The alleged 1857 murder of a wealthy Bond Street dentist by Emma Cunningham, a mature widow he was believed to be sexually involved with, served to distract many New Yorkers from the deepening national crisis over slavery in the United States. Public anxieties seemed well founded--domestic murders committed by women were believed to be increasing sharply, jeopardizing society's patriarchal structure. The penny press created public demand for a swift solution. The inadequacy of the city police, complicated by the state's decision to install a new force, resulted in the rival forces battling it out on the streets. Elected coroners conducting inquests, and elected D.A.s prosecuting alleged culprits, fed a tendency to rush to judgment. New York juries, all men, were reluctant to send a middle class woman to the gallows. At trial, Cunningham proved a formidable and imaginative member of the so-called weaker sex and was acquitted. This reexamination places the story in its social and political context.

The neglected histories of 19th-century NYC’s maligned working-class fortune tellers and the man who set out to discredit them Under the pseudonym Q. K. Philander Doesticks, P. B., humor writer Mortimer Thomson went undercover to investigate and report on the fortune tellers of New York City’s tenements and slums. When his articles were published in book form in 1858, they catalyzed a series of arrests that both scandalized and delighted the public. But Mortimer was guarding some secrets of his own, and in many ways, his own life paralleled the lives of the women he both visited and vilified. In Mortimer and the Witches, author Marie Carter examines the lives of these marginalized fortune tellers while also detailing Mortimer Thomson’s peculiar and complicated biography. Living primarily in the poor section of the Lower East Side, nineteenth-century fortune tellers offered their clients answers to all questions in astrology, love, and law matters. They promised to cure ailments. They spoke of loved ones from beyond the grave. Yet Doesticks saw them as the worst of the worst evil-doers. His investigative reporting aimed to stop unsuspecting young women from seeking the corrupt soothsaying advice of these so-called clairvoyants and to expose the absurd and woefully inaccurate predictions of these “witches.” Marie Carter views these stories of working-class, immigrant women with more depth than Doesticks’s mocking articles would allow. In her analysis and discussion, she presents them as three-dimensional figures rather than the caricatures Doesticks made them out to be. What other professions at that time allowed women the kind of autonomy afforded by fortune-telling? Their eager customers, many of whom were newly arrived immigrants trying to navigate life in a new country, weren’t as naive and gullible as Doesticks made them out to be. They were often in need of guidance, seeking out the advice of someone who had life experience to offer or simply enjoying the entertainment and attention. Mortimer and the Witches offers new insight into the neglected histories of working-class fortune tellers and the creative ways that they tried to make a living when options were limited for them.

Great American Trials covers 378 historically and legally significant or notorious courtroom battles.

A study of the influence of true crime on fiction and drama. The book begins by defining the genre and then traces its history from the anonymous 16th-centruy play Arden of Faversham to the modern detective novel.

Stephen King, Dean Koontz, and other famous fans pay homage to the ultimate science fiction classic. Filled with photographs, interviews, and behind-the-scenes anecdotes.