In this volume Ann Lee Bressler offers the first cultural history of American Universalism and its central teaching -- the idea that an all-good and all-powerful God saves all souls. Although Universalists have commonly been lumped together with Unitarians as "liberal religionists," in its origins their movement was, in fact, quite different from that of the better-known religious liberals. Unlike Unitarians such as the renowned William Ellery Channing, who stressed the obligation of the individual under divine moral sanctions, most early American Universalists looked to the omnipotent will of God to redeem all of creation. While Channing was socially and intellectually descended from the opponents of Jonathan Edwards, Hosea Ballou, the foremost theologian of the Universalist movement, appropriated Edwards's legacy by emphasizing the power of God's love in the face of human sinfulness and apparent intransigence. Espousing what they saw as a fervent but reasonable piety, many early Universalists saw their movement as a form of improved Calvinism. The story of Universalism from the mid-nineteenth century on, however, was largely one of unsuccessful efforts to maintain this early synthesis of Calvinist and Enlightenment ideals. Eventually, Bressler argues, Universalists were swept up in the tide of American religious individualism and moralism; in the late nineteenth century they increasingly extolled moral responsibility and the cultivation of the self. By the time of the first Universalist centennial celebration in 1870, the ideals of the early movement were all but moribund. Bressler's study illuminates such issues as the relationship between faith and reason in a young, fast-growing, and deeply uncertain country, and the fate of the Calvinist heritage in American religious history.

The idea of this women's magazine originated with Samuel Williams, a Cincinnati Methodist, who thought that Christian women needed a magazine less worldly than Godey's Lady's Book and Snowden's Lady's Companion. Written largely by ministers, this exceptionally well-printed little magazine contained well-written essays of a moral character, plenty of poetry, articles on historical and scientific matters, and book reviews. Among western writers were Alice Cary, who contributed over a hundred sketches and poems, her sister Phoebe Cary, Otway Curry, Moncure D. Conway, and Joshua R. Giddings; and New England contributors included Mrs. Lydia Sigourney, Hannah F. Gould, and Julia C.R Dorr. By 1851, each issue published a peice of music and two steel plates, usually landscapes or portraits. When Davis E. Clark took over the editorship in 1853, the magazine became brighter and attained a circulation of 40,000. Unlike his predecessors, Clark included fictional pieces and made the Repository a magazine for the whole family. After the war it began to decline and in 1876 was replaced by the National Repository. The Ladies' Repository was an excellent representative of the Methodist mind and heart. Its essays, sketches, and poems, its good steel engravings, and its moral tone gave it a charm all its own. -- Cf. American periodicals, 1741-1900.

Profiles discuss the history of seventy-five women's consumer magazines published in the United States.