform.