David Herbert Lawrence (1885-1930) was an English novelist, poet, playwright and literary critic, one of the key writers of the early twentieth century, most famous for his criticism of rationalism and industrialization. Considered a masterpiece, “The Virgin and the Gipsy” is one of most electrifying short novels, demonstrating the author’s approach to sexuality and morality. The book tells the story of a young English girl from the countryside, who wants to fi nd something thrilling beyond her ordinary life. When she meets a handsome young gypsy whose life appears different from hers in every way, she is immediately intrigued and at the same time frightened by new feelings.

Gateway to the Great Books are great writings which selections include short stories, plays, essays, scientific papers, speeches, and letters. Each selection represents a primary, original, and fundamental contribution to ones understanding of the universe and themselves. There are over 135 Authors, 225 Selections and 95 original illustrations. Selections include works from Ernest Hemingway, F. Scott Fitzgerald, T. S Eliot, Mark Twain and more. This set will help introduce oneself to good literature and the Great Books of the Western World.

How far have we progressed from the days when showing a film such as Jack Smith’s Flaming Creatures landed the cinema’s programmer, projectionist, and ticket taker in jail? What are some of the hidden clues modern audiences are overlooking in older films that suggest a character’s bisexuality? Which famous actors, actresses, directors, and screenwriters were attracted to people of both sexes? In Bisexual Characters in Film, the first book to focus on the role of bisexual characters in film, you’ll find answers to these questions and many more as you explore, analyze, and celebrate 80 years of bisexual movie characters (and the people who have created them) from around the world. A lively, entertaining, and informative commentary, this book examines the treatment of bisexual film characters and shows you how that treatment has been affected by societal forces such as censorship, politics, religious prejudices, homophobia, and sexual stereotypes. Bisexual Characters in Film looks at the contribution of bisexual people (and others who have had lovers of varying sexes) to the body of work available on film today. These include the directors, writers, actors, composers, and designers whose sexual orientation has informed their work. An analysis of the Motion Picture Production Code and its devastating effect on bisexual and homosexual screen images forms an important part of the book. You learn how, specifically, it eradicated gay, lesbian, and bisexual characters from Hollywood films as well as the role of bisexual, lesbian, and gay filmmakers in finally defeating it. Other questions you’ll find answers to include: Who, or what, is a bisexual? How were bisexual characters represented in silent film, before the forces of censorship banned them from the screen? What bisexual myths and stereotypes are portrayed on film? What is the role of “camp” in bisexual film? Bisexual Characters in Film is a unique resource for researchers; librarians; film festival planners; the queer media; professors and students of lesbian, gay, and bisexual studies; bisexual activists; and general bisexual, gay, lesbian, and transgendered readers. It provides a much-needed view of bisexual representations in a major segment of our popular culture.

Professor Moynahan's object in this illuminating, critical survey has been to consider Lawrence entirely in his most important role... as the author of the novels and the shorter tales. To this end he traces the development of Lawrence’s mastery of the novel. Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This book looks beyond fidelity to emphasize how each adaptation of D.H. Lawrence’s short stories functions as a creative response to a text, foregrounding the significance of its fluidity, transtextuality, and genre. The adaptations analysed range from the first to the most recent and draw attention to the fluidity of textual sources, the significance of generic conventions and space in film, the generic potentialities latent within Lawrence’s tales, and the evolving nature of adaptation. By engaging with recent advances in adaptation theory to discuss the evolving critical reception of the author’s work and the role of the reader, this book provides a fresh, forward-looking approach to Lawrence studies.

"Slices of on-the-road literary history and detail-rich travel romps with famous writers." Sheila F. Buckmaster, senior editor, National Geographic Traveler

A research tool for students of literature, film, and media studies with a listing of some 7,500 film treatments of literature done between 1930 and 1990 worldwide. An alphabetical author index provides form of work, nationality, literary and film titles, publication date, and director. The film ind