"In the course of his study of vengeance as a moral concept, French exposes important distinctions between types of moral theories (karmic and non-karmic) and between people who are morally handicapped and those who are morally challenged. He examines concepts relevant to vengeance, such as honor, moral authority, and evil, and issues such as the rationality of revenge and proportionality in punishment."--BOOK JACKET.

'THOSE WHO TELL STORIES RULE SOCIETY.'' PLATO.... So who today are our principal storytellers? Not philosophers, but filmmakers. For those who know both the enormous entertainment potential and the culture-shaping power of film, this book will stir mind and imagination. For great stories freight world-sized ideas, ideas worthy of contemplation and conversation. Great cinema inspires wonder. But another philosopher, Aristotle, reminds us that wonder is the true source of philosophy. So perhaps Plato or Aristotle might have a shot at ruling society, even today - if they took an interest in film. These fourteen essays offer wonderful reflection on classic and contemporary films following several major philosophical themes, all within the context of Christian faith: the human condition, the human mind and the nature of knowing, the moral life, and faith and religion. Citizen Kane, Big Fish, Pretty Woman, Legends of the Fall and The Bridges of Madison County contribute to an in-depth consideration of the human condition. The Truman Show, The Matrix, Being John Malkovich and It's a Wonderful Life, among others, illuminate reflection on the human mind and the nature of knowing. Looking at the moral life, contributors interact with such notable films as Pleasantville, Bowling for Columbine, Mystic River and The Silence of the Lambs. The final section pursues the theme of faith and religion traced through a number of Hong Kong martial arts films, Contact, 2001: A Space Odyssey and U2's music documentary, Rattle and Hum. A veritable film festival for all those who want to nurture the wonder of philosophical inquiry and the love of Christian theology through an engagement with big ideas on the big screen.

The chief characteristic of Christian morality is its being linked to the person of Jesus Christ who is himself the universal, personal, and concrete norm of moral action. This book is about the virtues of the Christian life--both the theological virtues (faith, hope, and charity) and the cardinal virtues (prudence, justice, fortitude, and temperance)--and it deals particularly with the question, how it is possible for believers to decide for the morally good and to live accordingly. Reflecting on the basic questions of Christian morality, the book offers a commentary on the corresponding sections of The Catechism of the Catholic Church.

Paperback reissue of one volume of the English Dominicans' Latin/English edition of Thomas Aquinas' Summa Theologiae.

The Catholic Church has in recent decades been associated with political efforts to eliminate the death penalty. It was not always so. This timely work reviews and explains the Catholic Tradition regarding the death penalty, demonstrating that it is not inherently evil and that it can be reserved as a just form of punishment in certain cases. Drawing upon a wealth of philosophical, scriptural, theological, and social scientific arguments, the authors explain the perennial teaching of the Church that capital punishment can in principle be legitimate—not only to protect society from immediate physical danger, but also to administer retributive justice and to deter capital crimes. The authors also show how some recent statements of Church leaders in opposition to the death penalty are prudential judgments rather than dogma. They reaffirm that Catholics may, in good conscience, disagree about the application of the death penalty. Some arguments against the death penalty falsely suggest that there has been a rupture in the Church's traditional teaching and thereby inadvertently cast doubt on the reliability of the Magisterium. Yet, as the authors demonstrate, the Church's traditional teaching is a safeguard to society, because the just use of the death penalty can be used to protect the lives of the innocent, inculcate a horror of murder, and affirm the dignity of human beings as free and rational creatures who must be held responsible for their actions. By Man Shall His Blood Be Shed challenges contemporary Catholics to engage with Scripture, Tradition, natural law, and the actual social scientific evidence in order to undertake a thoughtful analysis of the current debate about the death penalty.

This book offers a critical examination of certain ideas and values—such as remembering, forgiveness, story-telling through Truth and Reconciliation Commissions, etc.—that under-gird the transitional practices and mechanisms of societies emerging from conflicts. It does so by making the survivors’ experience the supreme and ultimate judge of the legitimacy of such practices. While many scholars have dealt with these topics, this book provides a unique perspective on them by using personal stories, narratives and memoirs of the survivors as a checking point of the theoretical elaboration of these ideas and values. By means of an existential phenomenological analysis of the situation of survivors of gross human rights violations, the book assesses how many resources are still available to them, so that they can contribute to the processes of reconstruction and reconciliation of their societies. This analysis constitutes the background for reading the rest of the book, which challenges some assumptions and presumptions of transitional practices such as healing through truth-telling, or providing justice through reparations. It does so by presenting nuanced suggestions on the ways survivors can participate in the reconstruction-reconciliation processes, without jeopardizing their own well-being.

After Injury explores the practices of forgiveness, resentment, and apology in three key moments when they were undergoing a dramatic change. The three moments are early Christian history (for forgiveness), the shift from British eighteenth-century to Continental nineteenth-century philosophers (for resentment), and the moment in the 1950s postwar world in which British ordinary language philosophers and American sociologists of everyday life theorized what it means to express or perform an apology. The debates that arose in those key moments have largely defined our contemporary study of these practices.

The Oxford Handbook of Lord Byron offers the latest in critical thinking about the poet that defined the Romantic era across Europe and beyond. The volume presents forty-four groundbreaking essays that enable readers to assess Lord Byron's central position in Romantic traditions and his profound and far-reaching influence on British, European, and world culture. The chapters are organized into five sections-'Works', 'Biographical Contexts', 'Literary and Cultural Contexts', 'Afterlives', and 'Reading Byron Now'-that guide readers through the most important issues and frameworks for interpreting Byron. 'Works' presents original readings of Byron's key works and many of his lesser-known ones, giving space to extensive studies of his great epic, Don Juan, and the poem that brought him fame, Childe Harold's Pilgrimage. 'Biographical Contexts' invites readers to consider Byron's life through key themes and patterns. 'Literary and Cultural Contexts' sets out the most important intellectual traditions from which Byron's work emerged and in which it developed. 'Afterlives' shows readers the extent of Byron's influence on literature, art, music, and politics in Europe and beyond. 'Reading Byron Now' advances the critical agendas that are shaping Byron Studies today. The Handbook tackles key themes associated with Byron including the Byronic Hero, cosmopolitanism, liberalism, sexuality, mobility, scepticism, the Gothic, celebrity culture, and much more. For new readers of Byron, the volume provides an excellent grounding in his life and work, and for specialists, it opens up exciting new approaches to an icon of Romantic literature.

Is there too much violence in hip-hop music? What’s the difference between Kimberly Jones and the artist Lil' Kim? Is hip-hop culture a "black" thing? Is it okay for N.W.A. to call themselves niggaz and for Dave Chappelle to call everybody bitches? These witty, provocative essays ponder these and other thorny questions, linking the searing cultural issues implicit — and often explicit — in hip-hop to the weighty matters examined by the great philosophers of the past. The book shows that rap classics by Lauryn Hill, OutKast, and the Notorious B.I.G. can help uncover the meanings of love articulated in Plato's Symposium; that Rakim, 2Pac, and Nas can shed light on the conception of God's essence expressed in St. Thomas Aquinas's Summa Theologica; and explores the connection between Run-D.M.C., Snoop Dogg, and Hegel. Hip-Hop and Philosophy proves that rhyme and reason, far from being incompatible, can be mixed and mastered to contemplate life's most profound mysteries.

This book addresses the old question of natural law in its contemporary context. David VanDrunen draws on both his Reformed theological heritage and the broader Christian natural law tradition to develop a constructive theology of natural law through a thorough study of Scripture. The biblical covenants organize VanDrunen's study. Part 1 addresses the covenant of creation and the covenant with Noah, exploring how these covenants provide a foundation for understanding God's governance of the whole world under the natural law. Part 2 treats the redemptive covenants that God established with Abraham, Israel, and the New Testament church and explores the obligations of God's people to natural law within these covenant relationships. In the concluding chapter of Divine Covenants and Moral Order VanDrunen reflects on the need for a solid theology of natural law and the importance of natural law for the Christian's life in the public square.]>