When Amison Jones wakes up in his old suite at the Riverside Hotel, his head aches and his memory is clouded. His last clear recollection is of being lost in a stormy sea after he fulfilled a dangerous mission. Now, he's about to be plunged into another dangerous situation. His work associates inform him that he has suddenly inherited stock in an old mining company, West Indian Mines, on the volcanic island of Monte Fuego. Upon investigation, Jones realizes that the mining company is actually a cover for an international ring of jewel thieves. The crooks are looting Holocaust victims' valuables from government warehouses in Europe and selling "conflict" diamonds from Africa to finance a right-wing conspiracy. Jones's snooping makes him a target, especially when he discovers the strange link that ties the thieves' diverse operations together. But Jones faces the ultimate test when he is met with betrayal and deceit by his friends and associates. Will he be able to expose the deadly plot before it becomes a reality, or will his life be forfeit? The final installment of The Fictional Biography of a Hit Man trilogy, The Treasure of Monte Fuego takes you on a fast-paced, thrilling adventure!

Artwork provides a beautiful window to the soul. The Spiritual Journey of the Stations of the Cross allows the reader to become the artist as we take a spiritual journey to Jerusalem. Through the healing power of coloring, we walk with Jesus as we meditate on the fourteen Stations of the Cross. This workbook appeals to all people, young children, teens and adults. It is a wonderful addition to the classroom, days of reflection, and catechetical instruction. Linda Michalski, T.O.P., Chairperson of the Theology Department at Benedictine Academy, Elizabeth, New Jersey What a wonderful work from illustrator, Arlene Sullivan and writer, D.L. Grant. This interactive, creative, and most importantly, prayerful way for students to experience the steps leading up to the crucifixion of Jesus offers religious educators and religious group leaders a unique way to involve students in The Stations of the Cross. John Ward, Religious Educator/Author of Things to Remember on Your Deathbed, One Good Reason Arlene's beautiful artistry transcends the reader from suffering to new life. The designs reveal the theological truths of the Paschal Mystery in simple, yet engaging drawings. Great for all ages! Donna Jo Repetti, OSF

Characterized by reddish, bursting blisters and blood oozing from the nose, ears, and mouth, a deadly plague strikes the Borders, two remote northern Bahamian islands. Dubbed the Red Death, this plague kills everything; it does not discriminate. The Borders face economic paralysis as the population-whole families, relatives, and friends- succumbs to this spreading epidemic. Jack Shelby Sloane, an alcoholic ship captain, leaves Florida after a manslaughter conviction. Divorced by his wife and losing custody of his children, he stops drinking and travels to the Borders islands to run a boat yard. Jack marries Ginny and begins a new family and a new life. But his dreams are shattered when the Red Death attacks the Bahamas. Disease and anarchy converge to destroy the islands. To make matters worse, a nearby underwater volcano comes alive to finish the job. Jack must now confront his conscience in a mortal struggle to keep himself and his loved ones alive in a world rapidly collapsing into chaos. He seeks to discover the truth about the Red Death: How does the plague occur in the twenty-first century, and who is responsible for this killer outbreak?

This book presents the first feminist translation of Rosalía de Castro’s seminal poetic anthology En las orillas del Sar [On the Edge of the River Sar] (1884). Rosalía de Castro (1837–1885) was an artist of vast poetic vision. Her understanding of human nature and her deep sensitivity to the injustices suffered by women and by such marginalized peoples as those of her native region, Galicia, are manifest in verses of universal yet rarely translated significance. An outspoken proponent of both women’s rights and her region’s cultural and political autonomy, Castro used her poetry as a vehicle through which to decry the crushing hardships both groups endured as Spain vaulted between progressive liberal and conservative reactionary political forces throughout the nineteenth century. Depending upon what faction held sway in the nation at any given time during Castro’s truncated literary career, her works were either revered as revolutionary or reviled as heretical for the views they espoused. Long after her death by uterine cancer in 1885, Castro was excluded from the pantheon of Spanish literature by Restoration society for her unorthodox views. Compellingly, the poet’s conceptualization of the individual and the national self as informed by gender, ethnicity, class, and language echoes contemporary scholars of cultural studies who seek to broaden present-day definitions of national identity through the incorporation of precisely these same phenomena. Thanks to the most recent works in Rosalian and Galician studies, we are now able to recuperate and reevaluate Rosalía de Castro’s poems in their original languages for the more radical symbolism and themes they foreground related to gender, sexuality, race and class as they inform individual and national identities. However, although Castro’s poetic corpus is widely accessible in its original languages, these important features of her verses have yet to be given voice in the small number of English translations of only a sub-set of her works that have been produced in the last century. As a result, our understanding of Castro’s potential contributions to contemporary world poetries, gender studies, Galician and more broadly cultural studies is woefully incomplete. An English translation of Castro’s works that is specifically feminist in its methodological orientation offers a unique and thought-provoking means by which to fill this void.

Although the life of Federico García Lorca (1898–1936) was tragically brief, the Spanish poet and dramatist created an enduring body of work of international importance. This selection of 55 poems from a 1921 collection represents some of García Lorca's finest work. Imbued with Andalusian folklore, rich in metaphor and complex spirituality, they attest to the poet's popularity as one of Spain's most widely read authors.

The Rough Guide to Argentina is the definitive travel guide to this epic country, with in-depth coverage of its vibrant cities, rich culture, and staggeringly diverse scenery. Discover shimmering mountain lakes, beautiful valleys, and majestic glaciers; ride with gauchos; get seduced by tango; savor the world's finest steak; watch a Superclásico football match; or pick up the trail of Bruce Chatwin across Patagonia's dramatic ice fields. Expert accounts, clear maps, and stunning photography throughout this guidebook bring Argentina's attractions to life, from the thunderous Iguazú Falls and ravishing capital, Buenos Aires, to Mendoza's celebrated vineyards and the wild and isolated snowcapped peaks of Tierra del Fuego. With easy-to-use maps, reliable transport advice, inspiring itineraries, and expert reviews of the best hotels, restaurants, bars, clubs, and shops for all budgets, this indispensable guide will ensure that you don't miss a thing. Make the most of your time with The Rough Guide to Argentina.

A description of archaeologist Alfred Maudslay's last expedition to Guatemala, with descriptions of his previously excavated sites.