Spanning the mid to late 20th century and set in the Elkhorn Valley of southwestern Montana, The Stone Sister is told from three points of view -- a father's, a nurse's, and a sister's. Together they tell the unforgettable story of a child's birth, disappearance, and finally discovery in a home for "backward children." Robert Carter, a newly married man just back from World War II, struggles with his and his wife's decision to entrust the care of their disabled child to an institution and "move on" with family life. Louise Gustafson, a Midwestern nurse who starts over with a new life in the West, finds herself caring for a child everyone else has abandoned. And Elizabeth Carter, a young journalist, uncovers the family secret of her lost sister as she struggles with starting a family of her own. The Stone Sister explores the power of family secrets and society's evolving definitions of "normal"--as it pertains to family, medicine, and social structure. The novel sheds light on the beginnings of the disability justice movement as it follows one family's journey to reckon with a painful past. Incredibly, the novel is based on Caroline Patterson's personal story. As an adult, she discovered she had an older sister with Down syndrome who had been written out of her family history. In fact, that sister's name was also Caroline Patterson.

1348. As the Black Plague lays waste to Italy, Ginevra di Gasparo is summoned back to Florence after nearly a decade of lonely exile.

"True in the way only great fiction can be . . . Every word matters. Read it" CLARE OSHETSKY "Clara's sentences are tender and illuminating, they carefully guided me along a complex family story, like stones skimming on water . . . I'm so thankful this book exists" SZILVIA MOLNAR This is the story of a child with black eyes that float in and out of focus, a child soft and round, with translucent, blue-veined legs unable to hold his weight. This is the story of his place in the Cévennes house where he was born, overlooked by swaying trees and craggy mountains. This is the story of his siblings: the eldest who spends his days cheek-to-cheek with his baby brother, attuned to the rushing, buzzing, whistling sounds that connect him to the outside world; the sister who rejects him and resents him for consuming the attention of her parents and brother, for turning her family upside down; and the youngest, whose life unfolds in the shadow of what his brother's might have been. This is the story of the ancient stones embedded in the courtyard walls, devoted witnesses to the children's lives, who watch over them and tell their tale. A fable for our time, And the Stones Cry Out delicately paints the portrait of a family adapting to their circumstances, to each other, and to a world not built for difference. Translated from the French by Ben Faccini

Fyodor Dostoevsky’s Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Raskolnikov, an impoverished ex-student living in Saint Petersburg who feels compelled to rob and murder Alyona Ivanovna, an elderly pawn broker and money lender. Raskolnikov believes with the money he steals he could liberate himself from poverty and perform great deeds. After much deliberation, he sneaks into her apartment and commits the murder. In the chaos that ensues, he fails to steal anything valuable, which was the primary purpose of his actions. Although the murder and robbery are bungled, Raskolnikov escapes without being seen and seems to have committed the perfect crime. There’s one devastating hitch: the feverish delirium of his own conscience. Raskolnikov is racked with guilt over the crime and worries excessively about being discovered. His ethical justifications disintegrate as he confronts the real-world moral consequences of his deed. Racked with confusion, paranoia, and disgust for what he’s done, he falls into a feverish state as his guilt manifests itself in physical ways. His actions grow increasingly strange as if subconsciously, he wants to be discovered. When suspicion falls on him, he’s faced with the decision of how he can atone for his terrible crime so he can find psychological relief. As usual in Dostoyevsky’s work, he brilliantly explores the psychology of his characters for a deeper understanding of their motivation and conflict central to the human condition. First published in 1866, Crime and Punishment is one of Fyodor Dostoyevsky’s most famous novels, and regarded as one of the true masterpieces of world literature.

'However much you thought you knew about The Stones before you read it, afterwards you'll know more. It's glittering' - Simon Napier-Bell 'Special [...] it's brilliant' Johnnie Walker From Sunday Times bestselling author Lesley-Ann Jones On 12 July 1962, the Rollin' Stones performed their first-ever gig at London's Marquee jazz club. Down the line, a 'g' was added, a spark was lit and their destiny was sealed. No going back. These five white British kids set out to play the music of black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex and drugs. Denounced as 'corruptors of youth' and 'messengers of the devil', they created some of the most thrilling music ever recorded. Now, their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll. Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art? Lesley-Ann Jones's new history tracks this contradictory, disturbing, granitic and unstoppable band through hope, glory and exile, into the juggernaut years and beyond into rock's ongoing reckoning . . . where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad and often ugly, here are the Rolling Stones as never before.

DigiCat Publishing presents to you this special edition of "The Sisters-In-Law" (A Novel of Our Time) by Gertrude Franklin Horn Atherton. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Sisters and the English Household revalues unmarried adult sisters in nineteenthcentury English literature as positive figures of legal and economic autonomy representing productive labor in the domestic space. As a crucial site of contested values, the adult unmarried sister carries the discursive weight of sustained public debates about ideals of domesticity in nineteenth-century England. Engaging scholarly histories of the family, and providing a detailed account of the 70-year Marriage with a Deceased Wife’s Sister controversy, Anne Wallace traces an alternative domesticity anchored by adult sibling relations through Dorothy Wordsworth’s journals; William Wordsworth’s poetry; Mary Lamb’s essay “On Needle-Work”; and novels by Jane Austen, Elizabeth Gaskell, Charles Dickens, Dinah Mulock Craik and George Eliot. Recognizing adult sibling relationships, and the figure of the adult unmarried sibling in the household, as primary and generative rather than contingent and dependent, and recognizing material economy and law as fundamental sources of sibling identity, Sisters and the English Household resets the conditions for literary critical discussions of sibling relations in nineteenth-century England.