The art of deception is an essential art to know to get through life. No, deception is not nice. You should not regularly engage in it. But deception is also a part of human nature that is very important. Deception can get you through a lot of situations and save from a lot of ego bruising. It can even preserve your relationships in some situations. Deception can also be bad. It can hurt you and those around you. It can limit your quality of life as you get deeper and deeper over your head. Knowing how to stop and prevent lying is just as important of an art as knowing how to lie well. Well, this book is your guide to the art of deception. This book will teach you how to use the art of deception to your advantage. It will show you how to lie convincingly. It will also show you the reverse side of deception: catching people who lie to you and preventing them from lying again. By the end of this book, you will be a master at deception and subterfuge and you will be the best liar and lie detector around. Read this book to learn all about lying to yourself and others, detecting when people lie, and preventing future lying from your loved ones. You will be a different person and a better communicator by the end of this guide. Transform your life with the essential art of deception today.

Since the nineteenth century, when art history became an established academic discipline, works of art have been 'read' in a variety of ways. These different ways of describing and interpreting art are the methodologies of artistic analysis, the divining rods of meaning. Regardless of a work's perceived difficulty, an art object is, in theory, complex. Every work of art is an expression of its culture (time and place) and its maker (the artist) and is dependent on its media (what it's made of). The methodologies discussed here (formal analysis, iconology and iconography, Marxism, feminism, biography and autobiography, psychoanalysis, structuralism, race and gender) reflect the multiplicity of meanings in an artistic image. The second edition includes nineteen new images, new sections on race, gender, orientalism, and colonialism, and a new epilogue that analyzes a single painting to illustrate the different methodological viewpoints.

“In a time when religious liberty is on trial, This Is How It Begins is an extraordinarily pertinent novel dripping in suspense and powerful scenes of political discourse . . . a must read . . .” —Foreword (starred review) “Beautifully written . . . an ambitious and moving debut novel.” —Lily King, the New York Times best-selling author of Writers & Lovers A woman bearing a thorny secret. A man fighting for religious freedom. A battle neither saw coming. Massachusetts, 2009. Ludka Zeilonka is relishing her emeritus status. With the horrors of World War II willfully buried in her past, the eighty-five year-old art professor doesn’t want to accept that there’s escalating cultural unrest in her adoptive country. But when her gay grandson is fired for allegedly silencing Christian kids in his classroom, she and her influential family are thrust into the center of a political firestorm. Warren Meck is worried about his sons. Leading a statewide effort to protect free speech in public schools for Christian kids, the popular radio host is on the cusp of taking his fight to the State House. But when his carefully orchestrated campaign turns unexpectedly violent, he’s alarmed by suspicions that someone within his inner circle might be responsible. As the increasingly vicious conflict plays out on the public stage, Ludka wrestles with resurfacing memories . . . and the exposure of a well-guarded secret. And when Meck identifies the culprit behind the violence, he faces an unbearable choice that could jeopardize his family's future. Can these two come to grips with unwelcome truths in time to make a stand in the final political showdown? This Is How It Begins is an emotionally gripping literary novel. If you like even-handed stories about hot-button social issues, rich character development, and thought-provoking narratives, then you'll love Joan Dempsey's captivating page-turner.

In this companion, a diverse, international and interdisciplinary group of contributors and editors examine the rapidly expanding, far-reaching field of mobile media as it intersects with art across a range of spaces—theoretical, practical and conceptual. As a vehicle for—and of—the everyday, mobile media is recalibrating the relationship between art and digital networked media, and reshaping how creative practices such as writing, photography, video art and filmmaking are being conceptualized and practised. In exploring these innovations, The Routledge Companion to Mobile Media Art pulls together comprehensive, culturally nuanced and interdisciplinary approaches; considerations of broader media ecologies and histories and political, social and cultural dynamics; and critical and considered perspectives on the intersections between mobile media and art. This book is the definitive publication for researchers, artists and students interested in comprehending all the various aspects of mobile media art, covering digital media and culture, internet studies, games studies, anthropology, sociology, geography, media and communication, cultural studies and design.

For René Magritte, painting was a form of thinking. Through paintings of ordinary objects rendered with illusionism, Magritte probed the limits of our perception—what we see and cannot see, the nature of representation—as a philosophical system for presenting ideas, and explored perspective as a method of visual argumentation. This book makes the claim that Magritte’s painting is about vision and the act of viewing, of perception itself, and the process of how we see and experience things in the world, including paintings as things.

"Being crazy" is generally a negative characterization today, yet many celebrated artists, leaders, and successful individuals have achieved greatness despite suffering from mental illness. This book explores the many different representations of mental illness that exist—and sometimes persist—in both traditional and new media across eras. Mental health professionals and advocates typically point a finger at pop culture for sensationalizing and stigmatizing mental illness, perpetuating stereotypes, and capitalizing on the increased anxiety that invariably follows mass shootings at schools, military bases, or workplaces; on public transportation; or at large public gatherings. While drugs or street gangs were once most often blamed for public violence, the upswing of psychotic perpetrators casts a harsher light on mental illness and commands media's attention. What aspects of popular culture could play a role in mental health across the nation? How accurate and influential are the various media representations of mental illness? Or are there unsung positive portrayals of mental illness? This standout work on the intersections of pop culture and mental illness brings informed perspectives and necessary context to the myriad topics within these important, timely, and controversial issues. Divided into five sections, the book covers movies; television; popular literature, encompassing novels, poetry, and memoirs; the visual arts, such as fine art, video games, comics, and graphic novels; and popular music, addressing lyrics and musicians' lives. Some of the essays reference multiple media, such as a filmic adaptation of a memoir or a video game adaptation of a story or characters that were originally in comics. With roughly 20 percent of U.S. citizens taking psychotropic prescriptions or carrying a psychiatric diagnosis, this timely topic is relevant to far more individuals than many people would admit.

DigiCat Publishing presents to you this special edition of "Beethoven, the Man and the Artist, as Revealed in His Own Words" by Ludwig van Beethoven. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.