The book examines six long narratives of the Fourth Gospel, arguing that they are best understood as 'symbolic narrative'. They display a unique cohesion of symbol and narrative: the narrative unfolds the symbol and the symbol draws out the narrative. This process occurs as the character struggles to understand the symbolic meaning. The structure develops in five Stages: the establishing of a 'sign', image or feast (Stage 1); misunderstood in materialistic terms (Stage 2); the struggle to understand the symbolic meaning (Stage 3); the acceptance or rejection of that meaning (Stage 4); a confession of faith or statement of rejection (Stage 5). The symbolic narratives reveal how material reality becomes symbolic of the divine. Just as the flesh of Jesus is the symbol of divine glory, so material reality now has the potential for symbolizing God. Flesh has no independent existence; its value lies in its symbolic role. This parallels the cohesion between form and meaning. Just as the flesh is given value in symbolizing the divine, so narrative form is of value in disclosing theological meaning. The implied reader is drawn into the drama of the symbolic narratives to make the authentic response of faith.

The book examines six long narratives of the Fourth Gospel, arguing that they are best understood as 'symbolic narrative'. They display a unique cohesion of symbol and narrative: the narrative unfolds the symbol and the symbol draws out the narrative. This process occurs as the character struggles to understand the symbolic meaning. The structure develops in five Stages: the establishing of a 'sign', image or feast (Stage 1); misunderstood in materialistic terms (Stage 2); the struggle to understand the symbolic meaning (Stage 3); the acceptance or rejection of that meaning (Stage 4); a confession of faith or statement of rejection (Stage 5). The symbolic narratives reveal how material reality becomes symbolic of the divine. Just as the flesh of Jesus is the symbol of divine glory, so material reality now has the potential for symbolizing God. Flesh has no independent existence; its value lies in its symbolic role. This parallels the cohesion between form and meaning. Just as the flesh is given value in symbolizing the divine, so narrative form is of value in disclosing theological meaning. The implied reader is drawn into the drama of the symbolic narratives to make the authentic response of faith.

In this book, Sunny Kuan-Hui Wang explores the relationship between sense perception and testimony in the Gospel of John. While Johannine scholars tend to focus on one or the other, she shows that sense perception and testimony are both significant and are used together with the intention of drawing readers into the narrative so that they become witnesses in an emotionally engaged way. It is argued that John's use of sense perception together with testimony is rooted in Jewish literature. Yet John also employs a Graeco-Roman rhetorical technique, enargeia , which appeals to the persuasive power of sense perception to make his narrative vivid. John does not downplay sense perception. Rather, he uses it in the context of testimony as a means of persuasion to draw the readers, in their imagination, into the experience of the first disciples and thus deeper into faith and witness.

The Fourth Gospel both blesses and betrays. It blesses readers who engage with its message, but it may betray those who read it nonchalantly. The notion that the Fourth Gospel is easy to understand is an enduring myth. This volume takes readers on a heuristic journey to discover the Fourth Gospel's unique theological aspects, problematic historical matters, inimitable literary features, and various interpretive approaches using an accessible format and easy-to-read language. The purpose of this publication is to enable readers to appreciate the Fourth Gospel's wide horizon, so necessary to understand its narratives in their historical and narrative contexts. Like the prologue of the Fourth Gospel that introduces and gives perspective on how readers should approach the rest of the Gospel, similarly, this volume introduces and gives perspective to studies in the Fourth Gospel. The text is divided into three parts, which examine its independent theology and argumentation, various outstanding issues, and its interpretation respectively. This volume is suitable for a wide readership, from Bible study groups to pastors and from undergraduate to graduate students.

In this study, Blake Wassell applies new Roman and Jewish contexts to a Johannine ambiguity, which is Pilate declaring Jesus both innocent and guilty of making himself King of the Ἰουδαῖοι. Pilate repeats that he finds in Jesus no basis for the accusation, and yet he also writes the content of the accusation in the inscription on the cross. The paradox leads readers into another paradox: the Ἰουδαῖοι make themselves the accused as they make the accusation, and Jesus conquers as he is conquered. The author analyses how they destroy the temple of his body, so that he can raise it and how they exalt him, so that he can reveal himself.

This study explores the meaning and function of water as a literary symbol in the Gospel of John. Jones first gives an account of symbol: it points beyond itself, it defies clear and definitive perceptual expression, and it in some way embodies that which it represents. Then he examines the narrative sections of John that involve water, plotting the expanding meaning and function of the symbol as the narrative unfolds. The study concludes that water serves primarily as a symbol of the Spirit and therein symbolizes Jesus. The symbol of water calls a wide variety of readers to a decision and functions as a bridge linking the new identity believers receive when they come to faith in Jesus with the traditions from which they came.

This volume examines Johannine symbolism within the lens of Jesus' relationship with the Father. After demonstrating that the Gospel narrative symbolically portrays Jesus as the Son of God who is relationally inseparable from his Father, the study shows how the Son-Father Relationship (SFR) is at the center of the network of Christological symbols in the Gospel of John. Using an innovative narrative framework, this book unveils the creative and symbolic introduction of the SFR in the Prologue (Jn. 1. 1-18), its development through the words and actions of Jesus' teaching ministry within the Johannine narrative, and its culmination in the Prayer (Jn. 17); the SFR motif then concludes in the remainder of the Gospel. This narrative framework reveals how the SFR shapes the literary style and theological strategy of the Gospel, and acts as an integrative force by giving structure and cohesion to the Gospel's symbolic system. Two key features presented in this book are a theory of symbolism and a network of symbols. The specially formulated 'Theory of Johannine Symbolism' explains the theoretical and theological underpinnings of the Gospel's symbolic network, called 'John's Christological Symbology'. Through the symbolic network, the author of the Gospel fulfills the theological purpose stated in Jn. 20:31-that hearer-readers believe in Jesus the Christ, as the Son of God, and thereby experience eternal life.

Anatomies of the Gospels and Beyond is an edited volume structured around essays that focus on one of the four canonical Gospels (and Acts) and/or theoretical issues involved in literary readings of New Testament narrative. The volume is intended to honor the legacy of R. Alan Culpepper, Emeritus Professor and Former Dean at Mercer University’s McAfee School of Theology. The title of the volume (which alludes to the title of Culpepper’s ground-breaking monograph, Anatomy of the Fourth Gospel) and the breadth of the essays are apt reflections of his research interests over his academic career of over forty years. The twenty-five contributors are internationally recognized experts in New Testament studies; thus, the essays represent a snapshot of current research.

A theological framework for the liturgical arts rooted in John Calvin Both detractors and supporters of John Calvin have deemed him an enemy of the physical body, a pessimist toward creation, and a negative influence on the liturgical arts. But, says W. David O. Taylor, that only tells half of the story. Taylor examines Calvin's trinitarian theology as it intersects his doctrine of the physical creation in order to argue for a positive theological account of the liturgical arts. He does so believing that Calvin's theology can serve, perhaps surprisingly, as a rich resource for understanding the theological purposes of the arts in corporate worship. Drawing on Calvin's Institutes, biblical commentaries, sermons, catechisms, treatises, and worship orders, this book represents one of the most thorough investigations available of John Calvin's theology of the physical creation—and the promising possibilities it opens up for the formative role of the arts in worship.

By redefining narrative temporality in light of modern physics, this book advances a unique and innovative approach to the deep-seated temporalities within the Gospel of Johna "and challenges the implicit assumptions of textual brokenness that run throughout Johannine scholarship.