While researching why Freud failed to win a Nobel Prize at the Nobel Archives in Sweden, a psychiatrist makes an unusual discovery. Among the piles of papers in the 'Crackpot' file are letters addressed to the executor of Alfred Nobel's will, written by several notable Nobel laureates — including Rudyard Kipling and Marie Curie — each offering an explanation of why and how Stonehenge was constructed. Diligent research uncovers that Alfred Nobel added a secret codicil to his will, a prize for the Nobel laureate who solves the mystery of Stonehenge. Weaving together a wealth of primary sources — photos, letters, wills — The Stonehenge Letters tells the tale of a fascinating secret competition. Praise for The Stonehenge Letters: 'This little novel is a delight from its first word to its last. The Stonehenge Letters is by turns thoughtful, whimsical, haunting and laugh-out-loud funny. Reading this book was like skating over the smoothest ice; I was blissfully unaware of the transition from history to fiction and back again' — Annabel Lyon, author of The Sweet Girl 'In his alarmingly smart and dangerously absorbing Freud-tinged romance/detective story, Harry Karlinsky deploys explosions, earthworms, radioactive particles and a passel of Nobel laureates to reinvent history in the golden age of invention.' — Zsuzsi Gartner, author of Better Living Through Plastic Explosives Harry Karlinsky is a clinical professor of psychiatry at the University of British Columbia. His first novel, The Evolution of Inanimate Objects (HarperCollins UK), was longlisted for the Wellcome Trust Book Prize.

The archives of a secret competition, sponsored by Alfred Nobel, to solve Stonehenge -- as compelling as the monument itself.

Eight days after the summer solstice, a man's corpse is discovered on the grounds of Stonehenge, strange symbols carved into the flesh. Amid a media frenzy, the case falls to Wiltshire policewoman Meg Redfern, who in turn appeals to young Cambridge historian Gideon Chase, an expert on ancient British archaeology. Their investigation threatens to expose a secret society - an ancient international legion devoted for thousands of years to Stonehenge. With a charismatic and ruthless new leader at the helm, the cult is now performing ritual human sacrifices in a terrifying bid to unlock the secret of the stones. Packed with codes, symbology, relentless suspense, and fascinating detail about the history of one of the world's most iconic, beloved, and mysterious places, The Stonehenge Legacy is a blockbuster thriller to rival the best of Dan Brown, Chris Kuzneski, and Raymond Khoury.

Stonehenge dates its Bronze Age phase to 2000 B.C. (but with a history stretching back yet another thousand years to Neolithic times). It attracts more than a million tourists a year, but is more than an array of great standing stones. Stonehenge was indeed its own city, the metropolitan center of a powerful kingdom heretofore unsuspected. That city is reconstructed by the author from the archaeological evidence--royal palace, banquet hall and tomb, among other buildings. Here (apart from Homer) begins European literature, derived from oral traditions. The entire book is richly illustrated.

Wireless technology has become deeply embedded in everyday life, but its impact cannot be fully understood without probing the contributions of the Italian inventor Guglielmo Marconi (1874-1937), who ushered in the beginning of wireless communication. Marconi produced and detected sound waves over long distances, using the curvature of the earth for direction, and laid the foundations for what we know as radio—the original mobile, voice-activated, and electronic media community. Timothy C. Campbell demonstrates that Marconi’s invention of the wireless telegraph was not simply a technological act but also had an impact on poetry and aesthetics and linked the written word to the rise of mass politics. Reading influential works such as F. T. Marinetti’s futurist manifestos, Rudolf Arnheim’s 1936 study Radio, writings by Gabriele D’Annunzio, and Ezra Pound’s Cantos, Campbell reveals how the newness of wireless technology was inscribed in the ways modernist authors engaged with typographical experimentation, apocalyptic tones, and newly minted models for registering voices. Wireless Writing in the Age of Marconi presents an alternative history of modernism that listens as well as looks and bears in mind the altered media environment brought about by the emergence of the wireless. Timothy C. Campbell is associate professor of Italian at Cornell University.

First published in 1990. Of all the monuments left by the past, Stonehenge is the most evocative, the most memorable and the most mysterious. Whilst the monuments of other cultures have gradually surrendered their mysteries, Stonehenge alone seems to stimulate endless conjecture. Rodney Castleden's vivid presentation of the world of the megaliths answers many of the most baffling questions about Stonehenge. There are, he stresses, few absolute certainties, but from the vast body of evidence assembled during the last hundred years it is now possible to get much closer to the truth than ever before. Who built the monuments and for what purpose? How were the bluestones moved from the sacred mountains of the west to Salisbury Plain? Who were the people responsible for this amazing undertaking, and what did they think and believe?

William Blake called himself a "sublime Artist" and acknowledged his own power to create "the Most Sublime Poetry." Words of Eternity reveals the fundamental importance of the term "sublime" in a defining of Blake's poetic achievement. This first full-length study of Blake and the sublime demonstrates that a sophisticated theory of sublimity permeates his writings, serving him as a personal poetics, a framework in which the difficulties and unusual strategies of the works find their rationale. Vincent De Luca combines historically grounded source study with insights from modern critical theories of textuality to identify Blake's two opposing conceptions of sublimity--a sublime of obscurity, terror, and material power and one of determinate, concentrated intellectual design. De Luca examines the interplay between these two modes from differing perspectives--theoretical, stylistic, and thematic. As the perspectives widen, they embrace many of the speculative systems of Blake's time and reveal these systems as various displaced modalities of an underlying sublime discourse. "Words of Eternity is one of the dozen or so most important books ever written about Blake's poetry. De Luca provides a wealth of new insights on every page."--Robert N. Essick, University of California, Riverside "With the context that this book supplies, we take a quantum leap in the sense we can make of Blake's project. De Luca opens our eyes to a Blake, and a sublime, that will never again be the same for us."--Nelson Hilton, University of Georgia Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.