Book Two in Robert Westbrook's epic "Hollywood Noir" Torch Singer Thriller series. “An Almost Perfect Ending ranks alongside the best Hollywood noir. It takes the reader on a journey which leads relentlessly towards a final, fatal conclusion.” Daily Mail Book Two, An Almost Perfect Ending opens with sultry heroine Sonya Saint-Amant at the height of her career—a glittering, triumphant appearance at Ciro’s, the clubhouse for the stars in 1950s Hollywood where everyone wants to claim her as their friend. But in 1954, popular music is undergoing a revolution in which all but the biggest stars will be cast aside. With her looks and popularity fading, Sonya believes she has come up with the perfect plan to save her career . . . if only she can maneuver a tricky path through the many dangers that beset her, a vortex of politics, sex, blackmail, and murder . . . “Pacy and unstoppable, the second book in the The Torch Singer series takes over where the first left off, grabbing your wrist, tugging you along, refusing to let go.” Evening Standard “The Torch Singer exposes the fragility of fame. The higher the edifice the greater the risk that some element of deep-set animal emotion or human baseness will bring everything crashing down . . . and watching it happen is not just compulsive—it’s addictive and unmissable.” Event Magazine “Robert Westbrook is a born storyteller and a bit of a magician.” Ally Sheedy Ambition, blackmail, murder . . . THE TORCH SINGER is an unforgettable journey through the shadowlands of fame.

Author of the Howard Moon Deer Mysteries “A brilliant, engaging and wholly unpredictable story of courage, survival and self-reinvention . . . I was completely taken by it . . .Interesting, complicated and wholly engaging characters. [Westbrook] is obviously a born storyteller and a bit of a magician.”–Ally Sheedy TORCH SINGER is an epic drama of Hollywood in its Golden Age: the rise and fall of Sonya Saint-Amant, a singer who schemes her way to fame and riches, breaking all the rules. An Overnight Sensation, Book One, starts in 1956 with a scandalous love nest murder, then rewinds to Sonya at the age of 17 in 1940, a dreamy girl in the Royal Box of the Krakow Opera. When Sonya’s mother is hanged by the Nazis, she must grow up quickly. Using her wits and beauty, Sonya escapes Poland with the help of partisan fighters and makes her way to London during the Blitz. In 1943, she finagles a passage to America on the Mauretania, a dangerous North Atlantic crossing on a troop ship full of men. As the ship steams north into Arctic waters evading enemy submarines, Sonya almost wins at a high-stakes game of love . . . only to arrive in New York alone and desperate, determined to outwit fortune and become a star. An Overnight Sensation is a dark comedy of manners: a tale of murder, blackmail, fortune-hunters and dreamers, and the price paid for living large.

At times writers—from the unpublished to jaded lifers—need a fire lit under them to pursue the complex work of self-exploration. Acetylene Torch Songs provides that spark for memoirists and essayists seeking mentor-based instruction and inspiration. Drawing on twenty-five years of teaching and mentoring writers, Sue William Silverman stresses practice over theory. She encourages craftiness as well as craft and urges writers to embark on emotional quests in pursuit of their art. Acetylene Torch Songs uniquely illustrates how the writer’s imaginative spirit comes alive on the page through metaphor, literary masks, sensory memories, voice, obsessions, and more. This holistic approach to writing emphasizes how the creative process brings together the heart, mind, and senses to illuminate the human condition through language. Featuring a personal essay in each chapter, Silverman uses her own work to model a specific concept or approach, demonstrating how obsessions, secrets, and memories can burn on the page. Through guided prompts, worksheets, checklists, publishing advice, personal essays, and strategies, Silverman encourages writers to find the confidence and courage to write stories that reach beyond the page through their intimacy, social engagement, and honesty.

Among the ethnic gangs that rule America's inner cities, none has had the impact of the Jamaican posses. Spawned in the ghettos of Kingston as mercenary street-fighters for the island's politicians, the posses began migrating to the United States in the early 1980's, just in time to catch and ride the crack wave as it engulfed the country. Laurie Gunst's provocative exposé of the Jamaican politicians' role in creating this problem is also a moving and compelling tale of suffering and exploitation. Leone Ross' substantial afterword examines further the issues raised by the book from a British and Jamaican perspective.

"An Almost Perfect Ending" is book two in "The Torch Singer" trilogy, Robert Westbrook's epic Hollywood Thriller series. ""'An Almost Perfect Ending' ranks alongside the best Hollywood noir. It takes the reader on a journey which leads relentlessly towards a final, fatal conclusion."" "Daily Mail" "Book Two, An Almost Perfect Ending" opens with sultry heroine Sonya Saint-Amant at the height of her career-a glittering, triumphant appearance at Ciro's, the clubhouse for the stars in 1950s Hollywood where everyone wants to claim her as their friend. But in 1954, popular music is undergoing a revolution in which all but the biggest stars will be cast aside. With her looks and popularity fading, Sonya believes she has come up with the perfect plan to save her career...if only she can maneuver a tricky path through the many dangers that beset her, a vortex of politics, sex, blackmail, and murder... ""Pacy and unstoppable, the second book in the "The Torch Singer" series takes over where the first left off, grabbing your wrist, tugging you along, refusing to let go."" "Evening Standard" ""'The Torch Singer' exposes the fragility of fame. The higher the edifice the greater the risk that some element of deep-set animal emotion or human baseness will bring everything crashing down...and watching it happen is not just compulsive-it's addictive and unmissable."" "Event Magazine" ""Robert Westbrook is a born storyteller and a bit of a magician."" Ally Sheedy Ambition, blackmail, murder..."THE TORCH SINGER" is an unforgettable journey through the shadowlands of fame.

The ultimate romantic reads to warm you up this winter

First published in 1999. The many available scholarly works on Italian-Americans are perhaps of little practical help to the undergraduate or high school student who needs background information when reading contemporary fiction with Italian characters, watching films that require a familiarity with Italian Americans, or looking at works of art that can be fully appreciated only if one understands Italian culture. This basic reference work for non-specialists and students offers quick insights and essential, easy-to-grasp information on Italian-American contributions to American art, music, literature, motion pictures and cultural life. This rich legacy is examined in a collection of original essays that include portrayals of Italian characters in the films of Francis Coppola, Italian American poetry, the art of Frank Stella, the music of Frank Zappa, a survey of Italian folk customs and an analysis of the evolution of Italian-American biography. Comprising 22 lengthy essays written specifically for this volume, the book identifies what is uniquely Italian in American life and examines how Italian customs, traditions, social mores and cultural antecedents have wrought their influence on the American character. Filled with insights, observations and ethnic facts and fictions, this volume should prove to be a valuable source of information for scholars, researchers and students interested in pinpointing and examining the cultural, intellectual and social influence of Italian immigrants and their successors.

Will Friedwald’s illuminating, opinionated essays—provocative, funny, and personal—on the lives and careers of more than three hundred singers anatomize the work of the most important jazz and popular performers of the twentieth century. From giants like Ella Fitzgerald, Louis Armstrong, Frank Sinatra, and Judy Garland to lesser-known artists like Jeri Southern and Joe Mooney, they have created a body of work that continues to please and inspire. Here is the most extensive biographical and critical survey of these singers ever written, as well as an essential guide to the Great American Songbook and those who shaped the way it has been sung. The music crosses from jazz to pop and back again, from the songs of Irving Berlin and W. C. Handy through Stephen Sondheim and beyond, bringing together straightforward jazz and pop singers (Billie Holiday, Perry Como); hybrid artists who moved among genres and combined them (Peggy Lee, Mel Tormé); the leading men and women of Broadway and Hollywood (Ethel Merman, Al Jolson); yesterday’s vaudeville and radio stars (Sophie Tucker, Eddie Cantor); and today’s cabaret artists and hit-makers (Diana Krall, Michael Bublé). Friedwald has also written extended pieces on the most representative artists of five significant genres that lie outside the songbook: Bessie Smith (blues), Mahalia Jackson (gospel), Hank Williams (country and western), Elvis Presley (rock ’n’ roll), and Bob Dylan (folk-rock). Friedwald reconsiders the personal stories and professional successes and failures of all these artists, their songs, and their performances, appraising both the singers and their music by balancing his opinions with those of fellow musicians, listeners, and critics. This magisterial reference book—ten years in the making—will delight and inform anyone with a passion for the iconic music of America, which continues to resonate throughout our popular culture.

George Michael is an enigma. While he is one of the most open and vocal pop superstars on the planet, he also fiercely protective of his privacy. From the formation of Wham! In 1981 he immediately found fame and fortune beyond his wildest dreams. His music formed the soundtrack to the 1980s and he achieved all of this despite growing up in a dysfunctional family where his father openly proclaimed that George had no talent. Wham! split in 1986 but Michael went on to greater things as a solo artist. Along the way he has been embroiled in several controversies, but in refreshing contrast to other superstars, he has been happy to address his issues head-on in the media. Rob Jovanovic's biography tackles all the issues that formed George Michael and his place as a cultural icon. It also, for the first time, analyses Michael's musical output and groundbreaking videos.