This collection of articles published between 1964 and 2000 represents a panoramic view of Greek and Roman literature and philosophy, ranging from detailed discussions of texts to general literary and philosophical issues. It also delves into problems in the transmission of ancient works and their reception in modern contexts, including modern English literature. These articles will appeal mainly to Classical scholars and students of ancient philosophy, as well as to lovers of literature and of the intellectual history of Western Europe. All articles have been republished in their original form, with an emphasis on basing every discussion firmly on the available evidence.

A chronological guide to influential Greek and Roman writers, Fifty Key Classical Authors is an invaluable introduction to the literature, philosophy and history of the ancient world. Including essays on Sappho, Polybius and Lucan, as well as on major figures such as Homer, Plato, Catullus and Cicero, this book is a vital tool for all students of classical civilization.

This investigation focuses on divinely-sent dreams in early Judaism and discusses their literary forms and socio-religious functions. It examines Jewish dreams in the Bible, Apocrypha, Pseudepigrapha, Dead Sea Scrolls, and Josephus, setting them in the wider context of antecedent and contemporary dream cultures. Part One grounds the project in the dream traditions of the ancient Near East, Hebrew Bible, Greece, and Rome. Part Two investigates the unique emphases of early Jewish dreams, including: a priestly and scribal milieu, access to various planes of reality, new roles for dream messengers, and incubation rituals. Part Three explores implications for several related topics of study, including the rise of apocalypticism and early Jewish mysticism, and the social history of early Judaism.

Love and tragedy dominate book four of Virgil's most powerful work, building on the violent emotions invoked by the storms, battles, warring gods, and monster-plagued wanderings of the epic's opening. Destined to be the founder of Roman culture, Aeneas, nudged by the gods, decides to leave his beloved Dido, causing her suicide in pursuit of his historical destiny. A dark plot, in which erotic passion culminates in sex, and sex leads to tragedy and death in the human realm, unfolds within the larger horizon of a supernatural sphere, dominated by power-conscious divinities. Dido is Aeneas' most significant other, and in their encounter Virgil explores timeless themes of love and loyalty, fate and fortune, the justice of the gods, imperial ambition and its victims, and ethnic differences. This course book offers a portion of the original Latin text, study questions, a commentary, and interpretative essays. Designed to stretch and stimulate readers, Ingo Gildenhard's incisive commentary will be of particular interest to students of Latin at both A2 and undergraduate level. It extends beyond detailed linguistic analysis to encourage critical engagement with Virgil's poetry and discussion of the most recent scholarly thought.

Surveys important Greek and Roman authors, plays, characters, genres, historical figures and more.

About the role of women in Roman Republican plays of all genres, and about the role of gender in the influence of this on later dramatists