A couple of werewolves, Susan, and Alf, each wearing an "eat a human" T-shirt walked in Ghostville Mall. They stopped in front of the movie theater and looked at the list. The two looked at each other and walked away. Susan eyed a human skeleton through the arcade's windows. She elbowed Alf and he looked at her. When Susan had his attention she whispered, "Let's eat him when he comes out." Her eyes pointed out the human skeleton. Following Susan's eyes, Alf saw the human skeleton and started drooling. "He looks good enough to eat." Alf and Susan sat on the wooden bench opposite the entrance, so they could see the human skeleton through the window. They sat there grooming each other's heads like a pair of chimpanzees. Both ate the fleas taken from the other's head.

Li Ang's highly charged fiction has brought her worldwide attention.

A moving van pulled in at 303 East Street's driveway. The father, Harry Lyle Brown and his best friend, Lennie Lee got out of the moving van's cab. They started carrying furniture for the downstairs through a built-on porch. When the van was empty, the house's downstairs had in it: a black couch, brown dining room table with five brown chairs, three bookcases, a black Lazyboy, a rocking chair, two black chairs, a knick-knack shelf, a box of knick-knacks, three wall clocks, a nineteen inch TV, TV stand, one double bed, a freezer, and a cloth dresser. Harry and Lennie organized per room; living, dining, kitchen, and bedroom. A half an hour later, the full moving van again entered the driveway. Harry and Lennie started carrying furniture for the upstairs. Three roller-away beds, five dressers, one double bed, four black trunks, three brown writing desks, three four-shelved bookshelves, ten boxes filled with paperback books, four nightstands, and two-dozen suitcases filled with clothes. After carrying all of the suitcases and furniture upstairs, Harry and Lennie put one of each in the bedrooms and hall. Pouring with sweat the two sat down in the kitchen and each of them had a cigarette.

Readers who are themselves authors have said of Sam Bevard’s previous books: “Beginning Again is a fine first collection of stories from a passionate countryman, gathered as he roamed the countryside embraced by the family farm in his beloved northeastern Kentucky” —Ron Ellis, author of Cogan’s Woods, editor of Of Woods and Waters. “The greatest compliment I can pay a writer of fiction is that the fiction reads true, real people in a real world, and Sam Bevard is that writer in Through the Back Gate.... —Garry Barker, author of Kentucky Waltz (winner of 2007 Kentucky Literary Award for Fiction), Publisher of Flemingsburg Gazette. In this third collection of stories ranging from humorous to tragic to the supernatural, Sam Bevard presents an assortment of characters old and new including: Colonel Dale in his last and greatest conflict, intrepid WW II veteran Eli Mattson, determined to live on his own terms, and Peck Rackham, who in a dog finds the inspiration to reclaim a lost part of his life.

The protagonist of these stories is the maddening, irascible and fascinating Professor George Edward Challenger. In these collected tales he faces adventures such as that high above the Amazon rain forest in "The Lost World" and the challenges of"The Land of Mist."

The novelette Qingming Festival was written by the famous Chinese writer Zhang Tianyi. In the story, a domestic conflict between two landlords is finally ended with reconciliation by the scarring of three soldiers, revealing the ferocity and cruelty of the feudal forces. "Bao and His Son" depicts the image of Bao as an honest, nice father with a weak character who has great expectations for his son, but he ends up disappointed. The South-Yangze River Water Village serves as the background. This story was made into a 1983 film by Beijing Film Studio. "Mrs. Huawei," published in 1938, depicts the bureaucratic image of a self-contented and obstinate Kuomintang official by the use of exaggeration and satire.

Overview coming soon

Ghost of the Garrison and Other Stories is a compilation of ten different stories incorporating magical elements, characters, and motifs usually found in Filipino folklore, legends, and myths into scenarios and themes familiar to the Filipino. Here, readers could discover heroism, defiance, innocence, rage, hopes, and frustration through the eyes and experiences of the characters. Though fictional, themes in some of these stories, illustrate real-world problems experienced by a nation.

'In recent decades, interest in hunger artists has greatly diminished.' Kafka published two collections of short stories in his lifetime, A Country Doctor: Little Tales (1919) and A Hunger Artist: Four Stories (1924). Both collections are included in their entirety in this edition, which also contains other, uncollected stories and a selection of posthumously published works that have become part of the Kafka canon. Enigmatic, satirical, often bleakly humorous, these stories approach human experience at a tangent: a singing mouse, an ape, an inquisitive dog, and a paranoid burrowing creature are among the protagonists, as well as the professional starvation artist. A patient seems to be dying from a metaphysical wound; the war-horse of Alexander the Great steps aside from history and adopts a quiet profession as a lawyer. Fictional meditations on art and artists, and a series of aphorisms that come close to expressing Kafka's philosophy of life, further explore themes that recur in his major novels. Newly translated, and with an invaluable introduction and notes, Kafka's short stories are haunting and unforgettable. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Boulevard Wren and Other Stories is the stunning follow-up to the bestselling Gospel According to Blindboy, and a warped mirror held up to the Irish psyche. Provocative and unsettling, the stories rove through the centuries, from the barren fields of Famine-struck Meath to the chaotic landscape of the near future, where social media has colonised the deepest recesses of the human subconscious. This is a world populated by characters lost and at odds with the demands of contemporary life, for whom the line separating redemption and madness has grown impossibly fine. Razor-sharp social satire, it is an era-defining work from one of Ireland's most anarchic satirists and a quietly devastating portrait of a society in disarray.