Audisee® eBooks with Audio combine professional narration and sentence highlighting for an engaging read aloud experience! How does a tiny acorn become a mighty oak tree? Readers discover the sequence of an oak tree's life cycle with step-by-step photos and clear text.

An Oak Tree is a bold, absurdist, comic play for two actors - one of them different at each performance - about loss, suggestion and the power of the mind. This Student Edition is published with a commentary and notes by Seda Ilter, which explore Tim Crouch's notion of audience and their role in theatre; possibilities of transformation and the role of visual art in theatre; the implosion of the real and fictional; and the liminal dramaturgy of Crouch's plays; as well as how this experimental play works in performance. The edition also includes an interview with Tim Crouch, which sheds further light on his philosophy and process.

You will see no false nothing false tonight the Hypnotist Tim Crouch's second play collapses a tale of loss and grief into an exploration of theatrical representation, in a piece of theatre that is at once formally innovative and profoundly moving. Written for two actors, An Oak Tree depicts the fraught meeting of a grieving father and the stage hypnotist who was behind the wheel of the car that killed his daughter, with the father played by a different actor at each performance, walking on stage with no prior knowledge of the play. Catherine Love explores An Oak Tree's connections with conceptual art, the unique process of its creation, its interrogation of stage representation, its relationship with audiences, and its place as part of Crouch's ongoing body of work.

Hurricane Charlie strikes without warning, devastating Orlando and the treetop realm of Dreylanda secret society of urban birds and animals. The desperate wildlife migrates to other neighborhood groves defended by hostile residents. Worst of all, the Winter Slayer, a specter with power over death, reigns supreme in the carnage and destruction. In this chaotic post-hurricane setting, we see the power of the Creator, and of family and friendship eclipsing death as two wayward squirrels, Notch and Fuzzy, encounter Reek-Lee, Spook and other dangerous predators while searching for Heaven on Earththe legendary Nirvana tree. The story is told by Q, a wise old mother tree, and revolves around the three animals ruling in a Troika: Sage, a raccoon prophetess; Notch, the governor; and the regulator, a cat aptly called Dagger. They enjoy very long lives, in fact near immortality. But, after many seasons, a grudge between Dagger and Notch boils over into mortal combat, breaking the Troika, and releasing the Winter Slayer to claim what its long been denied. More than a modern-day animal story, in Diary of an Oak Tree we time-travel from Dreyland, back to the magical Age of Oaks, where rebellious men fought nature itself in the Battle of the Valley of Nigh, changing the Earth forever.

Frank, is a native of Poland, who with unfailing vigor, survived the many ordeals he faced as a young teen in Europe during WWII. At the onset of the War, he and his family were stripped of their home in Poland by the Russian Army and sent to endure imprisonment at a Russian interment camp in desolate Siberia. Franks spirited perseverance found him as a fourteen-year old soldier in the newly formed Polish Army, where he proudly served in the Middle East. At the wars end he and his surviving family miraculously reunited and emigrated from England to the San Francisco Bay Area. There, Frank married Dorothy, raised a family, and had a successful career in the automotive industry until his retirement in 1990. Frank, at the vibrant age of 82, with Dorothy, now married over 57 years, make Rocklin, nestled at the base of the Sierra foothills of Northern California, their home. Along with keeping active and spunky, family and friends are Franks priorities. Frank remains committed to his Polish comrades by being commander of the Polish Veterans of WWII for Post Number 49 in the San Francisco Bay Area. One of his life-long goals has been to chronicle his story.

Long ago magical and human’ realms lived in harmony with one another. However, from the darkness creatures of evil hungered for the lands. Lead by the Red Dragon who bewitches a young Creation Creature of magic Kin. The Yellow Dragon tries to defend his sister but cannot defeat the Red Dragon. The Old Ones find Halflings Kin to guard and protect the realms from them all. They are known as Healers

Separated into seven categories for easy reference, the techniques within each chapter are applied to practice situations in a concise format for easy reference and use. The interventions illustrated include Storytelling, to enhance verbalizations in children; Expressive Art, to promote children's coping ability by using various art mediums; Game Play, to help children express themselves in a playful environment; Puppet Play, to facilitate the expression of conflicting emotions; Play Toys and Objects, to demonstrate the therapeutic use of various toys and objects in the playroom; Group Play, to offer methods and play techniques for use in group settings; and Other, to provide miscellaneous techniques that are useful in many settings. This book is a response to the evident need of clinicians for easy to use play therapy techniques. A welcome addition to the earlier collection, it is designed to help children enhance verbalization of feeling, manage anger, deal with loss and grief, and heal their wounds through the magic of play therapy. Clear and marvelously simple, this manual will be an invaluable addition to any professional's or student's library. A Jason Aronson Book

Stories that have delighted children and fascinated adults for over a century are the heritage of Hans Christian Andersen. This collection has been selected and translated with the growing audience of adults--both students and general readers--in mind, and displays the full range of Andersen’s authorship, from parable to science fiction. In this fresh, contemporary translation Rossel and Conroy have endeavored to “preserve for the English-speaking audience the engaging duplicity of Andersen’s style, the tension of play between his sympathetic conversational tone and his use of the studied effect.” This is a tension between the simplicity of stories intended to be read aloud to children ad the subtlety of the allegory skillfully woven into each for the adults who would be listening and “must have something to think about,” as Andersen said. The introductions provide an overview of Andersen’s life and struggle to become an author, as well as an analysis of his contributions as an artist and storyteller. Each story has also been provided with an endnote giving publication dates, information about the genesis of the tale, and relevant comments by Andersen and other. Readers who remember with nostalgia such tales as “The Ugly Duckling” and “The Little Match Girl” may be surprised to find the biting satire in many of the stories, such as “The Nightingale” and “The Gardener and the Lord and Lady,” the revealing self-portraits of the author in “The Sweethearts,” “The Butterfly,” and “The Shadow,” the mysticism of “The story of a Mother” and “The Bell” the prophetic quality of “In a Thousand Years Time,” and the complexity and charm of “the Snow Queen.” The book contains the drawings of Vilhelm Pedersen and Lorenz Frolich that originally appeared in the first illustrated Danish editions of Andersen’s tales and stories.