In The Subversive Imagination , professional writers, artists and cultural critics from around the world offer their views on the issue of the artist's responsibility to society. The contributors look beyond censorship and free speech issues and instead emphasize the subject of freedom. More specifically, the contributors question the ethical, mutual responsibilities between artists and the societies in which they live. The original essays address an eclectic range of subjects: censorship, multiculturalism, the transition from communism to capitalism in Eastern Europe, postmodernism, Salman Rushdie, and young black filmmakers' responsibility to the black community.

Mr. Bottiglia runs a bar called The Wandering Nomad. He practices and represents a disguised spirituality. Its right out in the open for all to see yet almost no one does. The fact that it is disguised doesnt make it any less effective. In fact, it seems that his spirituality is more effective because it is disguised. In the persona of Mr. Bottiglia, the imagination is a secret ally and a practical theoretician. The imagination as bartender is an acute observer of the human scene. It is silent, keeping its own counsel, until asked. The imagination as ally offers concrete suggestions to advance any situation. It sets the barraising or lowering it depending on the situations concrete circumstances.

"The choice we have is not between reasonable proposals and an unreasonable utopianism. Utopian thinking does not undermine or discount real reforms. Indeed, it is almost the opposite: practical reforms depend on utopian dreaming."--Russell Jacoby, Picture Imperfect Utopianism suffers from an image problem: A recent exhibition on utopias in Paris and New York included photographs of Hitler's Mein Kampf and a Nazi concentration camp. Many observers judge utopians and their sympathizers as foolhardy dreamers at best and murderous totalitarians at worst. However, as noted social critic and historian Russell Jacoby argues in this salient, polemical, and innovative work, not only has utopianism been unfairly characterized, a return to an iconoclastic utopian spirit is vital for today's society. Shaped by the works of Theodor Adorno, Walter Benjamin, Ernst Bloch, Gustav Landauer, and other predominantly Jewish thinkers, iconoclastic utopianism revives society's dormant political imagination and offers hope for a better future. Writing against the grain of history, Jacoby reexamines the anti-utopian mindset and identifies how utopian thought came to be regarded with such suspicion. He challenges standard readings of such anti-utopian classics as 1984 and Brave New World and offers stinging critiques of the influential liberal and anti-utopian theorists Hannah Arendt, Isaiah Berlin, and Karl Popper. He argues that these thinkers mistakenly equate utopianism with totalitarianism. The reputation of utopian thought has also suffered from the failures of, what Jacoby terms, the blueprint utopian tradition and its oppressive emphasis on detailing all aspects of society and providing fantastic images of the future. In contrast, the iconoclastic utopians, like those who follow God's prohibition against graven images, resist both the blueprinters' obsession with detail and the modern seduction of images. Jacoby suggests that by learning from the hopeful spirit of iconoclastic utopians and their willingness to accept new possibilities for society, we open ourselves to new and more imaginative ideas of the future.

Manhood and American Political Culture in the Cold War explores the meaning of anxiety as expressed through the political and cultural language of the early cold war era. Cuordileone shows how the preoccupation with the soft, malleable American character reflected not only anti-Communism but acute anxieties about manhood and sexuality. Reading major figures like Arthur Schlesinger Jr., Adlai Stevenson, Joseph McCarthy, Norman Mailer, JFK, and many lesser known public figures, Cuordileone reveals how the era’s cult of toughness shaped the political dynamics of the time and inspired a reinvention of the liberal as a cold warrior.

"If you have faith as small as a mustard seed," Jesus says in the Gospel of Matthew, "nothing will be impossible for you." That sounds good, but does it work in a world where seeds are genetically altered by an impatient few and hard to come by for countless others? In a world where the gulf between the very rich and the profoundly poor is constantly growing, can a mustard-seed faith make any difference? And can such a little bit of faith be sustained in a world whose future is so uncertain on so many fronts? Tom Sine says yes, and he has the audacity to try to prove it in his latest book. In The New Conspirators Tom surveys the landscape of creative Christianity, where streams of renewal are flowing freely from diverse sources: The emerging church Contemporary monastic movements The missional church The mosaic movement Individuals and communities of faith are coalescing in, and drawing energy from, these four streams to retrofit the church as it leads, serves and gives witness to the kingdom of God in the turbulent times facing us. Read the book and you'll want to-and be prepared to-join God's conspiracy to create a better future.

In Search of Soul explores the meaning of “soul” in sacred and profane incarnations, from its biblical origins to its central place in the rich traditions of black and Latin history. Surveying the work of writers, artists, poets, musicians, philosophers and theologians, Alejandro Nava shows how their understandings of the “soul” revolve around narratives of justice, liberation, and spiritual redemption. He contends that biblical traditions and hip-hop emerged out of experiences of dispossession and oppression. Whether born in the ghettos of America or of the Roman Empire, hip-hop and Christianity have endured by giving voice to the persecuted. This book offers a view of soul in living color, as a breathing, suffering, dreaming thing.

This book offers an inquiry into the ways in which entertainment discourse extends beyond entertainment and its initial humorous function due to its political and ideological underpinnings. Rather than considering entertainment discourse as “just for fun”, this book justifies the importance of taking it seriously. Humorous features in entertainment discourses can trivialize some stereotypical moments, and, in doing so, encourage viewers to downplay the seriousness of the events they are watching. In other words, these stereotypical images are camouflaged and mitigated by the inclusion of humorous elements and imaginative images, which can lead the audience to perceive them as natural scenes that do not deserve criticism. Embedding banalities within entertainment discourses remains an effective strategy that drives the audience to laugh, meaning that they fail to detect the embedded ideologies regarding different cultures and identities. This confirms the fact that “small talk” can often become “big talk”.

One of the world's leading social critics and educational theorists, Henry A. Giroux has contributed significantly to critical pedagogy, cultural studies, youth studies, social theory, and cultural politics. This new book offers a carefully selected cross-section of Giroux's many scholarly and popular writings, which bridge the theoretical and practical, integrate multiple academic disciplines, and fuse scholarly rigor with social relevance. The essays underscore the continuities and transformations in Giroux's thought, just as they offer invaluable approaches to understanding a range of social problems. Giroux's work suggests that a more humane and democratic world is possible and provides critical tools that can assist concerned citizens in bringing it into being.

The Subversive Storyteller: The Short Story Cycle and the Politics of Identity in America examines how nineteenth- and twentieth-century American authors adapted and expanded the short story cycle to convey subversive or controversial ideas without alienating readers and threatening their ability to succeed within the literary marketplace. The twelve authors highlighted here come from a wide range of cultural, racial, and geographic backgrounds. Their texts represent different, more advanced stages in the development of the short story cycle as each exploits the fragmentation and inherent lack of cohesion of the genre to reflect the changing realities of life in America during key moments in its history. In tracing the development of the short story cycle through the first two centuries of Americaâ (TM)s literary tradition, The Subversive Storyteller fills a gap in existing scholarship on the genre. It examines how short story cycles by Washington Irving, Nathaniel Hawthorne, Sarah Orne Jewett, Charles W. Chesnutt, Willa Cather, Henry James, Ernest Hemingway, William Faulkner, Flannery Oâ (TM)Connor, Raymond Carver, Maxine Hong Kingston, and Louise Erdrich are held together, the publication history of each text (the parts as well as the whole), the revisions made by both authors and editors, and the state of the literary profession at the time each was written.