The Sleeping Father begins with a divorced dad who inadvertently combines two incompatible anti-depressant medications, goes into a coma, has a stroke, and emerges with brain damage. His teenage son—the protagonist of the book, Chris—and his teenage daughter—Cathy—inherit money from their grandfather and decide to rehabilitate him on their own. decide to make one. Absent an adequate father, the children decide to make one, bringing with it a host of difficulties and opportunities. Chris tries everything from sex to capitalism in his search for guidance on the path to adulthood and Cathy, believing her secular Jewishness inadequate in the provision of a benign & divine Father, looks to Catholicism for solace and meaning. The Sleeping Father explores the shift in the way Americans think about mental health: away from regarding ourselves as being shaped by our upbringings and toward regarding ourselves as being shaped by the chemicals in our bloodstreams. The American family, in this novel, emerges as a microcosm of larger social institutions; Moms and Dads as in-home teachers, priests, presidents, and CEOs. In focusing on the Schwartz family in crisis, Sharpe addresses the larger crisis in faith and authority in contemporary American life.

George MacDonald (1824-1905) was a Scottish author, poet, and Christian minister. He was a pioneering figure in the field of fantasy literature and the mentor of fellow writer Lewis Carroll. This edition includes: George MacDonald by Annie Matheson Fantasy Fiction: The Princess and the Goblin The Princess and Curdie Phantastes At the Back of the North Wind The Lost Princess: A Double Story The Day Boy and the Night Girl The Flight of the Shadow Lilith: A Romance Adela Cathcart The Portent and Other Stories Dealings with the Fairies Stephen Archer and Other Tales Realistic Fiction: David Elginbrod (The Tutor's First Love) Alec-Forbes of Howglen (The Maiden's Bequest) Robert Falconer (The Musician's Quest) Ranald Bannerman's Boyhood Wilfrid Cumbermede Gutta Percha Willie St. George and St. Michael Mary Marston (A Daughter's Devotion) Warlock o' Glenwarlock (The Laird's Inheritance) Weighed and Wanting (A Gentlewoman's Choice) What's Mine's Mine (The Highlander's Last Song) Home Again (The Poet's Homecoming) The Elect Lady (The Landlady's Master) A Rough Shaking Heather and Snow (The Peasant Girl's Dream) Salted with Fire (The Minister's Restoration) Far Above Rubies Malcolm The Marquis of Lossie (The Marquis' Secret) Sir Gibbie (The Baronet's Song) Donal Grant (The Shepherd's Castle) Annals of a Quiet Neighbourhood The Seaboard Parish The Vicar's Daughter Thomas Wingfold, Curate (The Curate's Awakening) Paul Faber, Surgeon (The Lady's Confession) There and Back (The Baron's Apprenticeship) The Poetical Works of George MacDonald A Hidden Life and Other Poems A Book of Strife, in the Form of the Diary of an Old Soul Rampolli: Growths from a Long-planted Root Theological Writings: Unspoken Sermons The Miracles of Our Lord The Hope of the Gospel ...

The Sleeping King is the start of a new fantasy series by New York Times and USA Today bestselling author, Cindy Dees. Dees has won a Golden Heart Award, two RITAs for Category Suspense and Adventure and has also twice snared RT's Series Romantic Suspense of the Year. She is a great storyteller, and the adventures in her more than fifty novels are often inspired by her own life as the youngest female pilot in Air Force history. But as much as she love romances, Cindy's other passion has been fantasy gaming. For almost twenty years she's been the story content creator for Dragon Crest, one of the original live action role-playing games. Now, with the blessing and input of Dragon Crest founder Bill Flippin, she has created a trilogoy based on the game. The Sleeping King is the first in an epic fantasy series featuring the best of the genre: near immortal imperial overlords, a prophecy of a sleeping elven king who's said to be the savior of the races . . . and two young people who are set on a path to save the day. The Sleeping King Trilogy #1 The Sleeping King #2 The Dreaming Hunt #3 The Wandering War At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Spanning eras, continents, and genres, CoDex 1962—twenty years in the making—is Sjón’s epic three-part masterpiece Over the course of four dazzling novels translated into dozens of languages, Sjón has earned a global reputation as one of the world’s most interesting writers. But what the world has never been able to read is his great trilogy of novels, known collectively as CoDex 1962—now finally complete. Josef Löwe, the narrator, was born in 1962—the same year, the same moment even, as Sjón. Josef’s story, however, stretches back decades in the form of Leo Löwe—a Jewish fugitive during World War II who has an affair with a maid in a German inn; together, they form a baby from a piece of clay. If the first volume is a love story, the second is a crime story: Löwe arrives in Iceland with the clay-baby inside a hatbox, only to be embroiled in a murder mystery—but by the end of the volume, his clay son has come to life. And in the final volume, set in present-day Reykjavík, Josef’s story becomes science fiction as he crosses paths with the outlandish CEO of a biotech company (based closely on reality) who brings the story of genetics and genesis full circle. But the future, according to Sjón, is not so dark as it seems. In CoDex 1962, Sjón has woven ancient and modern material and folklore and cosmic myths into a singular masterpiece—encompassing genre fiction, theology, expressionist film, comic strips, fortean studies, genetics, and, of course, the rich tradition of Icelandic storytelling.

Gritty, suspenseful short fiction about criminals and other characters on the edge from an Edgar Award–winning author. “Not all Howard’s heroes are ex-cons, but they might as well be. They’ve all been around the block, made more than their share of mistakes, and taken their lumps, usually without complaint. A hit man who refuses a commission goes into hiding, afraid that everybody who looks twice at him may be carrying a bullet with his name on it. A Vietnam veteran plots revenge on the commanding officer who sent his troops into a cloud of Agent Orange; a ward of hospitalized WWII soldiers schemes to find the whereabouts of the lost love of one of their mates before he dies. A has-been boxer trains for a big bout without realizing he’s been set up; a New Orleans clarinet player skips around town one step ahead of a creditor’s enforcers long enough to audition for the Jazz Hall of Fame. . . . In every case, there’s no mystery about who’s guilty . . . but only about whether Howard’s protagonists will succeed in their fatal plots, get rescued from their own worst nature, or, in the trickiest of these nine stories, succeed but fail anyway.” —Kirkus Reviews

If you had stood there in the edge of the bleak spruce forest, with the wind moaning dismally through the twisting trees - midnight of deep December - the Transcontinental would have looked like a thing of fire; dull fire, glowing with a smouldering warmth, but of strange ghostliness and out of place. It was a weird shadow, helpless and without motion, and black as the half-Arctic night save for the band of illumination that cut it in twain from the first coach to the last, with a space like an inky hyphen where the baggage car lay. Out of the North came armies of snow-laden clouds that scudded just above the earth, and with these clouds came now and then a shrieking mockery of wind to taunt this stricken creation of man and the creatures it sheltered - men and women who had begun to shiver, and whose tense white faces stared with increasing anxiety into the mysterious darkness of the night that hung like a sable curtain ten feet from the car windows.

A Companion to Russian Cinema provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies. The most up-to-date and thorough coverage of Russian, Soviet and post-Soviet cinema, which also effectively fills gaps in the existing scholarship in the field This is the first volume on Russian cinema to explore specifically the history of movie theatres, studios, and educational institutions The editor is one of the most established and knowledgeable scholars in Russian cinema studies, and contributions come from leading experts in the field of Russian Studies, Film Studies and Visual Culture Chapters consider the arts of scriptwriting, sound, production design, costumes and cinematography Provides five portraits of key figures in Soviet and Russia film history, whose works have been somewhat neglected

Retelling of the fight between the original Irish owners and Cromwell followers over Irish soil.