This richly illustrated volume, the first devoted to maritime art and galley slavery in early modern France, shows how royal propagandists used the image and labor of enslaved Muslims to glorify Louis XIV. Mediterranean maritime art and the forced labor on which it depended were fundamental to the politics and propaganda of France’s King Louis XIV (r. 1643–1715). Yet most studies of French art in this period focus on Paris and Versailles, overlooking the presence or portrayal of galley slaves on the kingdom’s coasts. By examining a wide range of artistic productions—ship design, artillery sculpture, medals, paintings, and prints—Meredith Martin and Gillian Weiss uncover a vital aspect of royal representation and unsettle a standard picture of art and power in early modern France. With an abundant selection of startling images, many never before published, The Sun King at Sea emphasizes the role of esclaves turcs (enslaved Turks)—rowers who were captured or purchased from Islamic lands—in building and decorating ships and other art objects that circulated on land and by sea to glorify the Crown. Challenging the notion that human bondage vanished from continental France, this cross-disciplinary volume invites a reassessment of servitude as a visible condition, mode of representation, and symbol of sovereignty during Louis XIV’s reign.

A new series of bespoke, full-coverage resources developed for the AQA 2015 A/AS Level History. Written for the AQA A/AS Level History specifications for first teaching from 2015, this print Student Book covers The Sun King: Louis XIV, France and Europe, 1643-1715 Depth component. Completely matched to the new AQA specification, this full-colour Student Book provides valuable background information to contextualise the period of study. Supporting students in developing their critical thinking, research and written communication skills, it also encourages them to make links between different time periods, topics and historical themes.

A tale of religious brotherhoods, corruption, romantic intrigue and political scheming at the court of Louis XIV. 'Keeps the reader guessing ... conspiracy theorists will love it' Historical Novel Society 1661 is a year of destiny for France and its young King, Louis XIV. Cardinal Mazarin, the Chief Minister who has governed throughout the King's early years, lies dying. As a fierce power struggle develops to succeed him, a religious brotherhood, guardian of a centuries-old secret, also sees its chance to influence events. Gabriel de Pontbriand, an aspiring actor employed as secretary to Molière, becomes unwittingly involved when documents stolen from Mazarin's palace fall into his hands. The coded papers will alter Gabriel's life for ever, and their explosive contents have the power to change the course of history for France and the Sun King himself.

Presents an illustrated account of the creation of one of the world's most dazzling and extensive gardens, the gardens at the palace of Versailles, noting the unique four-decade friendship between Louis XIV, the creator of the garden, and Andre Le Ntre, the gardener.

In "Come See My City," readers travel through time and space to tour some of the worlds most famous cities during important historical periods, such as the Renaissance in Florence and the Golden Age of Athens

A history of architecture, not as the art of what stays but of what changes and moves. We tend to think of architecture as a practice in permanence, but what if we looked instead for an architecture of transience? In Things That Move, Tim Anstey does just that: rather than assuming that architecture is, at a certain level, stationary, he considers how architecture moves subjects (referring to its emotive potential in the experience it creates); how it moves objects (referring to how it choreographs bodies in motion); and how it is itself moved (referring to the mixture of materials, laws, affordances, and images that introduce movement into any architectural condition). The first of the book’s three sections, “Cargoes,” highlights the mobile peripheries of architectural history through the eighteenth and nineteenth centuries. It asks what kinds of knowledge can be included under a discussion of something called architecture, noting the connections between discourses of the lithe and the technical, on the one hand, and those associated with the production of monumental, static compositions on the other. The second section, “Dispatches,” reinterprets early architectural theory by examining the Renaissance ideal of decorum, the nature of the architectural work, and the ways in which architects are constituted as authors. Lastly, “Vehicles” considers building in terms of literal and metaphorical movement, using two cases from the twentieth century that investigate the relationship between architecture and cultural memory. Using a broadly forensic approach to connect details in otherwise disparate cases, Things That Move is a breathtakingly capacious architectural account that will change the way readers understand buildings, their becoming, and their significance.

Battle at Sea looks at every aspect of the story of warfare on, above, and under the sea, including classic naval engagements daring raids carried out on ships in harbor, and landing operations such as D-Day, where control of the sea was essential to transport land forces to new battlefronts. Special features within the book include: graphic and dramatic battle catalogs relating the stories of the men, ships, and organizations behind history’s greatest naval conflicts; spectacular 3D digital artworks following the crucial stages of key battles, step by step; profiles of naval crew — the captain, officers, gunners, quartermaster, surgeon, cooks, and boatswains — exploring their changing roles throughout history; eyewitness accounts recreatingthe experience of the opposing forces in key battles, whether preparing for conflict, in the heat of battle, or dealing with the aftermath of an engagement; photographic tours revealing the intricate details of surviving or reconstructed warships—from an Ancient Greek trireme to a nuclear-powered submarine; features on weapons and technology highlighting developments in naval warfare, from boarding equipment to sonar, cannons to missiles, and propulsion through steam to nuclear power. Battle at Sea is organized into five chapters that are arranged in chronological order. Ancient Wars covers the Egyptians, the Greeks, the Romans, and the great naval battles between warring Chinese dynasties; Medieval Battles charts the era from the fall of Rome to 1500CE; Gun, Sail, and Empire chronicles the European powers setting out on voyages of exploration and colonization; Iron Wars ends with World War II; Technology and Terrorism outlines how naval forces played a crucial role in the balance of terror during the Cold War and still have avital part to play in the uncertainties of the modern world.

The court of King Louis XIV was the envy of all Europe for its grandeur and etiquette. Marc Esprit, a poor but clever boy from Normandy, vows that he will be part of this exotic scene. He encounters Zoe duBois, a free spirited ward of the court who will change his life and ambitions in ways this would-be aristocrat could not predict. After serving as a soldier, young Marc travels to Venice, where a man does not need a title to become successful. With borrowed money, he acquires a ?eet of ships. Trade in middle-eastern spices and luxury goods makes him a wealthy man. When he saves the Sultans treasure ship from pirates, he receives an unexpected gift and some disastrous news. Marc again meets Zoe, now penniless after the death of her titled husband. They travel to Sicily and Greece, but he deserts her on a remote island to pursue his ambition. At last, he has the opportunity to serve the king of France. Five years later, he returns to Zoe. After an acrimonious reunion, she agrees to come to Paris, but again she complicates his life Ms Jamison sheds light on the seventeenth century, a period of war, poverty, power struggles, and splendor. Its all here -- drama, betrayal, religious con?ict, and sex.

This work is a selection of papers presented at the Folger Institute by an international collegium of scholars on the ascendancy of French culture during the reign of Louis XIV.