The Christians is the history of Christianity, told chronologically, epoch by epoch, century by century, beginning at Pentecost and concluding with Christians as we find ourselves in the twenty-first century. It will consist of approximately twelve volumes, produced over a 10-year period at the beginning of the third Christian millennium. It is written and edited by Christians for Christians of all denominations. Its purpose is to tell the story of the Christian family, so that we may be knowledgeable of our origins, may well know and wisely profit from the experiences of our past both good and bad, and may find strength and inspiration to face the challenges of our era from the magnificent examples set for us by those who went before. - Back cover.

The Book Is A Major Critical Attempt That Tries To Evaluate TagoreýS Literary Genius In The Background Of Modernism Which According To The Author Chiefly Consists In A Single-Minded Preoccupation With The Body Of Poetry With The Consequent Belief In The Self-Sufficiency Of Language And In An Oppressive And Overwhelming Consciousness Of Evil In The World. The Author Tries, Following The Great PoetýS Own View Of Criticism, To Understand The Way In Which The World Expresses Itself In The Body Of TagoreýS Poetic Creation. He Examines How The Awareness Of Evil Grows In TagoreýS Work Until It Becomes Pervasive In His Final Phase. The Critic Shows How The Poet Moves From Romantic Effusion And Melancholy To The Self-Processed Tranquillity Of Divine Love And From There Towards Western Humanism On The One Hand And To A Realisation Of ýThe Gracious Aspect Of The Terribleý On The Other.

What if all we ever knew about the universe was flawed? Such is the state of a group of friends, as they get dragged into a whole new concept of reality which takes them on a journey that they never imagined. Slowly turning the cogs in the universe, becoming a part of this vast, nearly infinite universe and what lies beyond. It’s not just a story or legend, it’s a whole other world to explore and it’s not just you but them too who experience it alongside you.

The Christians is the history of Christianity, told chronologically, epoch by epoch, century by century, beginning at Pentecost and concluding with Christians as we find ourselves in the twenty-first century. It will consist of approximately twelve volumes, produced over a 10-year period at the beginning of the third Christian millennium. It is written and edited by Christians for Christians of all denominations. Its purpose is to tell the story of the Christian family, so that we may be knowledgeable of our origins, may well know and wisely profit from the experiences of our past both good and bad, and may find strength and inspiration to face the challenges of our era from the magnificent examples set for us by those who went before. - Back cover.

Through the lens of children's literature, explores the largely untold story of secular Yiddish schools in America

The Bhagavad Gita is a unique literary creation but deciphering its meaning and philosophy is not easy or simple. This careful study of the Bhagavad Gita approaches the ancient text with a modern mind and offers a unifying structure which is of a universal relevance. Combining the philosophical-theoretical with the ethical-practical, Ithamar Theodor locates his study within comparative theology and identifies the various layers of meaning. The full text of the Bhagavad Gita is presented in new translation, divided into sections, and accompanied by in-depth commentary. This book makes the Bhagavad Gita accessible to a wide variety of readers, helping to make sense of this great spiritual classic which is one of the most important texts of religious Hinduism.

London's first-hand engagement with the world--the process of becoming and maintaining himself as a citizen of the world--helps define the kind of writing he produced. It is insufficient now to call him a naturalist writer if his principal concern was to reflect and represent, not the usual fare of violence and natural forces that we as literary theorists have used to periodize London's work, but rather something larger, more indeterminant, contemporary. The word modern appears often in the pages of this handbook, and though it is not new to call London a modernist, the sheer weight of the scholarship in this present volume that attests to this alternative designation gives it a thorough grounding that previous attempts lacked. London called his times the Machine Age, not just to underscore the rapidity of modern life and its new mechanization, but also to highlight the need for a new social and economic order. The purpose of this handbook is to honor him as a representative American writer of the age as he understood it.

Not much attention has been given to Dostoyevsky's concern with the crisis of the modern West, although allusions to almost every aspect of Western civilization--including the political, economic, and social dimensions--are present in his literary works and abound in his secondary writings. This book points the way to a better understanding of the apparent contradiction between Dostoyevsky's concern with the highest reaches of human spirituality and at the same time with the most detailed developments in domestic and international politics. Ward argues that the apparent polarization of "religious" thought and "political" analysis of the West are held together for Dostoyevsky in his search for the best human order. He demonstrates not only that Dostoyevsky's observations about the West constitute a coherent critique intimately related to the deepest aspects of his though, but also that these can be rendered more systematic and explicit. What results is an incisve account of both the religious and the political thought of Dostoyevsky, which helps clarify what Dostoyevsky, which helps clarify what Dostoyevsky can teach us about the modern situation of the Western world and about the problem of human order in general, for, as the author states, "it was Dostoyevsky's great virtue as a thinker always to see the pressing issues of his particular time and place in the light of the 'everlasting problems.'"