This addictive tell-all exposes the cutthroat culture of the world's most revered fashion masthead. Kirstie Clements started at the front desk answering phones for Vogue Australia. Years of hard work, risk-taking, and determination landed her at Editor-in-Chief. This is the story of her rise to the top. Of photo shoots in the jungles of Africa, clamoring for a spot at Fashion Week, celebrity interviews, deadlines, exotic travel, betrayals, and the danger inherent in the relentless pursuit of beauty. At once a career success story and a raw expose on the international fashion world, The Vogue Factor glitters with personality and is an unputdownable read for the fashion-obsessed – and anyone who wants to know what really happens at Vogue.

The Vogue Factor is the former Australian Vogue Editor-in-Chief's candid account of life at the heart of the fashion industry, from photo shoots and celebrity interviews to the ugly truth behind the glamour - infighting, back-stabbing and the dangerous pursuit of beauty. This is the behind-the-scenes story of an illustrious career in fashion, from receptionist to the editor's chair. It's a life of dazzling parties, outrageous fashion and exotic travel that most people can only dream of. But behind the glossy photos is a hidden world of chaos and pressure, where girls as young as twelve starve themselves to fit into a sample size. Kirstie Clements' eye-opening account of life in fashion's fast lane has hit headlines all over the globe. Both a celebration and a critique of this extraordinary industry, The Vogue Factor is this season's must-have

In Decembe,r, 1984 a NATO-sponsored Advanced Study Institute entitled "Human Asessment:Cognition and Motivation" took place in Athens. It succeeded in attracting a great many of the most eminent scholars and researchers in this area, both as lecturers and participants. The contributors to this book are mostly members of staff who taught at the Institute. The chapters they have written are designed to provide an introduction to the principal issues that arise in the study of the assessment of intelligence and cognition. Since most of the protagonists are represented in this book the student is provided with an excellent overview. Many different people are responsible for preparation of a book such as this. We would like to express particular thanks to Siobhan Breslin and Julie Coleman, who typed the text despite an unfriendly and unreliable word-processing system. Thanks are also due to Steve Gill who helped with the preparation of the figures. Finally, as a mark of respect for his achievements and leadership in the field of mental measurement, we dedicate this volume to Norman Frederiksen. Sidney H. Irvine Stephen E. Newstead Plymouth, September 1985. -VII- CONTENTS Preface VII Contributors to this volume XI Functions and constants in mental measurement: Chapter 1 A taxonomic approach. 1 Sidney H. Irvine Human cognition and intelligence: Towards an Chapter 2 integrated theoretical perspective. 27 John M. Verster Chapter 3 Synopsis of a triarchic theory of human intelligence.

For fifty years our most powerful popular culture influencers have been the high-powered editors of mass-market women’s magazines like The Australian Women’s Weekly, Woman’s Day, New Idea and the now defunct Dolly, Cleo and Cosmopolitan. It is difficult to overstate the influence that these women have had in shaping popular ideas and attitudes, feminism, and femininity in Australia via the pages of their magazines. In these interviews, they describe their lives and careers in a medium that is part of our publishing heritage. Queens of Print is a tribute to the most influential and iconic women in Australian women’s magazines. It is a snapshot of a rapidly changing industry where print is supposedly dead, and media have been disrupted. This book looks back, but also forward to consider what a magazine might be and what a magazine editor might do in future decades.

Key Concepts for the Fashion Industry is the first concise and accessible overview of fashion theories for students on any fashion course. Providing an easy understanding of the core concepts, from scarcity to conformity, this book offers clear, practical examples and accessible case studies, making complex theory easy to digest. All fashion students need a basic understanding of how a style becomes a fashion and how this spreads or declines, whether they are studying fashion design, merchandising or any other fashion course. Containing student-friendly features such as discussion questions, activities and further reading, this book is essential reading for all students studying across all areas of fashion.

Average body mass in many Western cultures is getting larger and yet the fashion system seems mostly unchanged. Major fashion houses still limit their output to small sizes and the dominant ideal of the female body in fashion imagery is still thin – dangerously thin according to World Health Organization standards. Why is the industry forfeiting a considerable share of the market in the form of plus-size consumers, seemingly against its commercial interests? Why does the thin ideal reign supreme despite damning evidence of its harm to women? And is there a way out of this system of thin ideals and segregated fat bodies? In this original study, Paolo Volonté answers these questions and more, drawing on influential literature on the body, beauty standards and the roles of clothing in society. He reveals some surprising factors behind the perpetuation of the thin ideal such as the precedent of thin models and the introduction of standardised sizing for mass-manufactured clothing. He also revisits less surprising factors such as the attitudes of designers and consumers towards the female body, and notions of 'perfection'. By critically analysing these factors, Volonté reveals why plus-size fashion is often characterised by 'low aesthetic commitment' and low quality marketing. He explores the nature of the segregation of fat bodies in fashion and considers what the future may hold for consumers, designers and marketers alike.

Explores the tension women experience between their bodies and their desire for a spiritual life.

How does a style become a fashion? Why do trends spread and decline? Introducing Fashion Theory explores these questions and more to help you quickly get up-to-speed with fashion theories, from scarcity to conformity, through clear practical examples and fascinating case studies. This second edition, re-titled from Key Concepts for the Fashion Industry, includes expanded coverage on cultural appropriation, corporate greenwashing, and the criminal world of counterfeit goods. - Illustrated examples, from Apple's post-postmodernist iWatch to Savage X Fenty's body image message on diversity - Covers core fashion theories, from trickle-down to trickle-up, to political dress and conspicuous consumption - Filled with learning activities, key terms, chapter summaries, and discussion questions to inspire and inform

Ever thought about what Tinder advice Naomi Wolf would give you? Ever wondered what Andrea Dworkin would think about your Brazilian wax? Or what Mary Wollstonecraft would think about the 'fairy-tale' weddings you're always invited to? Using 40 everyday questions and problems as springboards for exploring the theories and concepts of the greatest feminist theorists of all time, from the pioneering writer of The Second Sex, Simone de Beauvoir to modern-day icons such as Chimamanda Ngozi Adichie What Would de Beauvoir Do? tackles all the important issues in your life through a feminist lens. From Audre Lorde to Roxane Gay, Virginia Woolf to Caitlin Moran, let the most influential feminists in history answer all your everyday questions, and in doing so shed light on even the most complex feminist theories.

Shows how the fashion industry in the mid- to late twentieth century created a particular way of seeing religion as fashionable From cross necklaces to fashion designs inspired by nuns’ habits, how have fashion sources interpreted Christianity? And how, in turn, have these interpretations shaped conceptions of religion in the United States? Religion in Vogue explores the intertwined history of Christianity and the fashion industry. Using a diverse range of fashion sources, including designs, jewelry, articles in fashion magazines, and advertisements, Lynn S. Neal demonstrates how in the second half of the twentieth century the modern fashion industry created an aestheticized Christianity, transforming it into a consumer product. The fashion industry socialized consumers to see religion as fashionable and as a beautiful lifestyle accessory—something to be displayed, consumed, and experienced as an expression of personal identity and taste. Religion was something to be embraced and shown off by those who were sophisticated and stylish, and not solely the domain of the politically conservative. Neal ultimately concludes that, through aestheticizing Christianity, the fashion industry has offered Americans a means of blending traditional elements of religion—such as ritual practice, miraculous events, and theological concepts—with modern culture, revealing a new dimension to the personal experience of religion.