THE STACY PLAY - A LOVE SONG - VOLUME I and Other Plays and Poetry by Anne Hamilton contains a full-length play, short plays, monologues, clown plays, and poetry written in 2010. Seventeen pieces feature a female in the leading role. Kathleen Chalfant premiered the role of Stacy at the Cherry Lane Theatre in New York City. THE STACY PLAY - A LOVE SONG - VOLUME I is a non-linear drama about Stacy, an artist and scholar. This volume includes eight short plays, five monologues for women, four monologues for men, plays for female clowns, a play for child clowns, a hybrid farce for hearing and deaf actors, a hybrid comedy for a sign language interpreter and an actress, and seventeen new poems.

ANOTHER WHITE SHIRT and Other Plays and Poetry contains a chamber play, short plays, monologues, and poetry written by Anne Hamilton in 2009. Six pieces feature a female in the leading role. ANOTHER WHITE SHIRT is a chamber play with dance, puppets, video and original music about how grief moves through the body. Short plays include THE DELIVERY, MARIA, THE DAY AFTER, and MORE THAN LIFE ITSELF. Kathleen Chalfant premiered the role of Stacy in the monologue AND THEN I WENT INSIDE at the Cherry Lane Theatre in New York City. Other monologues include RED RIBBON TIE, HEART TALK and THE LAST STONE - OR, THE ADULTERESS SPEAKS FOR HERSELF. Finally, "quartet for change" is a response to the untimely death of Michael Jackson, and the timely election of Barack Obama as President. Also Available through www.lulu.com: THE STACY PLAY - A LOVE SONG - VOLUME I and Other Plays and Poetry by Anne Hamilton.

Vols. for 1926-27 include section "A European bibliography."

Gerald Bordman's American Musical Theatre has become a landmark book since its original publication in 1978. In this third edition, he offers authoritative summaries on the general artistic trends and developments for each season on musical comedy, operetta, revues, and the one-man and one-woman shows from the first musical to the 1999/2000 season. With detailed show, song, and people indexes, Bordman provides a running commentary and assessment as well as providing the basic facts about each production.

The Poetical gazette; the official organ of the Poetry society and a review of poetical affairs, nos. 4-7 issued as supplements to the Academy, v. 79, Oct. 15, Nov. 5, Dec. 3 and 31, 1910

What is (a) play? How do Shakespeare's plays engage with and represent early modern modes of play – from jests and games to music, spectacle, movement, animal-baiting and dance? How have we played with Shakespeare in the centuries since? And how does the structure of the plays experienced in the early modern playhouse shape our understanding of Shakespeare plays today? Shakespeare / Play brings together established and emerging scholars to respond to these questions, using approaches spanning theatre and dance history, cultural history, critical race studies, performance studies, disability studies, archaeology, affect studies, music history, material history and literary and dramaturgical analysis. Ranging across Shakespeare's dramatic oeuvre as well as early modern lost plays, dance notation, conduct books, jest books and contemporary theatre and film, it includes consideration of Measure for Measure, A Midsummer Night's Dream, Macbeth, Titus Andronicus, Merchant of Venice, Twelfth Night, Romeo and Juliet, Othello, King Lear and The Merry Wives of Windsor, among others. The subject of this volume is reflected in its structure: Shakespeare / Play features substantial new essays across 5 'acts', interwoven with 7 shorter, playful pieces (a 'prologue', 4 'act breaks', a 'jig' and a 'curtain call'), to offer new directions for research on Shakespearean playing, playmaking and performance. In so doing, this volume interrogates the conceptions of playing of/in Shakespeare that shape how we perform, read, teach and analyze Shakespeare today.