This collection examines aspects of the Vietnamese diaspora resettlement experience in various national settings. It investigates issues such as community politics, identity formation, generational conflicts and how different conditions of exit from Vietnam have created fractures within the contemporary Vietnamese diaspora.

The Routledge Handbook of the Vietnamese Diaspora presents a comprehensive overview and analysis of Vietnamese migrations and diasporas, including the post-1975 diaspora, one of the most significant and highly visible diasporas of the late twentieth century. This handbook delves into the processes of Vietnamese migration and highlights the variety of Vietnamese diasporic journeys, trajectories and communities as well as the richness and depth of Vietnamese diasporic literary and cultural production. The contributions across the fields of history, anthropology, sociology, literary studies, film studies and cultural studies point to the diversity of approaches relating to scholarship on Vietnamese diasporas.The handbook is structured in five parts: Colonial legacies Refugees, histories and communities Migrant workers, international students and mobilities Literary and cultural production Diasporas and negotiations Offering multiple cutting-edge interpretations, representations and reconstructions of diaspora and the diasporic experience, this first reference work of the Vietnamese diaspora will be an invaluable tool for students and researchers in the fields of Asian Studies, Asian American Studies, Ethnic Studies, Refugee Studies, Transnational Studies and Migration and Diaspora Studies.

Is Trauma a transhistorical, transnational phenomenon? Gender and Trauma challenges the standard history that has led to our contemporary understanding of psychological trauma to answer this question, and to explore the impact of gender in the experience and understanding of emotional distress. Bringing together eleven case studies from all over the world, it draws on methods from history, gender and communication studies to consider how trauma has been understood over the 20th and 21st centuries. Encompassing histories from Australia, Britain, Indonesia, Italy, the Soviet Union, Timor Leste, the United States and Vietnam, these examples demonstrate how gender and trauma are inextricably linked, and how the term 'trauma' has evolved over time. With chapters on war, political repression, displacement, rape and childbirth, the cases showcased in this volume highlight two pivotal transformations across the 20th century. First, the transformation of the trauma sufferer from perpetrator to victim, and second, the increased understanding of psychological consequences of sexual assault and domestic violence. Together, these diverse stories yield a more nuanced picture of what trauma is, how we have understood it alongside gender in the past, and how this affects our understanding of it in the present.

This book examines how the racialization of religion facilitates the diasporic formation of ethnic Vietnamese in the U.S. and Cambodia, two communities that have been separated from one another for nearly 30 years. It compares devotion to female religious figures in two minority religions, the Virgin Mary among the Catholics and the Mother Goddess among the Caodaists. Visual culture and institutional structures are examined within both communities. Thien-Huong Ninh invites a critical re-thinking of how race, gender, and religion are proxies for understanding, theorizing, and addressing social inequalities within global contexts.

This volume combines literary analysis and theoretical approaches to mobility, diasporic identities and the construction of space to explore the different ways in which the notion of return shapes contemporary ethnic writing such as fiction, ethnography, memoir, and film. Through a wide variety of ethnic experiences ranging from the Transatlantic, Asian American, Latino/a and Caribbean alongside their corresponding forms of displacement - political exile, war trauma, and economic migration - the essays in this collection connect the intimate experience of the returning subject to multiple locations, historical experiences, inter-subjective relations, and cultural interactions. They challenge the idea of the narrative of return as a journey back to the untouched roots and home that the ethnic subject left behind. Their diacritical approach combines, on the one hand, a sensitivity to the context and structural elements of modern diaspora; and on the other, an analysis of the individual psychological processes inherent to the experience of displacement and return such as nostalgia, memory and belonging. In the narratives of return analyzed in this volume, space and identity are never static or easily definable; rather, they are in-process and subject to change as they are always entangled in the historical and inter-subjective relations ensuing from displacement and mobility. This book will interest students and scholars who wish to further explore the role of American literature within current debates on globalization, migration, and ethnicity.

In recent years, the Vietnamese diaspora, including some of whom are Protestant Christian Việt Kiều, have returned to their natal homeland of Vietnam in large numbers. This book investigates the phenomenon of the Protestant Christian Việt Kiều who have returned and reestablished belonging in Vietnam with a missional purpose and the perspective of non-migrant local Protestant Christian leaders as a case study of diaspora missiology. It is based upon doctoral research utilizing in-depth interviews which sought to answer the following questions: 1) What are the motivating factors of Protestant Christian Việt Kiều returning to Vietnam for mission-related purposes? 2) What has been the experience in ministry of the returning Protestant Christian Việt Kiều regarding mission-related reasons for returning? 3) How have the non-migrants experienced the phenomenon of return? This book explores the answers to these questions as a case study of diaspora missiology. Findings suggest that the Protestant Christian Việt Kiều are welcomed back in Vietnam and contributing in many dynamic ways in the homeland. At the same time, the return journey is a road layered with complexities, contradictions, opportunities, and unique challenges. Findings from this diaspora community engaged in missions by and beyond the diaspora give insight into the paradigm of diaspora missiology and temper the enthusiasm for widely promoted theory. Important questions arise regarding how far diaspora as a framework can carry us.

This book offers an incisive and ambitious critique of Asian Diaspora culture, looking specifically at literature and visual popular culture. Sheng-mei Ma’s engaging text discusses issues of self and its relationship with Asian Diaspora culture in the global twenty-first century. Using examples from Asia, Asian America, and Asian Diaspora from the West, the book weaves a narrative that challenges the twenty-first century triumphal discourse of Asia and argues that given the long shadow cast across modern film and literature, this upward mobility is inescapably escapist, a flight from itself; Asia’s stunning self-transformation is haunted by self-alienation. The chapters discuss a wealth of topics, including Asianness, Orientalism, and Asian American identity, drawing on a variety of pop culture sources from The Matrix Trilogy to Crouching Tiger, Hidden Dragon. This book forms an analysis of the new idea of Asian Diaspora that cuts across area, ethnicity, and nation, incorporating itself into the contemporary global culture whilst retaining a distinct Asian flavor. Covering the mediums of literature, film, and visual cultures, this book will be of immense interest to scholars and students of Asian studies and literature, ethnic studies, cultural studies, and film.

This fully revised new edition provides a definitive and holistic overview of Transnational Organized Crime (TOC) in a world in which right wing populism has gained ground, trade wars are increasing, climate change is a reality and Covid poses a challenge for years to come. Updated to reflect the changing world environment, the book includes new chapters on issues such as criminal network analysis, environmental crime, cybercrime, people smuggling, drugs activities in the modern world, the relationship between organized crime and corruption, anti-organized crime resilience and the effectiveness of the fight against organized crime. New country case studies have also been included. The handbook is presented in six sections: • Concepts, theories and laws • Origins and manifestations • Contagion and evolution • Intensity and impact • Governance • Reaction and future Truly interdisciplinary in nature, the handbook features contributions from an international team of experts, working in different academic disciplines and within varied law enforcement agencies. It will appeal to scholars, policymakers and practitioners in International Law, Global Governance, International Political Economy and Security Studies.

The Pacific has long been a space of conquest, exploration, fantasy, and resistance. Pacific Islanders had established civilizations and cultures of travel well before European explorers arrived, initiating centuries of upheaval and transformation. The twentieth century, with its various wars fought in and over the Pacific, is only the most recent era to witness military strife and economic competition. While “Asia Pacific” and “Pacific Rim” were late twentieth-century terms that dealt with the importance of the Pacific to the economic, political, and cultural arrangements that span Asia and the Americas, a new term has arisen—the transpacific. In the twenty-first century, U.S. efforts to dominate the ocean are symbolized not only in the “Pacific pivot” of American policy but also the development of a Transpacific Partnership. This partnership brings together a dozen countries—not including China—in a trade pact whose aim is to cement U.S. influence. That pact signals how the transpacific, up to now an academic term, has reached mass consciousness. Recognizing the increasing importance of the transpacific as a word and concept, this anthology proposes a framework for transpacific studies that examines the flows of culture, capital, ideas, and labor across the Pacific. These flows involve Asia, the Americas, and the Pacific Islands. The introduction to the anthology by its editors, Janet Hoskins and Viet Thanh Nguyen, consider the advantages and limitations of models found in Asian studies, American studies, and Asian American studies for dealing with these flows. The editors argue that transpacific studies can draw from all three in order to provide a critical model for considering the geopolitical struggle over the Pacific, with its attendant possibilities for inequality and exploitation. Transpacific studies also sheds light on the cultural and political movements, artistic works, and ideas that have arisen to contest state, corporate, and military ambitions. In sum, the transpacific as a concept illuminates how flows across the Pacific can be harnessed for purposes of both domination and resistance. The anthology’s contributors include geographers (Brenda S. A. Yeoh, Weiqiang Lin), sociologists (Yen Le Espiritu, Hung Cam Thai), literary critics (John Carlos Rowe, J. Francisco Benitez, Yunte Huang, Viet Thanh Nguyen), and anthropologists (Xiang Biao, Heonik Kwon, Nancy Lutkehaus, Janet Hoskins), as well as a historian (Laurie J. Sears), and a film scholar (Akira Lippit). Together these contributors demonstrate how a transpacific model can be deployed across multiple disciplines and from varied locations, with scholars working from the United States, Singapore, Japan and England. Topics include the Cold War, the Chinese state, U.S. imperialism, diasporic and refugee cultures and economies, national cinemas, transpacific art, and the view of the transpacific from Asia. These varied topics are a result of the anthology’s purpose in bringing scholars into conversation and illuminating how location influences the perception of the transpacific. But regardless of the individual view, what the essays gathered here collectively demonstrate is the energy, excitement, and insight that can be generated from within a transpacific framework.

This collection of interdisciplinary essays examines current cinematic and media landscapes from the perspective of transnational feminist practices and methodologies. Focusing on film, media art, and video essays, the contributors chart innovative strategies for exploring contemporary visual cultures.