The monumental statues of Easter Island, both so magisterial and so forlorn, gazing out in their imposing rows over the island’s barren landscape, have been the source of great mystery ever since the island was first discovered by Europeans on Easter Sunday 1722. How could the ancient people who inhabited this tiny speck of land, the most remote in the vast expanse of the Pacific islands, have built such monumental works? No such astonishing numbers of massive statues are found anywhere else in the Pacific. How could the islanders possibly have moved so many multi-ton monoliths from the quarry inland, where they were carved, to their posts along the coastline? And most intriguing and vexing of all, if the island once boasted a culture developed and sophisticated enough to have produced such marvelous edifices, what happened to that culture? Why was the island the Europeans encountered a sparsely populated wasteland? The prevailing accounts of the island’s history tell a story of self-inflicted devastation: a glaring case of eco-suicide. The island was dominated by a powerful chiefdom that promulgated a cult of statue making, exercising a ruthless hold on the island’s people and rapaciously destroying the environment, cutting down a lush palm forest that once blanketed the island in order to construct contraptions for moving more and more statues, which grew larger and larger. As the population swelled in order to sustain the statue cult, growing well beyond the island’s agricultural capacity, a vicious cycle of warfare broke out between opposing groups, and the culture ultimately suffered a dramatic collapse. When Terry Hunt and Carl Lipo began carrying out archaeological studies on the island in 2001, they fully expected to find evidence supporting these accounts. Instead, revelation after revelation uncovered a very different truth. In this lively and fascinating account of Hunt and Lipo’s definitive solution to the mystery of what really happened on the island, they introduce the striking series of archaeological discoveries they made, and the path-breaking findings of others, which led them to compelling new answers to the most perplexing questions about the history of the island. Far from irresponsible environmental destroyers, they show, the Easter Islanders were remarkably inventive environmental stewards, devising ingenious methods to enhance the island’s agricultural capacity. They did not devastate the palm forest, and the culture did not descend into brutal violence. Perhaps most surprising of all, the making and moving of their enormous statutes did not require a bloated population or tax their precious resources; their statue building was actually integral to their ability to achieve a delicate balance of sustainability. The Easter Islanders, it turns out, offer us an impressive record of masterful environmental management rich with lessons for confronting the daunting environmental challenges of our own time. Shattering the conventional wisdom, Hunt and Lipo’s ironclad case for a radically different understanding of the story of this most mysterious place is scientific discovery at its very best.

Enigmatarium is story founded on light and darkness. It begins with Jack, a young man who is the victim of a magic beyond his imagining. This magic has come to be known as the Jester Spell. It is a spell that transforms its victim into a deformed marionette. This is but the first knife to cut away a shroud covering his entire world. As time passes for him and as new characters come into his life, he begins to realize that truth becomes the only pursuit in a world that continually changes, a place where evil becomes good, enemy becomes friend and each new lie creates a seemingly endless prison of twists and turns. Together with some unlikely friends, they all strive to unravel the secrets of the Enigmatarium. But some secrets, they learn, are far more terrifying than anything they could ever fathom. And just when they think they may have figured it out, tragedy finds a way into their hearts. The Enigmatarium is a place where reality and fantasy combine with no clear boundaries, where time spans centuries, where magic and death go hand in hand with life and loss. And just as one world must endure its Onyx ruler, another world is simultaneously being governed by one of Pearl. Take the journey, play the game, trust no one and enter the Enigmatarium. It is waiting to welcome you to your fantasy.

THE G. K. CHESTERTON COLLECTION [50 BOOKS] G. K. CHESTERTON — 50 Books in One: 22 Non-Fiction, 11 Fiction, 8 Biographies, 4 Poetry, 1 Play, 3 Critiques, 1 Introduction — Over 2.3 Million Words in one E-Book — Includes an Introduction to Gilbert Keith Chesterton — Includes an Active Index to all books and 50 Table of Contents for each book — Includes Illustrations by Claude Monet Gilbert Keith Chesterton (1874–1936) was an English writer. He wrote on philosophy, ontology, poetry, plays, journalism, public lectures and debates, literary and art criticism, biography, Christian apologetics, and fiction, including fantasy and detective fiction. Chesterton is often referred to as the "prince of paradox". Whenever possible, Chesterton made his points with popular sayings, proverbs, and allegories—first carefully turning them inside out. Chesterton is well known for his reasoned apologetics and even some of those who disagree with him have recognized the universal appeal of such works as Orthodoxy and The Everlasting Man. Chesterton, as a political thinker, cast aspersions on both progressivism and conservatism, saying, "The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected." Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify such a position more and more with Catholicism, eventually converting to Roman Catholicism from High Church Anglicanism. George Bernard Shaw, Chesterton's "friendly enemy" said of him, "He was a man of colossal genius". INCLUDED BOOKS: GILBERT KEITH CHESTERTON —NON-FICTION— HERETICS ORTHODOXY WHAT’S WRONG WITH THE WORLD WHAT I SAW IN AMERICA THE NEW JERUSALEM IRISH IMPRESSIONS A SHORT HISTORY OF ENGLAND EUGENICS AND OTHER EVILS THE SUPERSTITION OF DIVORCE THE APPETITE OF TYRANNY THE CRIMES OF ENGLAND THE BLATCHFORD CONTROVERSIES THE VICTORIAN AGE IN LITERATURE A MISCELLANY OF MEN ALARMS AND DISCURSIONS ALL THINGS CONSIDERED THE DEFENDANT TREMENDOUS TRIFLES UTOPIA OF USURERS AND OTHER ESSAYS THE USES OF DIVERSITY ESSAYS BY CHESTERTON A CHESTERTON CALENDAR —FICTION— THE INNOCENCE OF FATHER BROWN THE WISDOM OF FATHER BROWN THE MAN WHO WAS THURSDAY THE MAN WHO KNEW TOO MUCH THE NAPOLEON OF NOTTING HILL THE FLYING INN MANALIVE THE BALL AND THE CROSS THE CLUB OF QUEER TRADES THE TREES OF PRIDE OTHER STORIES —BIOGRAPHY— VARIED TYPES CHARLES DICKENS APPRECIATIONS AND CRITICISMS OF THE WORKS OF CHARLES DICKENS GEORGE BERNARD SHAW ROBERT BROWNING WILLIAM BLAKE G.F. WATTS BIOGRAPHIES BY CHESTERTON —POETRY— THE BALLAD OF THE WHITE HORSE THE BALLAD OF SAINT BARBARA THE WILD KNIGHT AND OTHER POEMS GREYBEARDS AT PLAY —PLAYS— MAGIC —CRITIQUES— GILBERT KEITH CHESTERTON by Cecil Chesterton GILBERT KEITH CHESTERTON by Patrick Braybrooke OTHER G. K. CHESTERTON CRITIQUES PUBLISHER: CATHOLIC WAY PUBLISHING

In 'The Greatest Works of G. K. Chesterton,' readers are treated to a collection of some of the most profound and thought-provoking essays, fiction, and poetry by the renowned author. Chesterton's literary style is characterized by his wit, humor, and keen observations on society, religion, and philosophy. His works are known for their paradoxical and witty nature, which challenges readers to think beyond the surface. The collection includes masterpieces such as 'Orthodoxy,' 'The Man Who Was Thursday,' and 'The Ballad of the White Horse,' showcasing Chesterton's versatility as a writer. This compilation provides an in-depth look into the mind of one of the most influential literary figures of the 20th century. Gilbert Keith Chesterton, known as G. K. Chesterton, was a prolific writer and thinker whose works continue to inspire readers to this day. His unique perspective on various topics such as religion, morality, and society set him apart as a leading intellectual of his time. Chesterton's ability to blend humor with profound insights makes his works both engaging and enlightening. I highly recommend 'The Greatest Works of G. K. Chesterton' to anyone interested in delving into the brilliant mind of this literary giant. This collection offers a comprehensive overview of Chesterton's body of work and is sure to leave readers with a newfound appreciation for his contributions to literature.

When Chuck Arbour, a Winnipeg boy, graduates high school, he receives two letters in the mail that invite him to study with the elite academics in the city. He had been lately receiving significant attention due to his talent and originality in writing, but was unprepared for this introduction to the world of higher education. The young man begins to expect nothing but a smooth transition into what he believes will be the beginning of a future full of fame and fulfilment, but instead experiences resistance from those closest to him as well as a mysterious new acquaintance. Chuck must navigate this new world while trying to understand his own fame, the motives of others, as well as what success and meaning truly are.

Twenty Four Years of Mondays is a novel that takes place in New Yorks East Village, the home of Allen Ginsberg, Bob Dylan and a host of others at the end of the Beat Generation. The book sketches the life of Gideon Polinsky, his love for the deceased writer Herman Hesse culminating in a bizarre existence as a hopeless madman caught up in several lifestyles. It is a dilemma of the very guts of the creative mind with its madness, its hunger, its suffering, and building to a crescendo within existence where the end connects the reader to the horror of possibility. Gideons lifestyle is extremely diverse, relentlessly packed with a raw, devouring painful side of life capturing the verve and passion of Greenwich Village in the early 60s.

Long ago, the Dragon Gods founded the land of Yores. They drove out the monsters which lived within it and gave the land to their followers, who thanked the Dragon Gods and pledged to worship them for eternity. As time went on, however, the Yoresians grew proud and ceased worshipping the Dragon Gods, trusting instead in their magic. Thus, the Dragon Gods abandoned the Yoresians, which has turned out to be a mistake, for now the land of Yores is under attack from a powerful evil and the Yoresians cannot stand against it. Twin siblings Sarzen and Helnia, a warrior and a mage, set out to find the Dragon Gods, who they believe are their people's only hope of survival. But the quest ahead of them is fraught with dangers they can't even imagine, including a revelation about themselves that will shake their view of themselves and their leaders forever. KEYWORDS: epic fantasy adventure series, epic fantasy dragons, epic fantasy magic, epic fantasy sword and sorcery, sword and sorcery adult fantasy, sword and sorcery series, sword and sorcery series magic

1 John explains that assurance of salvation, real relationship with Christ, and abundant life now can be yours as you apply who God is and what He came to accomplish!