Weirdness is in their blood. After a near cataclysmic worldwide event shook the foundations of society and unleashed numerous supernatural hazards onto the Earth, twins Quincy and Lilly just want to lead their lives as normally as possible. However, this proves to be quite difficult. The twins are the heirs of legendary horror writer and occultist W.A. Swansong, who has been declared a prophet now that many of his gruesome creations appear to really exist. When a mysterious inheritance falls into the twins’ hands, a strange and violent secret organization becomes hell-bent on finding them. Quincy and Lilly are forced to flee their hometown of New Orleans, leading them on a wild, supernatural chase throughout the southern United States. With only a handful of allies and a trapped Fire Vampire named Tim, the twins uncover a great mystery tied to their inheritance, the source of all pandemonium, and even the true origins of mankind.

Broad, humanistic treatment focuses on great figures of chemistry and ideas that revolutionized the science. Much on alchemy, also development of modern chemistry, atomic theory, elements, organic chemistry, more. 50 illustrations.

"Genius 101 makes for a great read on a centuries-old scientific puzzle - as well as a lively text on the wellsprings and manifestations of genius." Teresa M. Amabile, PhD The Edsel Bryant Ford Professor of Business Administration Harvard Business School [A] clear and engaging summary of this mysterious and utterly important phenomenon written by arguably the world's expert on the topic. Nearly 30 years of Simonton's fascination and focused intellect on the topic of exemplary genius come together in this brief, accessible and insightful volume. If only all introductory courses were this much fun! --Gregory J. Feist, PhD San Jose State University "The latest, and possibly most comprehensive, entry into this genre [on the study of genius] is Dean Keith Simonton's new book Genius 101... Simonton, a psychology professor at the University of California, Davis, is one of the world's leading authorities on the intellectually eminent..." --Time Magazine, February 13, 2009 "Genius 101 is an extremely readable and entertaining book: I read it in one sitting....Each chapter is informative, well organized, provocative, and entertaining. This book presents the best short introduction to genius to be found." --Robert Sternberg PsycCritiques Are geniuses born or made? How do psychologists measure "genius"? Is it "genius," or is it "madness"? "Genius," contrary to common belief, is not strictly a matter of intelligence. Intellect, personality, creativity, even serendipity play a significant role in molding a genius. So, what does it mean to be a genius? Genius 101 examines the many definitions of "genius," and the multiple domains in which it appears, including art, science, music, business, literature, and the media. Dr. Simonton introduces the study of genius theory and the research supporting it, using non-scientific, accessible language-fit for a non-genius. The Psych 101 Series Short, reader-friendly introductions to cutting-edge topics in psychology. With key concepts, controversial topics, and fascinating accounts of up-to-the-minute research, The Psych 101 Series is a valuable resource for all students of psychology and anyone interested in the field.

Max Weber and His Contemporaries provides an unrivalled tour d'horizon of European intellectual life in the late nineteenth and early twentieth centuries and an assessment of the pivotal position within it occupied by Max Weber. Weber's many interests in and contributions to, such diverse fields as epistemology, political sociology, the sociology of religion and economic history are compared with and connected to those of his friends, pupils and antagonists and also of those contemporaries with whom he had neither a personal relationship nor any kind of scholoarly exchange. Several contributors also explore Weber's attitudes towards the most important political positions of his time (socialism, conservatism and anarchism) and his own involvement in German politics. This volume contributes not only to a better understanding of one of the most eminent modern thinkers and social scientists, but also provides an intellectual biography of a remarkable generation. This book was first published in 1987.

As International Relations enters its second century as an academic discipline, leading expert Knud Erik Jørgensen provides a provocative assessment of its past, present and future. The result is a concise and challenging appraisal of the discipline, one which both celebrates its value and maps possible future directions.

In the first critical study wholly devoted to Joseph Conrad's use of techniques associated with the literary tradition of romance, the author argues that Conrad's engagement with the genre invigorated his work throughout his career. Exploring the ways in which Conrad borrows from, alludes to, and subverts the tropes of romance, the author suggests that Conrad's ambivalent relationship with popular forms like the adventure novel is revealed in the way he uses romance conventions to disrupt narrative expectations and make visible ethical problems with Europe's colonial project. The author examines not only familiar novels like Lord Jim but also less-studied works such as Romance and The Rover, using Robert Miles's model of the 'philosophical romance' to show that for Conrad, romance is also philosophically engaged with issues of ideology. Her study enables a new appreciation of the ways in which Conrad continued to experiment, even in his later fiction, and of the ethical import of that aesthetic experimentation.

The essays contained in this book capture the stories behind the invention of criminology's major theoretical perspectives and preserves information from the generation that defined the field for the past decades that otherwise would have been lost. This history shows criminology to be a human enterprise. Its ideas were not driven primarily by data, nor were the theories invented solely as part of the scientific process. To the contrary, American criminology's great theories most often preceded the collection of data; they guided and produced empirical inquiry, not vice versa. This volume demonstrates that humanity is what makes theory possible in that diverse experiences allow individual scholars to see the world differently, and thus shape theoretical paradigms based on their own unique life stories.

Modernist Radicalism and its Aftermath investigates the ways in which Marx, Durkheim, Althusser and Habermas are all drawn towards foundationalism, and offers a framework for the analysis of foundationalism in social theory.

Approaches to Language, Culture and Cognition aims to bring cognitive linguistics and linguistic anthropology closer together, calling for further investigations of language and culture from cognitively-informed perspectives against the backdrop of the current trend of linguistic anthropology.