Louis Rivers, Ph.D., looks back at the accomplishments of a successful black family in Savannah, Georgia, with a detailed family history that celebrates hard work, black pride, and faith. The author has known the Simmons family his entire life, having gone to East Broad Street Elementary Public School with the Simmons, then to Beach Cuyler Public High Schools with the Simmons, and on to Georgia State College (now Savannah State University) with the Simmons. He also attended St. James A.M.E. Church with the Simmons. Beginning in 1920 when Walter Wallie Simmons married Daisy Alice Simmons, youll follow the family on their journey from Bluffton, South Carolina, to Savannah. By the time they moved with their first four childrenMarie, John, Nellie, and Bessiethe Simmons were already confirmed A.M.E. Christians committed to the teachings of Jesus. The Simmons became one of Savannahs most supreme, hardest-working families, and despite the many struggles they faced during World War I, the Great Depression, World War II, the Cold War years, and Jim Crowism, they have survived and prospered. Celebrate the value of never giving up, and discover insights on achieving success with The Sun Shines on the Simmons Family in Savannah, Ga.

A richly illustrated history of self-taught artists and how they changed American art Artists without formal training, who learned from family, community, and personal journeys, have long been a presence in American art. But it wasn’t until the 1980s, with the help of trailblazing advocates, that the collective force of their creative vision and bold self-definition permanently changed the mainstream art world. In We Are Made of Stories, Leslie Umberger traces the rise of self-taught artists in the twentieth century and examines how, despite wide-ranging societal, racial, and gender-based obstacles, they redefined who could be rightfully seen as an artist and revealed a much more diverse community of American makers. Lavishly illustrated throughout, We Are Made of Stories features more than one hundred drawings, paintings, and sculptures, ranging from the narrative to the abstract, by forty-three artists—including James Castle, Thornton Dial, William Edmondson, Howard Finster, Bessie Harvey, Dan Miller, Sister Gertrude Morgan, the Philadelphia Wireman, Nellie Mae Rowe, Judith Scott, and Bill Traylor. The book centralizes the personal stories behind the art, and explores enduring themes, including self-definition, cultural heritage, struggle and joy, and inequity and achievement. At the same time, it offers a sweeping history of self-taught artists, the critical debates surrounding their art, and how museums have gradually diversified their collections across lines of race, gender, class, and ability. Recasting American art history to embrace artists who have been excluded for too long, We Are Made of Stories vividly captures the power of art to show us the world through the eyes of another. Published in association with the Smithsonian American Art Museum Exhibition Schedule Smithsonian American Art Museum, Washington, DC July 1, 2022–March 26, 2023

The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)

In v.1-8 the final number consists of the Commencement annual.