Even after entering the foster care system, Jewel is the one who takes care of her mother and, shutting herself off from the vulnerability of closeness to others, is unaware of the positive influence she has on those around her.

A series of six books for Classes IX and X according to the CBSE syllabus. Each class divided into 3 parts. Part 1 - Physics. Part 2 - Chemistry. Part 3 - Biology

Goat Island are one of the world’s leading contemporary performance ensembles. Their intimate, low-tech, intensely physical performances represent a unique hybrid of strategies and techniques drawn from live art, experimental theatre and postmodern dance. Small Acts of Repair: Performance, Ecology and Goat Island, is the first book to document and critique the company’s performances, processes, politics, aesthetics, and philosophies. It reflects on the company’s work through the critical lens of ecology – an emerging and urgent concern in performance studies and elsewhere. This collage text combines and juxtaposes writing by company members and arts commentators, to look in detail at Goat Island’s distinctive collaborative processes and the reception of their work in performance. The book includes a section of practical workshop exercises and thoughts on teaching drawn from the company’s extensive experience, providing an invaluable classroom resource. By documenting the creative processes of this extraordinary company, this book will make an important contribution to the critical debates surrounding contemporary performance practices. In so doing, it pays compelling tribute to committed art-making, creativity, collaboration, and the nature of the possible.

Boomer is a pretty simple guy for an alien hybrid. He runs on booze, caffeine, and junk food. He works as a bullet-resistant tank for a crew of street-running mercenaries. If someone needs hurting or something needs blowing up, he’s the guy to do it. It might not be the most glam life in Arutairu Megacity, but it’s his, and he’s rather attached to it. When Boomer's team takes on a shady job with the promise of a stellar payday, the proverbial excrement quickly meets the fan, and hit squads come after him and his crew. Normally, a few amateur goons with guns would just make for good target practice, but he suddenly finds himself unable to protect his friends. His rapidly expanding list of problems soon includes double-crosses, femme fatales, a hybrid assassin wielding alien weaponry, and an army of mercs gunning for him and his rapidly dwindling crew. As if that mess wasn’t enough to deal with, he fears he might be losing his sanity as he blunders into the middle of a conspiracy so vast it will shake the foundations of the entire city. What’s a dumb grunt like him to do? Get some bigger guns and fight back, of course. And make some bastards rue the days they were born. Disposable Heroes is a white-knuckle xenopunk thriller from the author of Extensis Vitae, Remember Tomorrow, and Nexus of the Planes. Keyword Tags: Cyberpunk, alien hybrid, alien colonization, alternate history, Science fiction, science fiction book, sci-fi, sci-fi book, sci-fi adventure, sci-fi adventure book, science fiction adventure, science fiction adventure book, action, cyberpunk book, genetic engineering, dystopia, dystopian, dystopian book, dystopian sci-fi, dystopian science fiction, sci-fi thriller, technothriller, cybernetics.

This book explores the historical-cultural interactions between French concert music and American jazz across 1900-65, from both perspectives.

INTERNATIONAL BESTSELLER “[An] ingenious jigsaw puzzle of a book...highly entertaining.” —The New York Times “The queen of found footage thrillers.” —Julia Bartz, New York Times bestselling author A whip-smart and “fast-paced mystery” (The Daily Telegraph, London) from the internationally bestselling author of The Twyford Code and The Appeal about a true crime journalist who revives a long-buried case about a cult—and finds herself too close to the story. Everyone knows the story of the Alperton Angels: the cult who brainwashed a teenage girl into believing her baby was the anti-Christ. When the girl came to her senses and called the police, the Angels committed suicide and mother and baby disappeared. Now, true crime author Amanda Bailey is looking to revive her career by writing a book on the case. The Alperton baby has turned eighteen; finding them will be the scoop of the year. But rival author Oliver Menzies is just as smart, better connected, and also on the baby’s trail. As Amanda and Oliver are forced to collaborate, they realize that the truth about the Angels is much darker and stranger than they’d ever imagined, and in pursuit of the story they risk becoming part of it.

Restless Giant is a fascinating account of the life and times of Jean Aberbach, the elusive music publishing legend who, with his brother Julian, built one of music history's most powerful popular music publishing companies: Hill and Range Songs. During the 1940s and 1950s music publishers, rather than artists and record companies, controlled the American hit-making machine. Using corporate records, Aberbach's daybooks, and extensive interviews with top performers and songwriters, Biszick-Lockwoodweaves an adventure story thatdemystifies this occupation, showing how Aberbach's keen insights, behind-the-scenes manipulations, and bold business moves fundamentally changed the music industry and nurtured the careers of some of America's biggest popular performers and songwriters. The Austrian-born Aberbach brothers overtook their American competitors, capturing entire genres of music to build a privately owned international "empire of song" while at the same time affording songwriters unmatched control over their work. This business model resulted in more than three hundred chart hits and the first-ever song royalties being paid to songwriters and performers including Bill Monroe and the Sons of the Pioneers. Biszick-Lockwood also brings new, intriguing material to the story of Elvis Presley, who shared ownership with the Aberbachs in two music publishing companiesthroughout his entire career.

Traveler, There Is No Road offers a compelling and complex vision of the decolonial imagination in the United States from 1931 to 1943 and beyond. This book offers a unique perspective on 1930s theatre and performance, encompassing the theatrical work of the Cuban, Puerto Rican, and Spanish diasporas in the United States, as well as the better-known Anglophone communities. Author Lisa Jackson-Schebetta situates well-known figures, such as Langston Hughes and Clifford Odets, alongside lesser-known ones, such as Erasmo Vando, Franca de Armiño, and Manuel Aparicio. Traveler conclusively demonstrates that theatre and performance scholars must position US performances within the Americas writ broadly, and in doing so they must recognize the centrality of the hemisphere's longest-lived colonial power, Spain.

Mike Hammer walks into his office to find his unconscious secretary on the floor, a brutally butchered corpse occupying his office chair, and a note from a murderer on his desk: “You die for killing me.” So begins a tough-as-nails tale of government assassins and renegade mobsters, told with the breakneck pacing and brutal impact of a freshly fired .45 bullet.