Lena Connell was one of a new breed of young professional women who took up photography at the turn of the 20th century. She ran her own studio in North London, only employed women, and made her mark on history by creating compellingly modern portraits of women in the British suffrage movement. The women that Connell captured on film are as class-inclusive a group as you could find: whether they were factory workers, schoolteachers, or aristocrats, they joined the cause to make a difference for future generations of women, if not for themselves. Connell's portraits created a new kind of visibility for these activists as hard-working, unrelenting women, whose spirits rose above injustice. This book examines Connell's artistic career within the Edwardian suffrage movement. It discusses her body of portraits within the British suffrage movement's propagandistic efforts and its goals of sophisticated, professional representations of its members. It includes all of her known portraits of suffragettes through 1914.

Lena Connell was one of a new breed of young professional women who took up photography at the turn of the 20th century. She ran her own studio in North London, only employed women, and made her mark on history by creating compellingly modern portraits of women in the British suffrage movement. The women that Connell captured on film are as class-inclusive a group as you could find: whether they were factory workers, schoolteachers, or aristocrats, they joined the cause to make a difference for future generations of women, if not for themselves. Connell's portraits created a new kind of visibility for these activists as hard-working, unrelenting women, whose spirits rose above injustice. This book examines Connell's artistic career within the Edwardian suffrage movement. It discusses her body of portraits within the British suffrage movement's propagandistic efforts and its goals of sophisticated, professional representations of its members. It includes all of her known portraits of suffragettes through 1914.

The definitive text on women in photography, now in an affordable paperback edition.

This introduction to the greatest women photographers from the 19th century to today features the most important works of 60 artists, along with in-depth biographical and critical assessments.

Presents biographical profiles of significant women from throughout the history of the world, each with birth and death dates when known, a time line, quotation, and references. Arranged alphabetically from Y-to-Z, with cumulative era, geographic, occupation/experience, and name indexes.

Published to accompany an exhibition held at Tate Britain [no dates given].

"The garden suburb has its origins in London, and, contrary to widespread belief, its earliest phase took place not at the beginning of the 20th century, with the much discussed garden-city movement, but one century earlier, with the creation of the Eyre brothers' villa estate in the London suburb of St. John's Wood. This fascinating book gives the first detailed, accurate and well-illustrated account of the Eyre Estate. It provides the missing link in the history of British suburbs. Drawing on the resources of the newly catalogued Eyre archive, it offers an authoritative interpretation of the development and management of this pioneering estate from the eighteenth century onwards."--Dust jacket.