With the release of the hit feature Star Trek: Nemesis this is the perfect opportunity to update this book with all of the Star movies featuring The Next Generation cast! Here is the complete official guide to every episode of the television adventures of the Starship Enterprise and all four of the major motion pictures from Star Trek Generations to latest Star Trek: Nemesis. This companion is a compendium of information including plot summaries and credits for each show and motion picture, as well as fascinating behind-the-scenes glimpses into creation of The Next Generation. Take a glimpse into the shows incredible seven-year run where it reigned at the very top of the syndicated television ratings. Illustrated with more than 150 black and white photographs, this is the official reference guide to Star Trek: The Next Generation.

First published in 1992 and last revised in 1995, this is a fitting record of a show that changed the rules by which television was made. The first adventure drama series ever to run to seven seasons and more than 170 episodes, Star Trek: The Next Generation broke audience records wherever it was shown and remains the most widely viewed and consistently popular of all the Star Trek series. This new edition of the series companion has been brought bang up to date to include not only all seven years of the TV series but also all four films which have featured the Next Generation crew. In addition to Generations (1994), we now have full details of First Contact (1997), Insurrection (1998) and the very latest incarnation, Nemesis (2002). A positive feast of information, the Companion includes complete plot summaries and credits for each invidiual episode and film. There are fascinating behind-the-scenes glimpses into how each one was made, and in-depth analysis really brings The Next Generation universe to life. Illustrated throughout with more than 150 black and white photographs, this is a truly invaluable reference guide.

How is the android Data like Shakespeare's character Hamlet? Is the vengeful Khan (original series episode "Space Seed" and the film Star Trek II: The Wrath of Khan) an echo of Captain Ahab in Moby Dick? The links between Star Trek and literature are vast: themes and characters that reflect those in classic literature; characters that quote literature in their dialog; and an enormous body of nonfiction books, novels, articles that have grown from the saga. Finally, like literature, Star Trek seeks to help in the human endeavor of understanding the world and its place in the universe. This book explores all of those connections. The Next Generation's Captain Picard frequently quotes Shakespeare. Captain Janeway from Voyager reenacts literature in holodeck novels. Jake Sisko, son of Deep Space Nine's Commander Benjamin Sisko, becomes an award-winning writer. Beginning with Captain James T. Kirk's first appearance in the original series, then continuing through four subsequent series and ten movies, this book draws parallels between Star Trek stories and literary classics such as Hamlet, Paradise Lost, Ulysses, Dracula, and the New Testament, and works by the likes of Booker T. Washington, Edgar Allan Poe and William Shakespeare. Appendices list the literary works discussed and the episodes and movies mentioned, each giving the chapters where references can be found.

Toward the end of the twentieth century, science fiction television took a dark turn. Series like The X-Files, Millennium, and Dark Skies wove menacing technologies, paranormal forces, and shadowy government agencies into complex tales of corruption and cover-ups. Mind control, alien abductions, secret government laboratories, and implacable “men in black” moved from the fringes to the mainstream of American culture, making weekly appearances in living rooms everywhere. Other series that played on fears of new technologies—such as virtual reality—set the stage for unfamiliar kinds of exploitation, while Dark Angel offered glimpses of a near-future wasteland devastated by a technological catastrophe. In The Paranormal and the Paranoid: Conspiratorial Science Fiction Television, Aaron John Gulyas explores the themes that permeated and defined science fiction television at the turn of the millennium. The author traces the roots of this phenomenon in an earlier generation of series including The Invaders, Kolchak: The Night Stalker,and Project U.F.O. and examines how changes in the cultural landscape led to the proliferation of these types of shows. This book delves into the internal mythology of shows like The X-Files, resurrects now-forgotten series like Wild Palms and VR.5, and provides an important glimpse into American culture at the close of the twentieth century. While exploring the pervasive grimness of these shows, Gulyas also examines how they offer hope in the form of heroes—like agents Scully and Mulder—who relentlessly dug through the tissue of lies and distortions to find and expose the truth. The Paranormal and the Paranoid will appeal to scholars of media studies, sociology, and science fiction—not to mention fans of these programs and even conspiracy theorists.

In 2016, Star Trek--arguably the most popular science fiction franchise of all time--turned 50. During that time the original series and its various offshoots have created some of the genre's most iconic characters and reiterated a vision of an egalitarian future where humans no longer discriminate against race, gender or sexuality. This collection of new essays provides a timely study of how well Star Trek has lived up to its own ideals of inclusivity and equality, and how well prepared it is to boldly go with everyone into the next half century.

Since the publication of the first James Blish novelizations of Star Trek episodes in 1967, close to 900 tie-in novels, anthologies, and omnibus editions have been published. Star Trek tie-in novels have had a significant influence on Western popular culture. The works of beloved science fiction authors have shaped the way fans understand Star Trek and its universe, and many stand as near equal builders of the Star Trek franchise, next to Gene Roddenberry, his producers, and the many creators of the later series. With such a vast and varied body of work, tie-in books form a rich and deep cultural phenomenon, the history and content of which are worthy of concerted study. Despite the enduring popularity of the franchise they are based on, no previous essay collection has ever focused on the numerous and widely diverse books of Star Trek tie-in novels. This collection does just that by examining the tie-in works as relevant literature. The essays primarily focus on tie-in books published from 1990 to 2022, and each author discusses the plot and context of separate novels while simultaneously exploring major themes such as canon vs. fanfiction and merits of the genre. The collection ends with an exploration of the continuity of this period of Star Trek as it stands following a narrative conclusion announced in 2021.

The Routledge Handbook of Star Trek offers a synoptic overview of Star Trek, its history, its influence, and the scholarly response to the franchise, as well as possibilities for further study. This volume aims to bridge the fields of science fiction and (trans)media studies, bringing together the many ways in which Star Trek franchising, fandom, storytelling, politics, history, and society have been represented. Seeking to propel further scholarly engagement, this Handbook offers new critical insights into the vast range of Star Trek texts, narrative strategies, audience responses, and theoretical themes and issues. This compilation includes both established and emerging scholars to foster a spirit of communal, trans-generational growth in the field and to present diversity to a traditional realm of science fiction studies.

This set of multi-reference works is meant to be read together as the five volumes interlace one another like the laces of a shoe in the famous painting by Vincent van Gogh. The question of who will wear the shoes is long debated in art history and philosophy. If we take these five volumes from different points of view on the theory and practice of business storytelling then we have a crisscrossing, a new and impressive dialogue for the reader. This set is presented as a new way to lace up the laces of business storytelling.Volume 1 aims to help and inspire leaders, business owners, and researchers in creating a commitment to ethical and sustainable changes and ideas, and live in a world of high complexity without getting stressed but experiencing freedom instead.The book combines tools, case studies, and theories about the ethical change-management method of True Storytelling and other perspectives and views on ethics and storytelling. It delves into important topics such as true storytelling sustainability and freedom, storytelling and start-ups in the health industry, storytelling and diversity and culture, storytelling and teams, storytelling, sustainability and the UN Goals, storytelling and well-being, storytelling in higher education, and storytelling and fundraising.Book authors are experienced and successful researchers, business owners, leaders, and consultants from Scandinavia, the USA, Africa, and Europe.Volume 2 is an endeavor into the creation of new concepts for engaging with sustainability. It maintains that storytelling is important for our emplacement in nature and can be important for enacting another relationship between nature and the cultural artifice — our social and material constructions of houses, cities, villages, harbors, streets, and railways, and our use of objects and artifacts to construct our lives.Business storytelling communication is that space for social symbolic work that brings the symbolic objects of the organization, the human, and the natural environment into a dialogical relationship. Volume 3 posits that organizations are arranged as social symbols that are arranged in institutions based on the needs of organics, for example health, food, shelter, mating, leisure, and labor. Organics, as a social symbolic object, specifically humans, have emotions, language, and culture to organize their institutions and organizations. In this book, readers will find that many of the authors attempt to understand the body's exclusion or attempt to bring the body back into the organization. Business storytelling communication takes aim at the social symbolic work of making space to negotiate the social arrangement of organizations with its organic components.Volume 4 covers a variety of methodological topics from a storytelling perspective. Why a storytelling perspective? Consider that a common business research goal is to convince others that what the researcher has to say matters. If the researcher is a basic researcher who wishes to promote a theory, the goal is to make a convincing case for the value of that theory. If the researcher is an applied researcher who wishes to promote a particular application, intervention, or policy change, the goal is likewise to make a convincing case. Either way, the researcher has a story to tell, and the onus is on the researcher to tell the best possible story; storytelling failures likely will result in a failure to convince others of the value of one's theory or application.Here is where methodological issues come into play. Poor methodology, whether in the form of less-than-optimal study designs or invalid statistical analyses, harms story quality. In contrast, high-quality methods and statistics enhance story quality. Moreover, the larger one's methodological and statistical toolbox, the greater the opportunities for researchers to tell effective stories. The chapters in this book come from a wide variety of perspectives and should enhance researchers' storytelling in the following ways. By opening many different methodological and statistical perspectives, researchers should be more able to think of research stories that otherwise would remain unavailable or inaccessible. Secondly, the present chapters should aid researchers in better executing their research stories. Therefore, researchers and graduate students will find this book an invaluable resource.Volume 5 opens a window into the world of quantum storytelling as an organizational research methodology, providing numerous exemplars of work in this storytelling science that has disrupted qualitative inquiry only with the intention of providing expanded, improved, and generative ways of understanding and knowing the narratives that emerge from qualitative interviews and observations during organizational research studies.

Through four decades, five television series comprising over seven hundred episodes, ten feature films, and an animated series, fandom's thirst for more Star Trek stories has been unquenchable. From the earliest short-story adaptations by James Blish in the 1960s, followed by the first original Star Trek novels during the seventies, and on throughout the eighties, nineties, and into the twenty-first century, fiction has offered an unparalleled expansion of the rich Star Trek tapestry. But what is it that makes these books such a powerfully attractive creative outlet to some and a compelling way to experience the Star Trek mythos anew to others? Voyages of Imagination takes a look back on the first forty years of professionally published Star Trek fiction, revealing the personalities and sensibilities of many of the novels' imaginative contributors and offering an unprecedented glimpse into the creative processes, the growing pains, the risks, the innovations, the missteps, and the great strides taken in the books. Author Jeff Ayers has immersed himself in nearly six hundred books and interviewed more than three hundred authors and editors in order to compile this definitive guide to the history and evolution of an incomparable publishing phenomenon. Fully illustrated with the covers of every book included herein, Voyages of Imagination is indexed by title and author, features a comprehensive timeline, and is a must-have for every fan.