When a prince finds his soul mate in an enemy soldier, he must fight everyone around him to keep his love. Prince Rathian is the Imperator—or Supreme Commander—of the Vanguard, the most elite unit in the Launioc army. His men fight not only for their country and Prince, but they fight for each other. Launioc's King sends the army into war against Villious and their Queen. As his men die, Rathian's heart breaks and he longs to find the one person to help him survive the war and the loss of his men. Stakel is a Queen's Consort and is abandoned by his fellow Consorts during a battle with the Vanguard. Taken prisoner, he finds himself learning about the enemy he'd been taught to hate. Stakel has been forced to do things he hated and fight for a ruler he owes no loyalty. In Rathian, Stakel finds not only a ruler, but a lover to whom he can give all of himself.

The year is 3126 and Earth as we know it is dead. Shortly mankind will suffer the same fate. In a last ditch, almost futile effort to save as many of their young men and women as possible a series of six enormous "Space Arks" are built under the code name "Vanguard". On board each of these "Arks" thousands of pre-screened men and woman live out there lives in a carefully constructed environment designed to mimic all that Earth was. Our story follows the journey of settlers living on the largest of the "Space Arks", their eventual discovery of a new home world and the struggles of settling on a planet that does not follow Earthly models. The drama begins almost immediately after our somewhat nave group of settlers land and continues through the years that follow. All the things these people believed were true turn out to be lies and they struggle to cope not only with their own frailties, but the risks that are all around them. From mutated airbourne predators, to off world alien invaders every day is a runaway roller coaster ride. The work challenges the readers to imagine themselves placed in the same life or death situations and how they might react to each new event. The carefree, almost cavilier personalities of the main characters find the positives in all the chaos around them, while saving their friends and families from extinction.

In the Vanguard: Haystack Mountain School of Crafts, 1950–1969 traces the first two decades of the Haystack Mountain School of Craft’s history and its pivotal impact on the world of art and craft practice in the United States during the mid-twentieth century. The first scholarly investigation of this internationally renowned school, the exhibition, and the accompanying catalogue will feature work made at Haystack or influenced by time spent there by some of the most highly recognized names in the fields of fiber, glass, ceramics, jewelry, and graphic arts to demonstrate the school’s significant role in debates about art, craft, industry, and pedagogy in the United States during the 1950s and 1960s. Haystack’s model of brief summer sessions and changing instructors offered new ways of thinking about the status of craft as art and the nature of accessible design in the context of communally based, process-oriented learning. Anni Albers, Toshiko Takaezu, Jack Lenor Larsen, Kay Sekimachi, Arline Fisch, Robert Arneson, Harvey Littleton, Wolf Kahn, and Dale Chihuly are just a few of the artists who taught at the school between 1950 and 1969 and who helped define Haystack’s radically open-ended approach towards art and craft. With approximately eighty objects assembled from public and private collections and archives, many rarely or never before exhibited in a museum, In the Vanguard will establish the substantial legacy of this remote community of makers in the art and education world at large. Archival material installed throughout the exhibition will include original correspondence, photographs, brochures, architectural models, posters, and early ephemera. Published in association with the Portland Museum of Art. Exhibition dates: Portland Museum of Art, Maine: May 24–September 8, 2019 Cranbrook Academy of Art, Michigan: November 15, 2019–March 8, 2020

For a thousand days in the early 1970s, Chileans experienced revolution not as a dream but as daily life. Alongside Salvador Allende’s attempt to democratically bring about a socialist regime, new understandings of the meaning of revolutionary change emerged. In her groundbreaking book Beyond the Vanguard, Marian E. Schlotterbeck explores popular politics in Chile in the decade before Augusto Pinochet’s dictatorship and provides an in-depth account of how working-class people transformed the existing social order by embracing radical politics. Schlotterbeck eloquently examines the lost opportunities for creating a democratic revolution and the ways that the legacy of this period continues to resonate in Chile and beyond. Learn more about the author and this book in an interview published online with Jacobin.

This transdisciplinary edited book explores new developments and perspectives on global Vietnam, touching on aspects of history, identity, transnational mobilities, heritage, belonging, civil society, linguistics, education, ethnicity, and worship practices. Derived from the Engaging With Vietnam: An Interdisciplinary Dialogue conference series, this cutting-edge collection presents new scholarship and also represents new ways of knowing global Vietnam. Over the past 10 years, knowledge production about Vietnam has diversified in various ways as globalization, the internationalization of higher education, and the digital revolution have transformed the world, as well as Vietnam. Whereas as late as a decade ago, knowledge about Vietnam was still largely the preserve of scholars in Vietnam and a coterie of related experts outside of the country at a select few universities, today we find scholars working on Vietnam in myriad contexts. This transformation has introduced new voices and new perspectives, which this book champions. A critical text engaging a range of historical and contemporary debates about Vietnam, this book is an indispensable volume for the Southeast Asian Studies student and scholar in the humanities and social sciences.

How has political revolution figured into the development of avant-garde cultural production? Is the vanguard an antiquated concept or does its influence still resonate in the 21st century? Focusing closely on the convergence of aesthetics and politics that materialized in the early part of the twentieth century, this study offers a re-interpretation of the historical avant-garde from 1917 to 1962, a turbulent period in intellectual history which marked the apex, crisis, and decline of vanguardist authority. Moving from the impact of the Bolshevik Revolution to the anti-imperialist and decolonizing movements in the Third World, to the emergence of neo-vanguardism in the wake of postmodernity, this study opens the way for understanding the transformation of vanguardist cultural paradigms from a global perspective, the implications of which also reveal its relevance and application to the contemporary period.

In recent years the role of religion in the avant-garde has begun to attract scholarly interest. The present volume focuses on the work of the Romanian Jewish poet and visual artist Isidore Isou (1925–2007) who founded the lettrist movement in the 1940s. The Jewish tradition played a critical part in the Western avant-garde as represented by lettrism. The links between lettrism and Judaism are substantial, yet they have been largely unexplored until now. The study investigates the works of a movement that explicitly emphasises its vanguard position while relying on a medieval religious tradition as a source of radical textual techniques. It accounts for lettrism’s renunciation of mainstream traditions in favour of a subversive tradition, in this case Jewish mysticism. The religious inclination of lettrism also affects the notion of the avant-garde. The elements of the Jewish tradition in Isou’s theories and artistic production evoke a broader framework where religion and experimental art supplement each other.

A collection of writers, poets, artists, social entrepreneurs and political activists in the Global International African Arts Movement speak about their work in the context of Trump, giving a voice to the voiceless and about the 5th estate of power in this timely and important book. Scheduled for release at the top of the 2020 US Presidential election, Dispatches from the Vanguard channels the global soul’s hunger for freedom from authoritarian control. Partnering with dozens of Pulitzer Prize Winners, New York Times Best Sellers, poet laureates, TED speakers, and influencers within the Global International African Arts Movement, including Ishmael Reed, Tyehimba Jess, Rich Fresh, Nikki Giovanni, Nnedi Okorafor, Chester Higgins, Tori Reid and Jaki Shelton Green, Dispatches offers a poignant, high-frequency rebuke of Donald J. Trump (actual man, strawman and metaphor for white privilege and capitalist despotism) and his ruthless amoral presidency. As we approach a key moment in the recent history of American politics, Dispatches from the Vanguard is a timely intervention, showing us how we can challenge the impact and influence of politics when it is solely a means of authoritarian control.

Virginia in the Vanguard continues the story begun in The Dynamic Dominion, detailing the resurgence of Virginia's Democratic Party in the 1980s and the Republicans' efforts to turn back the gains made by Chuck Robb and Douglas Wilder. It closes with Democrat Tim Kaine taking the governor's seat and former Republican and Democratic governors George Allen and Mark Warner poised to enter the 2008 presidential primaries.