To understand comedy is to understand humanity, for the comic sense is central to what it means to be human. Nearly all the major issues with which human beings have exercised themselves are touched upon in some manner by the comic spirit. Yet education in the art of comedy and in comic appreciation is given little attention in most societies. The Spirituality of Comedy explores the wisdom of comedy and the comic answer to tragedy (in both popular and classical senses of the term). Tragedy is seen as a fundamental problem of human existence, while comedy is its counterweight and resolution.Conrad Hyers has taken a fresh look at comedy from the standpoint of comparative mythology and religion, and thus comedy's spiritual significance. In his unique study of the comic tradition, Hyers explains the difficulty in pinning down themes, structures, plots, or characters that are common to all comedy. Instead he argues that there is an essence of comedy in the area of pattern. He draws upon the rich historical ensemble of types of comic figures: the humorist, comedian, comic hero, rogue, trickster, clown, fool, underdog, and simpleton. He shows how each type incarnates a comic heroism in its own unique manner, offering a profound wisdom and philosophy of life.The approach of this book is broadly interdisciplinary, with materials and interpretations introduced from the various fields of the humanities, social sciences, and natural sciences as they illuminate both the tragic and comic sensibilities. The methodological thread that draws this all together is an analysis of the major types of comic figures in terms of the myths and legends associated with them, the rituals they produce and enact, and the symbolism of the comic figures themselves. Written in a very readable literary style, The Spirituality of Comedy will appeal to psychologists, social scientists, clergy, philosophers, and students of literature.

CHOICE2000 Outstanding Academic Title Comedy, tragedy, and religion have been intertwined since ancient Greece, where comedy and tragedy arose as religious rituals. This groundbreaking book analyzes the worldviews of tragedy and comedy, and compares each with the world's major religions. Morreall contrasts the tragic and comic along twenty psychological and social dimensions and uses these to analyze both Eastern and Western traditions. Although no religion embodies a purely tragic or comic vision of life, some are mostly tragic and others mostly comic. In Eastern religions, Morreall finds no robust tragic vision but does find significant comic features, especially in Taoism and Zen Buddhism. In the Western monotheistic tradition, there are some comic features in the early Bible, but by the late Hebrew Bible, the tragic vision dominates. Two millennia have done little to reverse that tragic vision in Judaism. Christianity, on the other hand, has shown both tragic and comic features—Morreall writes of the Calvinist vision and the Franciscan vision—but in the contemporary era comic features have come to dominate. The author also explores Islam, and finds it has neither a comic nor a tragic vision. And, among new religions, those which emphasize the personal self come close to having an exclusively comic vision of life.

This book addresses the fact that Americans tend to live under a considerable amount of stress, tension, and anxiety, and suggests that humor can be helpful in alleviating their distress. It posits that humor is a useful placebo in this regard; cites studies that show that humor moderates life stress; considers the relationship of religion and humor, especially as means to alleviate anxiety; proposes that Jesus had a sense of humor; suggests that his parable of the Laborers in the Vineyard has humorous implications for the relief of occupational stress; explores the relationship of gossip and humor; and suggests that Jesus and his disciples were a joking community. It concludes that Jesus viewed the kingdom of God as a worry-free existence.

Humor, wit, and laughter surround each person. From everyday quips to the carefully contrived comedy of literature, newspapers, and television we experience humor in many forms, yet the impetus for our laughter is far from innocuous. Misfortune, stupidity, and moral or cultural defects, however faintly revealed in others and ourselves, seem to make us laugh. Although discomforting, such negative terms as superiority, aggression, hostility, ridicule, or degradation can be applied to instances of humor. According to scholars, Thomas Hobbes's "superiority theory"?that humor arises from mischances, infirmities, and indecencies, where there is no wit at all?applies to most humor. With the exception of good-natured play, Charles R. Gruner claims that humor is rarely as innocent as it first appears.Gruner's proposed superiority theory of humor is all-encompassing. In The Game of Humor, he expands the scope of Hobbes's theory to include and explore the contest aspect of "good-natured" play. As such, the author believes all instances of humor can be examined as games, in terms of competition and keeping score?winners and losers. Gruner draws on a broad spectrum of thought-provoking examples. Holocaust jokes, sexual humor, the racialist dialogue of such comic characters as Stepin Fetchit and Archie Bunker, simple puns, and many of the author's own encounters with everyday humor. Gruner challenges the reader to offer a single example of humor that cannot be "de-humorized" by its agonistic nature.The Game of Humor makes intriguing and enjoyable reading for people interested in humor and the aspects of human motivation. This book will also be valuable to professionals in communication and information studies, sociologists, literary critics and linguists, and psychologists concerned with the conflicts and tensions of everyday life.

This collection of essays includes historical and theological studies in the sacraments from a Baptist perspective. Subjects explored include the liturgy and sacrement, presence of the Kingdom, some fallacies of Baptist anti-sacramentalism, ...a profound mystry, first communion, sacraments in a virtual world, richly are thy children fed, the scacraments, sacramental pratices of the believing community, priesthood of all the people, "laying on of hands," holistic approach to water-baptism, powerful practices, and enough to set a Kimgdom laughing.

A truly livable and decidedly witty lay spirituality from the most amusing Christian intellectual of our time. From his autobiography, Surprised by Joy, and children's classics, The Chronicles of Narnia; from his poems and novels; from his literary criticism and theological explorations C. S. Lewis has laid down, albeit unwittingly, a spirituality that the "mere Christian"--something of an invention of Lewis's--can live with from Monday through Saturday. On Sunday Lewis would expect the mere Christian to be in his or her own church. In this book, Bill Griffin, renowned Lewis scholar and biographer, captures the spirituality from Lewis's own writings and presents it in a manner reminiscent of Lewis's own.

Dante’s Divine Comedy has long enchanted its readers with its gruesome depictions of sordid sin, the lengths we go to find cleansing, and the hope of eternal life. In this book, Mosley seeks to respond to Dante’s great poem with poetry of his own. For each of the one hundred cantos, Mosley has provided a ten-line poem written in terza rima, the rhyme scheme of Dante’s epic. These poems are intended both to stand on their own and serve as a reflection on the Divine Comedy. Readers unfamiliar with the source text will be inspired to pick it up. Longtime readers of Dante’s journey through the afterlife will find familiar themes presented in a new way.

As the Bible indicates, our lives are a construction zone, for our bodies are temples of the divine Spirit. Formed initially in the image of God, human beings lost intimacy with God through corruption, rebellion, or neglect. In response, the divine Creator loves us back into relationship, providing means of grace to help restore us to wholeness, beginning with our body and continuing through our mind, soul, and spirit. As buildings need cleaning, maintenance, and ongoing care, so our inner temple needs spiritual stimulus, cleaning, and care. Rebuilding the Temple is the fourth book in Vande Kappelle’s series on spirituality and the arts. Books in this series reinforce the essential principle underlying all authentic spirituality: “Go deep in any one place and you will meet the infinite aliveness that is God, for God is everywhere!” Whereas earlier books consider the connection of spirituality with creative arts such as poetry, film, music, theater, drama, dance, and modern literature, this volume takes readers on a journey through classic Christian literature, beginning with the Bible and continuing through inspirational works written by diverse spiritual mentors such as Augustine, Dante, Luther, Calvin, Teresa of Ávila, George Fox, Blaise Pascal, Henri Nouwen, A. W. Tozer, John McLaren, John Shelby Spong, Richard Rohr, and Marcus Borg. Reading their works reminds us that Christian literature is most practical and inspirational when it takes a narrative approach to theology, interpreting the spiritual journey through the ongoing stories of people and communities rather than trying to capture timeless truths analytically or through rational argumentation. Like its companion texts, Wading on Water, Deep Splendor, and Deeper Splendor, this volume is useful for individual or group study. Each chapter concludes with questions suitable for discussion or reflection.

In Spirituality, Health, and Healing, health care professionals and spiritual care providers are presented with a comprehensive resource for delivering effective, compassionate spiritual care to their clients. Content includes exploring the spiritual dimension of individuals, the various aspects of spiritual care, spiritual dimensions in particular types of care, and spiritual considerations of special populations.