The remarkable story of how humankind discovered gravitational waves, chronicled with unparalleled historical and scientific vision. In 2016, the LIGO and Virgo Collaborations made headlines when they announced the detection of gravitational waves—a century after Albert Einstein first predicted their existence with his general theory of relativity. With unprecedented perspective as physicists at the forefront of this discovery, Mario Díaz, Gabriela González, and Jorge Pullin provide a comprehensive and accessible account of the quest to find gravitational waves, their controversial history, and the efforts that culminated with their detection and a Nobel Prize in Physics. The Sounds of the Cosmos vividly narrates contributions from the ancient Greeks through Einstein, in addition to the breakthroughs of the twentieth and twenty-first centuries, including the discovery of the Hulse-Taylor binary star system (the first of its kind ever observed) and the technology behind gravitational wave detectors. The authors' fusion of meticulous research and accessible prose makes this book an indispensable resource for the scientifically curious, lending astonishing new context to the revelation that we can “hear” the cosmos through gravitational waves. Written with exceptional historical and conceptual insight, this is a definitive and dazzling journey through “the eternal quest of humankind to understand the universe.”

"A comprehensive insider's account of the discovery of gravitational waves, including insights on the physics theory and the critical LIGO technology that made it possible"--

The remarkable story of how humankind discovered gravitational waves, chronicled with unparalleled historical and scientific vision. In 2016, the LIGO and Virgo Collaborations made headlines when they announced the detection of gravitational waves—a century after Albert Einstein first predicted their existence with his general theory of relativity. With unprecedented perspective as physicists at the forefront of this discovery, Mario Díaz, Gabriela González, and Jorge Pullin provide a comprehensive and accessible account of the quest to find gravitational waves, their controversial history, and the efforts that culminated with their detection and a Nobel Prize in Physics. The Sounds of the Cosmos vividly narrates contributions from the ancient Greeks through Einstein, in addition to the breakthroughs of the twentieth and twenty-first centuries, including the discovery of the Hulse-Taylor binary star system (the first of its kind ever observed) and the technology behind gravitational wave detectors. The authors' fusion of meticulous research and accessible prose makes this book an indispensable resource for the scientifically curious, lending astonishing new context to the revelation that we can “hear” the cosmos through gravitational waves. Written with exceptional historical and conceptual insight, this is a definitive and dazzling journey through “the eternal quest of humankind to understand the universe.”

In Knowledge and Cosmos: Development and Decline of the Medieval Perspective, 2nd Edition, Robert K. DeKosky focuses on issues in astronomy, cosmology, physics, matter theory, philosophy, and theology vital to the “Copernican Revolution.” This book describes efforts among individuals advocating different world views to fit new ideas compatibly into broad perspectives reflecting four traditional patterns of interpretation: teleological, mechanical, occultist, and mathematico-descriptive. These four modes had guided medieval accounts of heavenly phenomena, material process, and motion. The teleological explanation, prevalent in Aristotle’s natural philosophy, posited “final causes” (ends or goals toward which objects strove or attempted to become). Ancient classical atomists had emphasized strictly mechanical explanations, invoking direct material contact and collision of moving matter as agents of physical change. Traditions of astrology, magic, and alchemy embraced an occultist pattern of interpretation—citing hidden forces opaque to both sensual detection and rational understanding as explanations of various phenomena. Finally, the mathematico-descriptive approach interpreted natural phenomena according to geometric or arithmetic relationships; unlike the other three, this did not involve causal explanation of a process. Part I discusses development of the four patterns in the ancient period and their uneasy medieval relationships with each other and with basic Judaeo-Muslim-Christian exigencies of faith. Theory of the heavens follows, including the mathematico-descriptive approach of Ptolemaic astronomy, the teleological and mechanical cosmology of Aristotle, and occultist interpretations of astrologers and magicians. Part I then turns to matter and materiality, discussing differences among the mechanical philosophy of classical atomism, teleological emphases in Aristotle’s material theory, and occultist assumptions of some alchemists. Finally, Part I analyzes conceptions of motion, focusing on Aristotelian interpretations and critical commentaries thereon during the Middle Ages. Part II relates struggles of leading early-modern figures to adapt new concepts (e.g., Copernicus’ heliocentric astronomy/cosmology, Galileo’s inertial theories of motion, and Kepler’s elliptical planetary orbit) to an allegiance to two or more of the four patterns of interpretation. By this approach, it identifies decreasing dependence on teleological explanation of physical phenomena as crucial to decline of medieval interpretations of those phenomena, followed by rejection of teleology in the natural philosophy of Descartes, and subsequent fruitful confluence of the mechanical, mathematico-descriptive, and occultist patterns in the physics and cosmology of Isaac Newton.

A top astronomer explores the universe through the lens of its most jaw-dropping extremes. The universe is all about extremes, and in this engaging and thought-provoking book, astronomer Bryan Gaensler gives a whirlwind tour of the galaxies, with an emphasis on its fastest, hottest, heaviest, brightest, oldest, densest, and even loudest elements. From supernova explosions a billion times brighter than the sun to an asteroid the size of a beach ball, Extreme Cosmos offers a fascinating, fresh, and informed perspective of the remarkable richness of the universe, and the incredible physics that modern astronomy has revealed.

The never-before-seen story of the origin of the human kingdoms and their decline in the universe of the Great Universal Crusade, with pages of new content for those who wish to know the true origin of all things. This book contains the most complete history of the origin of the Kingdoms, the confrontations between men and beings that we thought were part of mythology, but that existed and exerted a very powerful influence on the history of mankind. A story honed by vibrant descriptions of the epic battles in the annals of history, bitter rivalries and daring rebellions that end with the coming of the promised Messiah. Later, after the event that split the history of the Universe in two, leaving the before and after in its wake, the antagonistic forces reorganise for the dynamics of a new battle, an event that leads to the establishment of new Kingdoms and the emergence of a new strategy to wage THE GREAT UNIVERSAL CRUSADE involving the three kingdoms that make up a Universe unknown to the one we know. About this new installment of the SAGA we can say that: "All the accumulated knowledge, all the scholarly theories and all the accumulation of popular tales, Judaic and Christian legends, are gathered here in a chronicle that begins with the Antediluvian Age and continues through the Age of the Age of Giants, Nephilim, Titans, and the appearance of the first hybrid men, the coming of the Flood and judgement, the punishment of the hybrid beings, establishment of the Kingdom of Israel, the Rebellion of Man and the repeated incursions of supernatural beings into human history". Furthermore, we can assert that "All of these events are described as major triggers for the decay of human nature, which was once created to rule over all creation". In this installment Tzur, and his small horde will arrive in the city of Asab, and will have to face new enemies, and will have to take refuge in a City that is about to be violently attacked by the five warlords who command the armies of the dark lord. Without knowing it, they will be faced with a harsh reality, and they will have to prepare themselves for the most horrifying battle of their lives, where they will have to measure their strength against the lord of the Cosmos.

Recreates the ancient Egyptian sacred path of spiritual unfolding.

In Cosmos, Liturgy, and the Arts in the Twelfth Century, Margot E. Fassler takes readers into the rich, complex world of Hildegard of Bingen’s Scivias (meaning “Know the ways”) to explore how medieval thinkers understood and imagined the universe. Hildegard, renowned for her contributions to theology, music, literature, and art, developed unique methods for integrating these forms of thought and expression into a complete vision of the cosmos and of the human journey. Scivias was Hildegard’s first major theological work and the only one of her writings that was both illuminated and copied by scribes from her monastery during her lifetime. It contains not just religious visions and theological commentary, but also a shortened version of Hildegard’s play Ordo virtutum (“Play of the virtues”), plus the texts of fourteen musical compositions. These elements of Scivias, Fassler contends, form a coherent whole demonstrating how Hildegard used theology and the liturgical arts to lead and to teach the nuns of her community. Hildegard’s visual and sonic images unfold slowly and deliberately, opening up varied paths of knowing. Hildegard and her nuns adapted forms of singing that they believed to be crucial to the reform of the Church in their day and central to the ongoing turning of the heavens and to the nature of time itself. Hildegard’s vision of the universe is a “Cosmic Egg,” as described in Scivias, filled with strife and striving, and at its center unfolds the epic drama of every human soul, embodied through sound and singing. Though Hildegard’s view of the cosmos is far removed from modern understanding, Fassler’s analysis reveals how this dynamic cosmological framework from the Middle Ages resonates with contemporary thinking in surprising ways, and underscores the vitality of the arts as embodied modes of theological expression and knowledge.

This book understands digital cultural production of electronic literatures and digital art by looking at electronic and digital works that produce subjective positionality, clouded knowledges of quantum theories, and metaphysical patterns grounded in a cultural ideology. This book underlines a conceptual framework for understanding how digital media impacts reading, approaching, and even interpreting social reality. The qualitative analyses interpret the current zeitgeist, and the works selected speak of the diverse, sometimes regionalized, and often multi-ethnic reality of the Latin American experience. The analyses elaborate on how artists reflect both the world they live in and a universal consciousness. These artists are not simply “digitalizing literature,” and these works are more than techy creations; rather, they make us think of other directions and connections.