Few events have stirred the emotions and caught the imaginations of intellectuals as did the Spanish Civil War of 1936-39. The Spanish Civil War in Literature examines the diverse literatures that the war inspired: a literature relating directly to the war, a literature of exile arising from the forty-year dictatorship of Francisco Franco, and a polemical literature embracing pro-Franco and Loyalist sympathies.In this book, specialists from a variety of fields explore these literatures within comparative and interdisciplinary frameworks. They reflect upon film, poetry, novels, painting, discourse, biography, and propaganda. The essays are grouped according to the original languages of the works they discuss—French, Russian, English, and Spanish.

This bibliography is the first attempt to establish a comprehensive list of secondary material relating to the Spanish Civil War in literature, film, and art. It includes books, articles, and chapters in a wide range of languages, including Spanish, English, Russian, French, German, and Italian. Monteath begins the work with an introductory essay surveying the breadth of the scholarship on the cultural manifestations of the war, which he places in its broader cultural-historical context. The bibliography is organized alphabetically within sections devoted to literature, film, and art, and a general subject index completes the work. Anyone interested in the fiction of Hemingway, the film of Ivens, the art of Picasso, and many of the key figures in Western culture of the 1930s will find this work of value.

This is a major English study of the novels of the Spanish Civil War. The book is based on an analysis of some eighty Spanish novels, written in Spain and abroad (in exile) during the Franco period (1936-1975), in which the Civil War is the major theme.

This monumental book offers a comprehensive history and analysis of Republican political life during the Spanish Civil War. Completed by Burnett Bolloten just before his death in 1987 and first published in English in 1991, The Spanish Civil War is the culmination of fifty years of dedicated and painstaking research and is the most exhaustive study on the subject in any language. It has been regarded as the authoritative political history of the war and an indispensable encyclopedic guide to Republican affairs during the Spanish conflict. This new edition includes a new introduction by Spanish Civil War scholar George Esenwein, an updated bibliography featuring books on the Spanish Civil War published since 1987, and seventy-three photos of the war's participants.

The Spanish Civil War was one of the bloodiest conflicts of the modern era. This book covers: * its background with the fall of the monarchy and the Second Republic * Franco and Fascism * the conflict itself * the role of foreign powers * the legacy of the war. Including narrative, questions and analysis of a wide variety of sources from popular novels and poetry to contemporary political commentaries, The Spanish Civil War is a concise introduction to this topic and an essential study aid.

This book, which consists of essays by leading scholars in the field of twentieth century international history, examines the wider context of one of the most bitter and bloody civil wars in European history - the Spanish Civil War. The chapters discuss all of the major debates that surround the ideological and political context of the war, including the extent to which it could be regarded as a 'dress rehearsal' for the Second World War. The book also debates the nature of civil war in the twentieth century and as such will be of interest to military and international historians as well as to historians of the history of ideas.

In 25 innovative thematic essays, The Bloomsbury Handbook of the Spanish Civil War sees an interdisciplinary team of scholars examine a conflict that, more than 80 years after its conclusion, continues to generate both scholarly and public controversy. Split into four main sections covering Military and Diplomatic Issues, Society and Culture, Politics, and Debates, the volume offers a number of unique features. It is unprecedented in its comprehensiveness and includes chapters on topics that are rarely, if ever, explored in the literature of the field: humanitarianism, children and families, material conditions, the decimation of elites, archives and sources, archaeological approaches, digital approaches, public history, and cultural studies approaches. Instead of discussing each of the two warring sides, Republicans and Francoists, separately, as is so often the case, the book's thematic structure means that these opposing forces are examined together, facilitating comparison and fresh understanding in numerous areas of study. Contributors from the UK, the USA, Canada, Spain and Denmark also analyse the major controversies and disputes surrounding each topic as part of a detailed exploration of one of the seminal events of the 20th century.

Sacrifice and Modern War Writing presents the most extensive study to date of twentieth- and twenty-first-century war writing. Examining works by over 110 authors, Alex Houen surveys how war writing explores sacrifice in relation to major modern and contemporary conflicts, from the First World War to the War on Terror. Various conceptions of sacrifice are examined, including Christian, Jewish, Islamic, and secular. The discussion ranges across literary portrayals of multiple sacrificial practices, including ancient rituals of child sacrifice, martyrdom, scapegoating, and suicide bombing. Houen builds an innovative interdisciplinary approach to how war, sacrifice, and their representations interrelate, and a wide range of Anglophone literature is discussed, including novels, memoirs, short stories, essays, manifestoes, elegies, ballads, and lyric poetry. Whereas critics and theorists have tended to emphasize that war's reality exceeds any attempt to represent it, Houen contends that political, religious, and cultural frames of sacrifice have continued to play a significant part in shaping how war's reality is shaped and experienced. Those frames are inextricably tied to modes of representation, which include symbolism and mimesis. Sacrifice and Modern War Writing explores how sacrificial killing in war is itself riddled with symbolic transfigurations and mimetic exchanges, and it builds a fresh approach by arguing that the figurative and imaginative aspects of literary writing ironically become its very means of engaging closely with the reality of war's sacrifices. That approach also develops by using the literary analyses to critique and revise various prominent theories of sacrifice and war.

While most critical studies of interwar literary politics have focused on nationalism, Patrick Query makes a case that the idea of Europe intervenes in instances when the individual and the nation negotiate identity. He examines the ways interwar writers use three European ritual forms-verse drama, bullfighting, and Roman Catholic rite-to articulate ideas of European cultural identity. Within the growing discourse of globalization, Query argues, Europe presents a special, though often overlooked, case because it adds a mediating term between local and global. His book is divided into three sections: the first treats the verse dramas of T.S. Eliot, W.B. Yeats, and W.H. Auden; the second discusses the uses of the Spanish bullfight in works by D.H. Lawrence, Stephen Spender, Jack Lindsay, George Barker, Cecil Day Lewis, and others; and the third explores the cross-cultural impact of Catholic ritual in Graham Greene, Evelyn Waugh, and David Jones. While all three ritual forms were frequently associated with the most conservative tendencies of the age, Query shows that each had a remarkable political flexibility in the hands of interwar writers concerned with the idea of Europe.