As the sole literary editor with name recognition among students of American literature, Perkins remains permanently linked to Fitzgerald, Hemingway, and Wolfe in literary history. Their relationships play out in the 221 letters Matthew J. Bruccoli has assembled in this volume. The collection documents the extent of the fatherly forbearance, attention, and encouragement the legendary Scribners editor gave to his authorial sons. The correspondence portrays his ability to juggle the requirements of his three geniuses.

First time publications of letters from 25-year correspondence between famed Charles Scribner's Sons editor Max Perkins and Virginia socialite Elizabeth Lemmon.

The talents Maxwell Perkins nurtured were known worldwide: F. Scott Fitzgerald, Ernest Hemingway, Thomas Wolfe among numerous others. But the man himself remained a mystery, a backstage presence who served these authors not only as editor but as critic, career manager, moneylender, psychoanalyst, confessor and friend. This outstanding biography, a winner of the National Book Award, is the first to explore the fascinating life of this editor extraordinaire in both professional and personal domains. It tells not only of Perkins' stormy marriage and secret twenty-five-year romance with Elizabeth Lemmon, but also of his intensely intimate relationships with the leading literary lights of the twentieth century.

Scholarly engagement with the magazine form has, in the last two decades, produced a substantial amount of valuable research. Authored by leading academic authorities in the study of magazines, the chapters in The Routledge Handbook of Magazine Research not only create an architecture to organize and archive the developing field of magazine research, but also suggest new avenues of future investigation. Each of 33 chapters surveys the last 20 years of scholarship in its subject area, identifying the major research themes, theoretical developments and interpretive breakthroughs. Exploration of the digital challenges and opportunities which currently face the magazine world are woven throughout, offering readers a deeper understanding of the magazine form, as well as of the sociocultural realities it both mirrors and influences. The book includes six sections: -Methodologies and structures presents theories and models for magazine research in an evolving, global context. -Magazine publishing: the people and the work introduces the roles and practices of those involved in the editorial and business sides of magazine publishing. -Magazines as textual communication surveys the field of contemporary magazines across a range of theoretical perspectives, subjects, genre and format questions. -Magazines as visual communication explores cover design, photography, illustrations and interactivity. -Pedagogical and curricular perspectives offers insights on undergraduate and graduate teaching topics in magazine research. -The future of the magazine form speculates on the changing nature of magazine research via its environmental effects, audience, and transforming platforms.

The Great Gatsby and its criticism of American society during the 1920s, F. Scott Fitzgerald claimed the distinction of writing what many consider to be the "great American novel." Critical Companion to F.

The New York Times bestseller. “Fiendishly readable . . . a deeply, almost obsessively researched biography of a book.”—The Washington Post In the summer of 1925, Ernest Hemingway and a clique of raucous companions traveled to Pamplona, Spain, for the town’s infamous running of the bulls. Then, over the next six weeks, he channeled that trip’s maelstrom of drunken brawls, sexual rivalry, midnight betrayals, and midday hangovers into his groundbreaking novel The Sun Also Rises. This revolutionary work redefined modern literature as much as it did his peers, who would forever after be called the Lost Generation. But the full story of Hemingway’s legendary rise has remained untold until now. Lesley Blume resurrects the explosive, restless landscape of 1920s Paris and Spain and reveals how Hemingway helped create his own legend. He made himself into a death-courting, bull-fighting aficionado; a hard-drinking, short-fused literary genius; and an expatriate bon vivant. Blume’s vivid account reveals the inner circle of the Lost Generation as we have never seen it before and shows how it still influences what we read and how we think about youth, sex, love, and excess. “Totally captivating, smartly written, and provocative.”—Glamour “[A] must-read . . . The boozy, rowdy nights in Paris, the absurdities at Pamplona’s Running of the Bulls and the hungover brunches of the true Lost Generation come to life in this intimate look at the lives of the author’s expatriate comrades.”—Harper’s Bazaar “A fascinating recreation of one of the most mythic periods in American literature—the one set in Paris in the ’20s.”—Jay McInerney

F Scott Fitzgerald is widely praised as the finest and most celebrated novelist of twentieth century America. His reputation is infinitely more lustrous since his untimely death than it was for much of his twenty-year literary career and is largely based on his 1925 novel, The Great Gatsby, as well as on the colourful and tragic incidents of his personal life. His alcoholism; his fairy tale marriage to the beautiful Zelda Sayre, and her gradual descent into schizophrenia; the incandescent blossoming and dissipation of his literary gifts have all added to his legend. Fitzgerald was an individual who seemed to be composed of opposites and who, fittingly, could have been one of his own characters. He was charming, witty and in love with the magic and splendour of life, but also felt compelled to embrace the darkness. As a writer, his perception of the world around him was so finely tuned and acute that his life and career were a mirror of the 1920s and 30s, so that just as the Jazz Age gave way to the Depression, Fitzgerald's dazzling and youthful success yielded to drunkenness, despair and what he termed 'emotional bankruptcy'. This Pocket Essentials examines both Fitzgerald's life and writing and probes the infinitely complex and symbiotic relationship between the two, revealing the man behind the myth and behind some of the finest prose of all time.

An examination of the literary marketplace's central role in creating the Southern Literary Renaissance.

The bad news is: You have to learn to write. The good news is: Learning to write just became easier. In this book, writers learn to write like they were born that way from one of America’s greatest literary geniuses—Ernest Hemingway. Noted writing teacher Dr. R. Andrew Wilson calls writers to an adventure in writing Hemingway himself would love. Along the way they discover what really makes him a Great Writer, and how they can apply those lessons in voice, character, setting, and more to enhance their own writing. Whether agonizing over style, perfecting prose, or puzzling out plot, student writers find the answers they need to write their own masterworks. They’ll also benefit from Papa’s advice to beginning writers, comments on the work of other great authors, and daily writing habits. In this enlightening and informative book, writers find the mentor they need to master the art of writing.

The collected letters between F. Scott Fitzgerald and his editor, Maxwell Perkins, illuminates their friendship as well as the collaborative and complex nature of the editor/author relationship.