This book is an English translation of 565 songs of one of the greatest musician-saints, Tyagaraja. The text of the compositions is in Sanskrit. The translator of these songs, C. Ramanujachariar, wanted to take the lyrics embodying the trials and yearnings, the religious fervour and devotional experiences of Tyagaraja beyond southern India. The scheme of classification of the songs are given in two charts. The index of the songs is given in Sanskrit and English. Its preface and introductory thesis (two thirds of the book) is authored by V. Raghavan. S. Radhakrishnan, who was then the vice-president of India, has written the foreword. Ramanujachariar was an administrator, actor, musician and primarily a spiritual seeker. He was well known as the Secretary of the Ramakrishna Mission Students Home, Chennai. V. Raghavan was a Sanskrit scholar and musicologist. A recipient of the Padma Bhushan, he has authored over 120 books. The book is a treat to English-knowing readers who wish to familiarise themselves with the immortal songs of Tyagaraja which present lofty truths in simple and appealing language. For students of Carnatic Music, it can be a reference book.

"Akashvani" (English ) is a programme journal of ALL INDIA RADIO ,it was formerly known as The Indian Listener.It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them,take part in them and produce them along with photographs of performing artists.It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" (English ) in January 5, 1958. It was made a fortnightly again on July 1,1983. NAME OF THE JOURNAL: Akashvani LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 05/04/1959 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 48 VOLUME NUMBER: Vol. XXIV, No. 14. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 2, 6-38, 45,46 ARTICLE: 1. The Father And The Son 2. I Love Cats 3. On Actors And Acting 4. Handicrafts Of India 5. In Ancient India 6. Good English Pronouns 7. Tragedy 8. The Of Spiritual Heritage Tyagaraja 9. The Negro In U.S.A AUTHOR: 1. Prof. M. S. Srinivasa Sarma 2. C. R. Mandy 3. Harendra Nath Chattopadhyaya 4. Kitty Shiva Rao 5. Dr. B. K. Madan 6. Father J. Hession S. J. 7. Armando Menzes 8. A. Hariharan 9. Dr. Alonzo G. Moron KEYWORDS : Serious consequence.,goal of ethics,constant readjustment,youth rebels. Two families,Dr. Johnson’s cat Complete identification,what is an artist The problem,usual practice,market researchco-operation of all Sutra period,Gupta period The numeral ‘one’ about ‘each’,about ‘none,ambiguity Fate's avatars,tragic experience,spunish tragedy,central concept Impressive volume,various aspects Welcome change Document ID : APE-1958 (J-J) Vol-1-14 Prasar Bharati Archives has the copyright in all matter published in this and other AIR journals.For reproduction previous permission is essential.

Open any page of this book of 365 Thoughts of Spiritual Wisdom, and you will drift into a cornucopia of various voices from towering scholars of spirituality speaking from personal experience.

In this volume, sixty-eight of the world's leading authorities explore and describe the wide range of musics of India, Pakistan, Bangladesh, Sri Lanka, Kashmir, Nepal and Afghanistan. Important information about history, religion, dance, theater, the visual arts and philosophy as well as their relationship to music is highlighted in seventy-six in-depth articles.

Tyāgarāa (1767-1847) is undoubtedly South India’s most celebrated singer-saint. This book attempts to deepen our understanding of Tyāgarāa’s life and music with fresh insights. It explores Tyāgarāa’s philosophy of music and provides excellent English translations of a hundred and sixty of his greatest lyrics. For the first time in Tyāgarāa scholarship, the saint’s life and works have been contextualized in a sociohistorical framework. The author provides an exhaustive sociological analysis of Tyāgarāa’s Thanjavur and establishes links between Tyāgarāa’s works and the troubled history of his time. He analyses the making of saints in different religions and draws parallels between legends of saints built over decades.

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

The Garland Encyclopedia of World Music is a ten-volume reference work, organized geographically by continent to represent the musics of the world in nine volumes. The tenth volume houses reference tools and descriptive information about the encyclopedia’s structure, criteria for inclusion and other information specific to the field of ethnomusicology. An award-winning reference, its contributions are from top researchers around the world who were active in fieldwork and from key institutions with programs in ethnomusicology. GEWM has become a familiar acronym, and it remains highly revered for its scholarship, uncontested in being the sole encompassing reference work with a broad survey of world music. More than 9,000 pages, with musical illustrations, photographs and drawings, it is accompanied by 300+ audio examples.

The Concise Garland Encyclopedia of World Music comprises two volumes, and can only be purchased as the two-volume set. To purchase the set please go to: http://www.routledge.com/9780415972932

This book is a general account of the painting of the period when Tanjavur was under Maratha rule. It was a time of turmoil and change, notable for the strands of many different cultures which met and stimulated art in this small territory. Numerous forms arose, some traditional, others showing the assimilation of contemporary ideas. It was an exotic heterogeneous flowering reflecting the demands of different kinds of patrons and the versatility, skill and open-mindedness of the artists. The painting of this period is dealt with showing its connections to South Indian Art in general and also its responses to the impact of Western ideas. It is a tribute to the people of the South and their traditions that even in a period of comparative instability, wars, famine and confusion there was still a need and a desire for objects of art. The era is characteristically eclectic but its painting mirrors the faith, the values and the requirements of the people. So far the visual arts of this period have not received much attention. It is hoped that this study will lead one to see that art was an important facet of southern culture as a whole

The Buddhist monk Upagupta, who preached and taught meditative practices in Northwest India over two thousand years ago, is venerated today by the laity in parts of Burma, Thailand, and laos as a proctective figure endowed with magical powers. The author demonstrates a remarkable continuity among traditions focused on Upagupta in ancient Sarvastivadin Sanskrit materials, key Pali texts, medieval Thai and Burmese texts, and rituals in Southeast Asia. In so doing he reflects the orientation of popular Sanskrit Hinayana Buddhism, which allows for new perspectives on such classic questions as the nature of enlightnment, the evil, the worship of the Buddha image, the veneration of saints, master-disciple relationships, the treatment of heterodoxy, and the relation of myth and ritual.